Sentences with phrase «film character transformations»

Gyllenhaal's past film - to - film character transformations have been tremendous, and whatever he does will have my interest, but here he takes «commitment to craft» to the next level, with a physical transformation for the ages.

Not exact matches

There's not much going on here that most audience members won't see coming miles away - ie the transformation of a crusty old blind character into someone distinctly more kindhearted, thanks to the presence of Quill - but the film nevertheless remains engaging, primarily thanks to director Yoichi Sai's patience in allowing things to play out naturally.

The film explores the dynamics of emotions by intersecting stories of characters from their past and present with the combination of images and historical references to accentuate the transformation of society and the reality of painful loss

The film explores the dynamics of emotions by intersecting stories of characters from their past and present with the combination of images and historical references to accentuate the transformation of society and the reality of painful loss through time.

Though the theme of resentment plays a big part in the film, Tom's emotional transformation is taken a little too far, to the point that you're not even sure if you like the main characters anymore.

By the time one character reveals in a decrepit motel room that he is, in fact, «a child from the order» (or something), Revelation has completed its transformation from horror film to outright soap opera.

Yes, category fraud could be argued here as the film was really Bradley Cooper's character's stories from the oustet, but in the end, it became their story and it's Lawrence's magnetic work that allows that transformation to occur.

The transformation is jarring and the attempts to redeem her character in the film's climax never believable.

They fall into their roles as the film progresses, and particularly as it accelerates in its third act - Hanks displaying a dogged determination, Streep shining in a feminist transformation as her formerly meek character stops deferring to the wills of male «advisers» and begins to truly assert herself.

With filming for the second instalment in the franchise now underway, Brolin has taken to Instagram to share an image from the set — chiefly, of him in the make - up chair, receiving his transformation into the character of Cable, a time - travelling soldier.

However, this trilogy has always been about Caesar's journey and the character is given his best material here showing this fully - fleshed out warrior whose transformation (both in the trilogy and in this particular film) has been magnificent to behold.

But in its later stages, as WWI darkens Chris's horizon, the film begins to slip into cliché: one character's emotional transformation is so clumsily handled as to be almost laughable, while an unnecessary hop over the English Channel and into the trenches feels manipulative and off - message.

The classic film Citizen Kane also uses amazing make - up transformations to depict the aging process of the characters.

His transformation from emotionless oppressor to penitent man is the film's most significant character journey, and a fitting personal face for the political strife that forms the story's backdrop.

Indeed, the film takes way too long to get to Demo's war on crime, frittering away nearly half its length on well - intentioned but ineffective character drama involving Alyssa's transformation and her relationship with Dr. Crowley.

The transformation of Penn's character as he slowly opens up during the course of the film is astonishing and thus showing us the essence of a person uncloaked.

As an observation of transference, the film isn't particularly subtle; Wells and Roberts, especially, articulate a bit too clearly Barbara's near - transformation into a similarly monstrous character in the final act.

Great choice, though it may be controversial considering how many people were miffed at the arc of Rockwell's character in the film and how he saw a quick transformation from a corrupt, White Supremacist cop to a kind man hell - bent on justice.

Gere plays the same suave character that he always plays, and he continues his transformation into John Travolta as he gets to dance in another film.

So far I've never seen anyone address the sheer campiness of General Hux and Poe Dameron conversation which set the tone for the rest of the film, the Yoda character transformation from previous arcs, the build up of new characters and totally discard them.