Sentences with phrase «film collaboration since»

Re-teaming writer Mike White and director Miguel Arteta for their first feature - film collaboration since The Good Girl,...

Not exact matches

The designer has since entered into a number of high profile collaborations, including outfitting singer Florence Welch for her 2011 tour, and has also designed the costumes for the 2013 release of the film Rush.

To say it's the best of their three collaborations might be underselling the film's appeal since the other two films — «Tammy» and «The Boss» — didn't make the best use of McCarthy's considerable comic talents.

But if «Prisoners» is the grimmest studio film you've seen since «The Girl With The Dragon Tattoo,» then «Enemy» — chronologically their first collaboration — is the equally dark but more experimental and arty cousin.

Since watching BLUE VALENTINE, all I've wanted is to see another collaboration between Ryan Gosling and the film's director Derek Cianfrance.

And since independent film is where social progress typically finds its earliest, least compromised expression, we're now seeing more richly observant films like «Return,» a sensitively rendered drama that marks a promising debut for writer - director Liza Johnson, in rewarding collaboration with underrated actress Linda Cardellini.

• James Cameron on «At the Mountains of Madness,» his upcoming collaboration with Guillermo Del Toro: «It's going to be an epically scaled horror film and we haven't seen anything like that in a really long time — I guess since Aliens.»

In 2004 and 2005, the makers of Hoop Dreams, in collaboration with Criterion, revisited the documentary's principle figures, Arthur Agee and William Gates, along with their families, to see what had been happening in their lives since the film's...

His debut, the Green - produced Shotgun Stories, marked the start of a creative collaboration with actor Michael Shannon, who would go on to star in Nichols» breakthrough film, the acclaimed Take Shelter, and has appeared in all of his films since.

Craig Armstrong has been composing film music since the mid-1990s, with his breakthrough being the unusual British gangster film Plunkett and Macleane; it didn't take long after that for Hollywood to come calling, and he has split his time between scoring British movies and those for Hollywood, gathering valuable collaborations with directors Baz Luhrmann and Philip Noyce along the way.

Deakins has shot every Coen brothers movie since 1991's Barton Fink (along with such beautiful films as The Shawshank Redemption, The Assassination of Jesse James by the Coward Robert Ford, and Revolutionary Road); Burwell's fruitful collaborations with the Coens date back further still, all the way to their 1984 debut Blood Simple.

It's a macabre and inspired conceit, and one mined for biting social satire by writer / director Brian Taylor on his first solo outing since his gonzo collaborations with Mark Neveldine (the Crank films, Gamer), which similarly provoked and parodied cultural bugaboos.»

Since his first cinematic composition, a collaboration with then - newcomer Richard Band on the low - budget science fiction thriller, LASERBLAST (1978), Joel scored a number of feature and television films throughout the 1980s and «90s, including the sci - fi series SUPER FORCE (1990), Roland Emmerich's early sci - fi thriller MOON 44 (1990), and Jim Wynorski's gentle family comedy, LITTLE MISS MILLIONS (1993).

They have since filmed a documentary in collaboration with American television broadcaster Public Broadcasting Service (PBS) but their ultimate goal is to create the Museum of Compassion.

In this show, the artist's first one - person exhibition in the United States since his «Possibilities» show at the P.S. 1 Museum in June 1989, FRANZ WEST will exhibit a series of new sculptures and an installation which includes a video made in collaboration with the Austrian film - maker BERNARD RIFF.

Since the start of their collaboration in 1994 Dutch artists Jeroen de Rijke and Willem de Rooij have produced a select corpus of 35 mm and 16 mm films, photographs, objects, installations and texts.

Since this time, Kusama's extraordinary artistic endeavours have spanned painting, drawing, collage, sculpture, performance, film, printmaking, installation and environmental art as well as literature, fashion (most notably in her 2012 collaboration with Louis Vuitton) and product design.

Jette Gejl Kristensen has worked with 3D technology since 2001 when, in collaboration with computer scientist Peter Møller - Nielsen, she produced the film trilogy Stone, Grass, and Fabric, in which she experimented with the capability of virtual forms to move and physically impact the body of the viewer.

[12] The membership has evolved since its founding through creative collaborations: [13] the group was originally promoted as working in paint, but members have since worked in various other media, including poetry, fiction, performance, photography, film and music.