Sentences with phrase «film clips focused»

The menu sets film clips focused on hands and props to score.

Not exact matches

The Director of Communications and Audience Engagement will work closely with the CEO to create, curate, and market an expansive collection of film clips (full episodes and movies as well as short clips) focused on bringing light escapist pleasure to the (mostly female) masses.
Dogwoof has released a new clip from their upcoming documentary 78/52, a new film focussing upon the classic shower scene in Alfred Hitchcock's legendary...
Lionsgate recently released a clip from the film, focusing on the meeting of protagonist Katniss Everdeen (Jennifer Lawrence) with Cinna (Lenny Kravitz), the stylist who designs her outfits for the titular Hunger Games.
One can't help wishing for a film that focuses unrelentingly on Neeson, but that film would move at a much slower clip, as The Grey rarely lets up in the first act, with Carnahan achieving skillful tension and the production utilizing specific and effective sound design to spotlight the uninhabitable environment.
- The Road Warriors — Max and Furious: This clip focuses on Tom Hardy and Charlize Theron speaking about their roles in the film.
In this clip, Friedberg focuses on the architecture, specifically how the film's three homes were «cast» and what the style and architectural era of each of them say about the family who lives in it.
«The Madness, Misery, and Mystery of Edgar Allan Poe» (9:50) focuses on the real author, with biographical remarks from Poe museum curator Chris Semtner and St. Christopher's School writer in residence Ron Smith complemented by old photographs and documents, abundant clips from the film, and brief remarks from the screenwriters.
Shortly after it was announced that the film would be part of the Features lineup at the 2014 SXSW Film Festival, Focus Features released a new clip from Jason Bateman's directorial debut Bad Words.
Watch movie clip # 2 from the upcoming Focus Features film â $ œAtonementâ $ by director Joe Wright and starring Keira Knightley, James McAvoy, Romola Garai and Saoirse Ronan.
Just in case you haven't had a chance to catch the film yet (or if you just want a pleasant reminder of Anderson's quirky comedy), Focus Features has released three new clips from the film to try to drum up a bit more support as we head into the summer's warmest weeks.
Watch movie clip # 1 from the upcoming Focus Features film «Atonement» by director Joe Wright and starring Keira Knightley, James McAvoy, Romola Garai and Saoirse Ronan.
Carried over from the previous disc releases are two commentary tracks (one production - focused track by Terry Gilliam and Terry Jones, and other with general complaints and back - biting by John Cleese, Eric Idle and Michael Palin), featurettes («The Quest for the Holy Grail Locations» hosted by Michael Palin and Terry Jones, the 18 - minute 1974 BBC report «On Location with The Pythons,» «How To Use Your Coconuts»), «Lost Animations» (a 12 - minute collection of unused animated bits prepared for the film with an introduction by Terry Gilliam) nearly 20 minutes of outtakes and extended scenes with an introduction by Terry Jones, three sing - alongs, clips from the film in Japanese with English subtitles, and the all - interlocking «Monty Python and the Holy Grail In Lego.»
Everything from the character posters to a short clip unveiled in advance of Deathly Hallows: Part 2 has been focused on the concept that film is THE ultimate conclusion to the fantasy saga.
This assembly focusses on the film Wakolda (The German Doctor), 12, 2014 featuring thought provoking questions, clips and stills to encourage students to consider the pursuit and prosecution of Holocaust perpetrators, and the exploration of the subject of the Holocaust in films 70 years after the end of the World War Two.
Including expert interviews and film extracts featuring Samantha Morton, each clip focuses on a different aspect of the novel: from the gothic elements, to how social class is portrayed.
Some discussion of short - term practical issues focused on how to incorporate short film clips into a typical classroom period.
From 2000 onwards, Sturtevant focused primarily on video, using her own footage alongside stock clips from films, television and advertising to explore the politics of image production and circulation.
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