Not exact matches
Whether it's the collage artist who consciously dumps scraps into disorderly boxes or the
film editor who prefers old - fashioned
editing technology that forces him to scroll through more footage to find the
clip he thought he was looking for, all these artistic greats understand that disorder has one exceptionally valuable side effect — more serendipity.
Inside the
Film Room, you'll find a suite of tools that allows you to
edit your game
film, create your own video
clips, label them for easy access, and add notes and telestrations on top of everything.
From the
filming and
editing to figuring out how to speed up / slow down
clips and add background music... it was all an exciting learning process.
I
filmed these short «outfits for work»
clips, just before heading to work, and, at the end of a busy working weekend, I had enough material to
edit a fashion video!
Drawing liberally from an onstage interview at the Austin
Film Society,
clips from the two directors»
films, and visits to Linklater's
editing room (where Boyhood is up on the console), Klinger creates a conversational structure for the
film, making Benning's visit with Linklater the throughline of the
film.
The
film plays like an awkwardly
edited clip show of highlights from his troubled life and career — complete with all the booze, drugs and womanizing that's become commonplace in the subgenre — jumping from scene to scene with little direction or purpose.
Perhaps due to the choices to cover older works, they're more able than ever to produce intelligent, thoughtful, and informative criticism — while this article maligns their production value as no better than «the average Youtube video,»
editing a video review to provide context via
clips of the
film is a step beyond what the vast majority of populist or even academic
film criticism has done in the past, let alone other related
films in the genre and in the director's oeuvre for context.
A twenty - minute
film proudly advertised as «An Exclusive Documentary» is a hastily patched together montage of extended
clips from the movie maladroitly
edited together with press - junket interviews.
Last but not least is the surprisingly interesting «Boats»N Hoes» Music Video Editor, an innovative use of Blu - ray technology that lets you create your own
edit of the
film's crass music - video
clip by using your remote control's number pad to select from nine different camera angles that run the length of the video.
Finally, «Unusual Way» (3:40) is performed not by Nicole Kidman but Griffith Frank, a stubbly young man whose dramatic rendition gets
edited with a variety of
film clips.
The
editing is short and
clipped, and every shot seems to begin a few seconds after the action in the frame has begun to give the impression that progress is occurring so rapidly that not even the
film itself can keep up.
Various bits of ephemera appear in the secondary picture window as the
film plays back — interviews, alternate line readings,
clips from the
edited - for - TV version of the
film and the 1932 Scarface.
Even more graceless is the seemingly haphazard way the
film has been
edited, with scenes either abruptly
clipped or relentlessly drawn - out (a possible byproduct of the
film having four credited editors).
I've also loaded you up a new video
clip,
filmed and
edited by our friend and Uluwatu local surfer Made Ropik.
From the beginning it's clear how much reverence the game holds for the original Star Wars trilogy, with even the title screen showing
edited clips of iconic moments from the
films.
From those years until his death in 2008, Conner created found footage,
films created by
editing clips of existing video, through which he called into question the power of the media.
A 24 - hour - long meditation on the nature and artifice of time, «The Clock» consists of thousands of
film (and to a lesser degree, television)
clips that feature clocks, watches and other timepieces,
edited together so that the time you see on screen reflects the current time.
For the video installation, she
edits together
clips from popular Egyptian
films that feature shots of the pyramids.
These are all scenes from Christian Marclay's 24 - hour video montage «The Clock,» (2010) in which thousands of
film and television
clips have been ingeniously and seamlessly collaged together and fastidiously
edited.
The experimental sci - fi
film noir will be powered by code, programmed exclusively for the project, which
edits the
film in real time culling from a server loaded with over 2,000
film clips, sounds, and narration.
The
film's continuously evolving narrative is guided by a custom - made algorithm that
edits in real time from a server loaded with thousands of
clips, creating a never - ending movie.
You can't turn on the tube without seeing the influence of Bruce Conner, the elusive San Francisco artist whose classic collage
films of the late 1950s and»60s pioneered the popping fast - cut
editing style used on countless commercials and MTV
clips.
She said she was concerned by the undercover
filming by the Center for Medical Progress, which produced the
edited clips.