Sentences with phrase «film changes in the second»

While the tone of the film changes in the second portion (from dreamy ideals to stark realities), many sequences and shots still carry that slightly surreal aesthetic, which heightens the intrigue and beauty of this gritty working - class limbo; even more so than his other films, Mud showcases Nichols as a sharp and artistic visual storyteller.

Not exact matches

In related work, a second team of researchers led by the same Penn State group used doping engineering that substitutes foreign atoms into the crystal lattice of the film in order to change or improve the properties of the materiaIn related work, a second team of researchers led by the same Penn State group used doping engineering that substitutes foreign atoms into the crystal lattice of the film in order to change or improve the properties of the materiain order to change or improve the properties of the material.

In lieu of the earlier film's dreamlike expressive effects, Disobedience puts an uncommon faith in concisions of acting and editing (including a wordless, believable montage of grief), and in loaded moments and changes in point of view that would probably play differently on a second viewinIn lieu of the earlier film's dreamlike expressive effects, Disobedience puts an uncommon faith in concisions of acting and editing (including a wordless, believable montage of grief), and in loaded moments and changes in point of view that would probably play differently on a second viewinin concisions of acting and editing (including a wordless, believable montage of grief), and in loaded moments and changes in point of view that would probably play differently on a second viewinin loaded moments and changes in point of view that would probably play differently on a second viewinin point of view that would probably play differently on a second viewing.

The movie nails Moore for taking a headline from a pro-Gore letter to the editor in a Florida newspaper («Gore Won Florida Recount»), enlarging it, changing the date, and using it as a graphic element in a brief montage, making it appear as though it were an actual news article — «all for one second of footage in the film,» according to Jason Clarke, who thus singlehandedly deflates the significance of his own finding.

Instead of documentaries and interviews and the like, the second disc offers an alternate cut of the film, which only runs a few minutes longer but features a different ending that changes the entire point of the film... for the better, in my opinion.

3: «Get Out» or Luca Guadagnino's achingly tender «Call Me by Your Name» will emerge as a popular first choice among Oscar voters, and a film that was made for considerably less than $ 10 million will win Best Picture for the second year in a row, confirming that «Moonlight» changed the game in more ways than one and forever altered our idea of what constitutes an «Oscar Movie.»

Learning to Drive and The Second Mother are two films that look at older women in a moment of massive change in their lives.

Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the film, the nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made from the shooting script, and the modernist narrative.

At the same time, there is some new material in the film, as there has been in each one of the previous incarnations of H2G2 — although purists can rest assured that many of these changes were approved by Adams, who had completed the script's second draft before he died in 2001 and Karey «Chicken Run» Kirkpatrick took over the screenwriting.

In order to fix either of those things, it's clear there would need to be some changes with Insurgent, the second film in a franchise hoping to earn its way to your hearts before ultimately taking a fruitful trip to the banIn order to fix either of those things, it's clear there would need to be some changes with Insurgent, the second film in a franchise hoping to earn its way to your hearts before ultimately taking a fruitful trip to the banin a franchise hoping to earn its way to your hearts before ultimately taking a fruitful trip to the bank.

A 20 - second «Altered Ending» isn't much to see without more context, but as the menu write - up explains, this abrupt clip was what the film wrongly concluded with for decades, until over a minute of critical footage was restored in 1997, completely changing the fates of our heroes.

Of course, Fellini's career - changing film and Godard's «second first film» — this was his first «narrative,» defined loosely of course, in a decade — are invaluable to movie history as well.

This is especially important in the film's second half, where events conspire to split the pair up, as Delphine returns to her former life as a very much changed person.

We follow in almost real time a handful of individuals forced to make split - second decisions after this incomprehensible event that would change their lives and forever alter our world's landscape: the young doctors and nurses at Parkland Hospital, the chief of the Dallas Secret Service, the unwitting cameraman who captured what has become the most watched and examined film in history, the FBI Agents who had gunman Lee Harvey Oswald within their grasp and Vice President Lyndon Johnson who had to take control of a country in a moment's notice.

When a Twitter user asked Landis why he thought the villagers in the original film didn't stop the werewolf themselves, the screenwriter revealed that he's exploring this detail in his script, and it will account for one of the biggest deviations from the original film: «Answering this question and the nature of the village's role in the plot in the second and third act as of now are the biggest changes I've made to the original structure... Doing some fun stuff.»

The narrative almost changed with the very last competition film when Lynne Ramsay rushed to get her final cut onto the Croisette with You Were Never Really Here (3.6) and was close but no cigar for the second highest rated film just squeaking in in front of Zvyagintsev's Loveless (3.5).

Correction: This story has been amended to correctly reflect changes that were identified in a second screening of the film.

I asked them what the changing of the titles meant in respect to the content of the features and their connection together, and the filmmakers explained in no uncertain terms that one film is something, and that the second is something else.

At first glance Park Chan - Wook's «inspired» by Sarah Waters Victorian set novel Fingersmith (Waters and Chan - Wook agreed on inspired rather and adapted because of the changes in the second half of the film) is an usual choice.

The film dramatically changes tone in its second act.

«I was changed the first time I saw (the film) and I'm changed again the second time,» said Darryl Adams, superintendent of the Coachella Valley Unified School District in California.

The latest evidence has come in the last few days, with the release of «Before the Flood,» a sobering new climate film (watchable in full online) featuring Leonardo DiCaprio, and the second season of «Years of Living Dangerously,» a series of celebrity - guided, but substantive, pieces on human - driven climate change and the clean - energy challenge.