Sentences with phrase «film credits sure»

World War Z. For such a small country, Malta's film credits sure are prodigious, which explains why the London Times once dubbed it, «the Mediterranean's mini-Hollywood.»

Not exact matches

The inclusion of a handful of compelling moments within the film's second half - ie one of the soldiers moves higher and higher on the mountain to hopefully get a radio signal - are rendered moot by the otherwise uninvolving, bland atmosphere, while the needlessly padded - out final stretch, which just seems to go on forever, is sure to test the resolve of even the most patient viewer (and this is to say nothing of the seemingly endless closing credits).

The thing that hits you first about this film is it looks sharp, the opening credits are damn nice and Murphy looks his coolest since «Beverly Hills», its a slow builder for sure but with Wincott as the baddie with his raspy devilish voice it keeps you glued to the screen.

It also probably gets a little more attention than it deserves, but until Hollywood shapes up and delivers more quality adaptations, the film is sure to receive credit as the one exception to the case against producing remakes.

Be sure to stick around at the end of the credits for one of the most gloriously entertaining two minutes of film, I'm talking priceless, and if at all possible, find the local theater encouraging a sing along.

No film in 2013 made me feel more than «Upstream Color,» and an early morning festival screening meant walking around in a haze for hours after, not quite sure what I'd just seen (though I think it's more narratively coherent than many give it credit for, especially after a rewatch), and almost wanting to shake it, but also not willing to trade the experience for anything.

When the closing credits roll on the gorgeous, horrifying, almost indescribable new film from «Sexy Beast» and «Birth» director Jonathan Glazer, you suspect you've seen something remarkable, but you're not quite sure: you're still processing, unpacking and puzzling over it.

There are some great elements to the film and some unforgettable visuals (not sure who gets the credit there) but overall the script makes the film seem as if it is trying too hard to be a Coen Brothers film and not a John Hillcoat project.

Sure, the film looks nice, but I would credit that more to excellent Los Angeles location scouting than full - bodied design.

Like the other Marvel films, make sure to check for the Stan Lee cameo and stay after the credits start to roll for two additional scenes.

The public isn't sure who she is, but she's been working since 1984 and has 76 film and TV credits.

Be sure to stick around during the closing credits where actual photos from the real - life Argo exodus are placed side - by - side with images from the film.

Although there are fun callbacks to the original film — we learn why Dory «speaks whale»; and even though this isn't a Marvel movie, make sure you stay after the opening credits — there isn't anything here that touches the hilarious lunacy of the shark support group from Nemo.

I'm not sure if I'm more surprised that it took three credited screenwriters to come up with a script this inept than I am that Ramis actually shot film with a script at all.

First is Sting's dramatic Oscar - nominated end credits anthem «My Funny Friend and Me» (2:54), presented as a hybrid of a music video and the artist's reflections about working on the film (a sterilized abbreviation of production, to be sure).

I'm not sure why Norton should complain, as The Italian Job is easily one of the most entertaining films of 2003, and much of the credit should go to director Gray as well as cinematographer Wally Pfister (Insomnia, Memento) for the truly sumptuous visual look of the film.

There were some sex scenes involved, sure, but Tommy Wiseau, Danielle's partner in the scenes, as well as the film's credited writer, director, producer and star, repeatedly assured her that they would be edited tastefully in postproduction.