Sentences with phrase «film changes during»

No need for complex tool and film changes during production - this saves time and reduces costs.

Not exact matches

When rolls are being changed, say, once every 20 minutes, as may be the case with pre-applied zipper film, that time adds up — over an hour and a half of production time lost in a single 8 - hour shift on a single line,» says Chris Graff, vice-president of sales and marketing at the Massachusetts - based Butler Automatic Inc. «That's an hour and a half's worth of packages not being made, shipped and sold from that line during each shift.»

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

The arrangement and orientation of the molecules during the curing process of the printed films can be determined from changes in the scattering pattern.

Lifetime's Aaliyah biopic has undergone its fair share or casting changes in regards to who will portray the R&B singer, but the film has During a pretty standard interview with HuffPost Live's Caroline Modarressy - Tehrani on Monday afternoon, R. Kelly condescendingly asked if the

This unique film takes place during the»60s, when Vatican II was changing the style of the Catholic Church.

Of the countless films they made during their (amorphous) multi-decade run, undergoing nearly as many lineup changes as the Fall and Yes put together, no single Three Stooges short or feature is an actual, legitimate masterpiece of the cinema — that is to say, none has been recognized as such.

Director Jon Amiel's 2009 film Creation is set during the period when Darwin was conducting the research that would later form the basis of his monumental work and forever change how the human species viewed itself in relation to the rest of the natural world.

I liked this change because during that scene, one of the fishes seem to actually jump out from beyond the black border on the bottom and into the film itself.

It could have easily been a formula film, and the trailer shamelessly tries to misrepresent it as one, but George Simmons learns and changes during his ordeal, and we empathize.

They talked about the positive reaction to the film, whether the project changed during development, the making of the film, getting it ready for Sundance, and more.

Similarly, the film suffers from a common problem in biopics that span more than 50 years, in that the editing suddenly leaps forward to another time period, just as things are getting interesting — this is particularly frustrating in the depiction of the central romance, but it also short - changes the sequences set during the AIDS crisis.

Plot details for MAGIC IN THE MOONLIGHT are still under wraps but the Sony Classic Pictures film, thought to be a romantic comedy (so no change there) spanning 20 years during the 1920 / 30s, has a super cast that is led by Emma Stone and Colin Firth.

And what's best is that during any given moment of the film, who you're rooting for may change.

Another of those circus - based romantic dramas set during the great depression, Water for Elephants is based on the novel by Sarah Gruen and directed by Francis Lawrence, changing pace considerably from his previous film, I Am Legend.

Polish director Agnieszka Holland is known for politically - conscious films that critically examine the impact on people of the changing authoritarians over Europe during the 20th century.

In the film, Walter (Stiller) works for Life magazine during a time of traumatic change.

During the fun conversation Bonneville joked about how Grant has changed since making Notting Hill, when they knew the sequel would be such a special film, what it was like filming the big train chase sequence in the 3rd act, and more.

But it is a new film that does not significantly expand or deepen our understanding of this universe, a film that seems to answer the question «I wonder what has changed in that world during the past 30 years» with «Ultimately, not that much.»

A powerful film about a group of cloistered Catholic nuns coming to terms with changes in the Church during the mid-1960s.

Prior to the digital and Blu - ray releases of Doctor Strange on February 14, The A.V. Club spoke with Derrickson about the differences between these two filmmaking experiences, the profound changes in CGI technology, and being starstruck by Tilda Swinton even after bonding with her during filming.

Apparently, the script of this film was changed during the filming; the original story was the hunt for bin Laden but his (supposed) capture and death occurred before the film was completed.

Catching Mickey Rourke during his decade as a promising leading man, before his sojourn as a boxer changed his physique and his career, two films revealed his considerable star power while failing to aid his ascendancy.

But while it's a clever approach that earns some laughs (none more so than during the end credits sequence), it doesn't change the fact that the film is still a complete retread from top to bottom.

Not only does it make more sense for the movie to be released during awards season, but Warner's sudden change of heart (having already started the marketing blitz last year) has raised some concerns about the film's quality.

with optional commentary sees the director proclaiming it «fascinating» how things change during the course of the film and shows young Rosie (a.k.a. Grace) in a continuous tracking shot that the creative team «knew wasn't working» without further clarification of how the final version works better.

During the interview, Phillips and screenwriter Craig Mazin talked about his first cut versus the theatrical release, deleted scenes, what can fans expect on the Blu - ray, what it's like working for Warner Bros. and the creative freedom he's allowed, the writing process, how the story changed, film versus digital, thoughts on doing a 3D comedy, and more.

