Sentences with phrase «film clips plays»

A montage of film clips plays while the pop - up ski - themed menu expands from the bottom up.

Not exact matches

Colbert started the monologue by playing a clip of Trump speaking with reporters on Air Force One last week about the $ 130,000 payment Cohen made to the pornographic film actress Stormy Daniels in October 2016.

In the first clip, one of the reasons why this play stood out to me in studying film is that he uses poor technique to receive the ball.

Even in quieter moments, you can just watch clips from the films, which are playing behind the vehicles.

They include an alternate opening of Carol doing an voice exercise with an annoyingly - voiced woman interviewing her in a bookstore, more of and on Dani and Moe's rocky marriage, a scene featuring an accomplished female voiceover artist (played by Melissa Disney), and a number of additional clips from the convincing fake reality dating TV show woven throughout the film,

The film plays like an awkwardly edited clip show of highlights from his troubled life and career — complete with all the booze, drugs and womanizing that's become commonplace in the subgenre — jumping from scene to scene with little direction or purpose.

The film kicks off with a montage of 9/11 phone calls playing over black and the sequence is cut perfectly, rousing the heartache of that day through a sense of hysteria, but also by giving certain audio clips time to breathe, establishing a personal connection.

The Blu - ray's menu simply plays clips from the film with a pale green tint.

There are a few good things about it, the gunfights were gritty and non exaggerated proving that Mann can still do decent gun play that is more accurate opposed to the infinite clip that we are used to seeing in many other movies, the cinematography is also very good and it was really nice to just look at the beautiful landscapes and backgrounds of the locations they filmed in Hong Kong and Jakarta.

The main menu plays clips in the gemstone at the center of a pentagram, a design that doesn't strongly resonate with anything in the film.

The menu loops clips from the film along while Nick Cave and Warren Ellis» «Three Seasons in Wyoming» plays.

Nebraska, the new film from Alexander Payne (The Descendants), will be playing in competition, and the first clip has only added to my jealousy of this year's festival - goers.

Without context, the clip seems only to offer a glimpse into the character of Albert, played by Seth MacFarlane, who also directs, produces and co-writes the film.

This film plays like a colourful remix of the first instalment, but one where the origin story element is clipped down to a fine point.

With elements of Footloose and Step Up, the story is continually brought crashing back around us with clips from Platoon — a film Josh so loves that it plays a central role in the film's climax and redemption for all involved.

The brief clip from the live action film shows the Trainspotting star as a grown - up Christopher Robin being told by his boss, played by Mark Gatiss, that he needs to sack people.

Because this movie was, for the first time, introducing a new actor (George Lazenby) playing Bond, much of Binder's work here consists of a montage of clips from the previous films, as the need was felt to stress to audiences that they were still following the adventures of the same man.

The film plays out mostly as you would expect and if, like me, you have seen the trailer every time you went to the movies over the past few months, then you have seen most clips of most of the movie.

Select any of them and you'll hear some information (from the troubadour) about the film or short, its source, and the role that Mickey played, followed by a brief clip or montage from the appearance.

Our favorite character from the film (which has yet to be introduced to the public) finally gets a few seconds of exposure in the above clip starring Cate Blanchett, and hired gun Tom Hollander (playing the creepshow character, Isaacs).

The menu applies a ghosting effect to the edges of a looped 40 - second montage of clips from the film while an excerpt of the film's very»80s score plays.

The nicely scored menu plays clips from the film in up to four rectangles whose dimensions are constantly changing.

The first clip from the film has arrived and it finds both Ralph Fiennes, and us, meeting Zero played by Revolori (and F. Murray Abraham as the older version), who is hired as a lobby boy at the titular hotel and gets thrown into the wild orbit of M. Gustave.

As the clips mount up, the sense of smug, generational entitlement on which many of these films depended becomes depressingly clear: here, in clip after clip, are cocky young men (Jack Nicholson, Elliott Gould, Dustin Hoffman) venting their self - righteousness on cardboard establishment figures, a suspiciously large number of them played by women.

Commercially speaking, this probably doesn't matter: The Disaster Artist's target audience are people who have already semi-memorized The Room and who will appreciate Franco's studious recreations of scenes from the film, as well as the lengthy clip reel coda that plays his recreated scenes side - by - side with the originals to further demonstrate their studiousness.

One of the country's best and busiest character actors, the Brooklyn, N.Y. - born Chaykin played substantial roles on TV — detective Nero Wolfe on A&E, the delightfully sketchy paterfamilias on Citytv and HBO Canada's Less Than Kind (see the above clip)-- as well as many memorable supporting parts on film.