The director's previous films were both scored by Harry Gregson - Williams, but he's made a change this time round, bringing on board the highly - respected and improbably prolific Alexandre Desplat (this is the seventh of nine Desplat - scored films to be released during 2012).

despite the seismic changes in critical fashion during the past half century, auteurism — at its most basic, the idea that there is an author to a film — has been central to the historical development of both popular film and serious film criticism and theory... aspects of auteurism have overlapped with virtually every subsequent critical theory and paradigm.

Each of the awards in the «Best of» and «Female Focus» categories are presented annually, while «Special Mention» Awards categories are subject to change each year, depending on the list of films released during the year.

The first, by George A. Romero, his wife and assistant director Chris Romero (née Forrest) and Tom Savini, reveals that almost all the cast were friends, family or local Pittsburgh volunteers (even the mall was owned by personal friends of Romero), that the original script had a far bleaker ending (everybody dies) which was changed during the shoot because the film was «too much fun» for it, and that the fourth film, should it ever get made, is a larger - scale affair set in a down - town area, with lots of action sequences and an overarching theme of «ignoring the problem».

How do her attitudes change during the film?

Often during filming, a screenplay is changed as the story comes to life, usually only slightly but sometimes very dramatically.

Twelve years did little to change Dante and Randal's work ethic, but the two slackers grew enough during the interim (and, more importantly, the film's running time) to justify revisiting them.

The guys go through a mix of topics related to the film, with an emphasis on their experiences during the shoot as well as some changes from the original script.

Dramatic films which have portrayed the «homefront» during times of war, and the subsequent problems of peacetime adjustment include William Wyler's Mrs. Miniver (1942) about a separated middle - class family couple (Greer Garson and Walter Pidgeon) during the Blitz, Clarence Brown's The Human Comedy (1943) with telegram delivery boy Mickey Rooney bringing news from the front to small - town GI families back home, John Cromwell's Since You Went Away (1944) with head of family Claudette Colbert during her husband's absence, and another William Wyler poignant classic The Best Years of Our Lives (1946) with couples awkwardly brought back together forever changed after the war: Dana Andrews and Virginia Mayo, Fredric March and Myrna Loy, and Harold Russell and Cathy O'Donnell.

The film spent several weeks shooting in Dublin last year, providing 300 people with temporary jobs during principle photography, and Fassbender said he enjoyed the opportunity to work at home for a change.

MaryAnn Johanson: Dee Rees's marvelous film is of course a terrific look at racism in the rural South in the 1940s: I particularly love how it shows how its two WWII veterans, one black and one white, are changed by their experiences of race relations in Europe and in the US Army during the war, that they discover that the way things have been in America are not automatically the way they must be, that their world could be better and fairer.

During the past ten years, AWFJ has also hosted screenings of films by and about women, presented and served on panels at film festivals and other events, expanded our membership base to include women film journalists in Canada and the UK, mentored young women film journalists and offered them publishing opportunities, forged alliances with other groups concerned about disparities pertaining to women and film and raised awareness within the industry and in the public arena about the need for change.

There are few films focused on the women who kept things running behind the scenes during wartime and it undoubtedly makes for a refreshing change.

How does Andrea's attitude toward the fashion industry change during this film?

A U.S. Dramatic Special Jury Award for Breakthrough Director was presented to: Maggie Betts, for her film Novitiate — In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church.

I came across a great post by Ally Carter about the sort of changes stories often go through during a book - to - film adaptation.

The Las Vegas sequence of The Godfather was filmed here, as the site of Michael Corleone's Vegas casino business; and it is referred to briefly in The Godfather Part II — but its name changed to «Tropigala» during filming to avoid copyright issues.

After the death of screenwriter Barry Wong, the film's screenplay underwent constant changes during filming.

The exhibition features a new installation referencing the changing environment of Samb's atelier as well as showing archival materials and films made during his unique collaboration with French artist / director Jean Michel Bruyère.

Some 250 photographs, photo books, paintings, sculpture and film - based installations reveal how contemporary art changed during a time of radical societal transformation.

Vick Muniz donated the proceedings made from sales made during the filming of Waste Land to the people of Gramacho landfill, drawing attention to its poor state and changing many lives in the process.

Designer Philippe Malouin describes how the Olympics has changed Hackney in this movie we filmed at Dezeen Live during 100 % Design.

The SPPI's Christopher Monckton appears as a «Key Scientist» in Marc Morano's documentary film, Climate Hustle, which debuted on December 7, 2015, in Paris, France during the COP21 United Nations summit on climate change.