Drafthouse Films is bringing the madness to US shores with Sono Sion's Why Don't You Play In Hell hitting select theaters and VOD platforms across the nation on November 7th and we've got an exclusive clip from the film along...

Various bits of ephemera appear in the secondary picture window as the film plays back — interviews, alternate line readings, clips from the edited - for - TV version of the film and the 1932 Scarface.

Peter Sellers famously and brilliantly invented the role of Inspector Clouseau, and played it to the hilt in six films (a seventh featured him posthumously, in clips, and the eighth cast Roberto Benigni as Clouseau's offspring).

The nicely scored menu plays clips from the film, stopping on them like snapshots until fading to a bank resembling a slightly animated version of the cover art.

The scored menu plays clips from the film with muted colors, rain, and other filters.

Late - night host plays Mos Eisley Cantina's doorman Randy and actor reprises Luke Skywalker in «exclusive clip from non-existent film»

There was a guy with a clip board at the entrance to the outdoor area where the film was going to be played, asking who invited us and said we couldn't get in unless we were on the list.

Taking the form of a video essay, the film is at its best stitching together clichéd clips from different movies — montages of house parties and masturbation sequences playing out over an angsty soundtrack by indie band Summer Camp.

The menu plays scored clips from the film with a hazy border.

See Woody Harrelson play a L.A. cop whose destructive lifestyle begins to spiral further out of control in the trailer and new clips from the film «Rampart».

That said, The Hunger Games movie will have to feature scenes that don't feature Katniss (played in the movie be Jennifer Lawrence), and now we're getting a look at one with this latest clip from the film.

The DVD's recycled menus play full clips and looped animated scenery from the film, with listings atop sheet music and musical notes as cursor.

Animated weather effects give way to the title logo, which is then replaced by three vine - covered frames (the center one playing a montage of film clips).

The animated main menu plays color - drained clips from the film (many of them from the trailer) with the film's title partially covering them.

At any rate, Clark gives us the skinny on Black Christmas while walking towards a retreating camera, a shot that plays well when intercut with film clips but that gets a little sickening when left uninterrupted.

Audio Commentary by Updated 2003 Audio Commentary by Film Historian Bruce Eder, and Herrmann Biographer Steven C. Smith / «Here Is A Man» preview version comparison (4:37) / Reading of «The Devil & Daniel Webster» short story by Alec Baldwin (33:41) / Radio Plays: «The Devil & Daniel Webster» (29:50) from Aug. 6, 1938 + «Daniel Webster & the Sea Serpent» (29:43) from Aug. 1, 1937 / «About the Columbia Workshop» essay / «The Devil In Context»: 6 - part Bernard Herrmann score essay with indexed film clips and 4 stills / Still and Poster Gallery with 12 images / 12 - page colour booklet featuring an essay by author Tom Piazza, and original 1941 New York Times article by Stephen Vincent Benet, and Color Bars / New high - definition transfer with restored image and sound / 12 page colour boooklet

The included featurette gives us a concise overview of the film's production, including outtake clips, and an interview with actress Nanette Fabray («The Band Wagon»), who played Mistress Radcliffe, in her first feature film.

A ten - minute clip (or shorter) from a film like The Story of the Weeping Camel from Mongolia might suffice to create a powerful discussion prompt on geography and language, on different perspectives about material luxuries, survival, family, how loved ones are cared for, being kind and considerate, what different living environments look like and how they are built, and how kids play or entertain themselves in different settings.

This could turn out to be a very interesting film clip, since games have never played a big part in music video before.

The clip is showing off various actions scenes from the game, while playing the theme from to the films.

Among the works presented in the exhibition are Gestures (1999), Crossfire (2007), Mixed Reviews (1999 — 2001) and the centerpiece of the exhibition Video Quartet (2002), a large, four - screen projection featuring hundreds of clips from old Hollywood films, with actors and musicians making sound or playing instruments.

The artists whose work will be displayed in the Punta della Dogana have been interviewed on film and these clips will be played to audiences in Teatrino during the autumn season.

A 24 - hour montage of clips from thousands of movies referencing time of day, the film by Christian Marclay is playing in its entirety six Saturdays at the SFMOMA.

In a clever curatorial maneuver, sets of Cantor's drawings which amalgamate sexual fantasies and popular culture, are being paired with select clips of the film; playing on her deep - rooted assault on the placid and imbecilic presentation of female characters in animated movies.