Sentences with phrase «film credits through»

Gary's list of credits ranges from the music documentaries early in his career, to Pretty in Pink, Back to School, Ghostbusters II, Benny and Joon, Dolores Claiborne and a host of major film credits through the 1980s, 1990s, 200s and on to the present day.

Not exact matches

But there's an unexpected religious theme running through the movie, as the Coens skewer the ways Hollywood tries to put the transcendent onscreen (disclaimer spotted in the credits: «This film contains no visual depiction of the Godhead»).

One is not surprised to see journalist Ta - Nehisi Coates, an acolyte of Obama and proponent of the racialist outlook that courses through Black Panther and its marketing campaign, receive special thanks in the film's credits.

Never is that more apparent than the last scene, which goes on for a quarter of the film or more, right through the end credits and beyond.

Through an earlier project, Jordenö met Chi Chi Mizrahi and Twiggy Pucci Garçon, luminaries of the kiki (ballroom argot meaning «to have a good time») scene, who, crucially, invited her to film their milieu; Pucci Garçon has a co-writing credit on the film.

Directed by, as the opening credits note, «One of the Two Guys Who Killed John Wick's Dog,» the first 10 minutes of «Deadpool 2» feature roughly the same amount of spectacular bloodletting as both that film and its sequel combined, as wiseacre mercenary Deadpool slices a gruesome swath through waves of villainous henchmen.

Unfortunately, the film's final act (all the way up through the end credits) nosedives into the maudlin and saccharine instead of trusting its story to do the emotional heavy lifting, which is disappointing because the rest of the film handles this topic with such tact and level - headedness.

As with other Disney films, you may want to wait through the credits for a possible final scene.

In return for participation in a Screenwriters Lab, fellows are obligated to sign an agreement stipulating that (a) they will make a contribution to Sundance Institute of 0.25 % of the portion of their film's final budget that exceeds $ 1,000,000 (this number may increase to 0.5 or 0.75 % through participation in a Directors Lab and / or Sundance - affiliated grant support exceeding $ 10,000), (b) Sundance Institute will receive 1 % of 100 % of the film's net receipts, and (c) Sundance Institute will receive a credit line and logo placement in the film's end titles.

DAYBREAKERS is a film that has run through 99 % of its good ideas by the time the opening credits have concluded.

Stay through the end credits for a funny scene involving his character that likely had been intended as a set piece within the main body of the film, but which works much better out of the context.

In return for participation in a Directors Lab, fellows are obligated to sign an agreement stipulating that (a) they will make a contribution to Sundance Institute of 0.5 % of the portion of their film's final budget that exceeds $ 1,000,000 (this number may increase to 0.75 % through Sundance - affiliated grant support exceeding $ 10,000), (b) Sundance Institute will receive 1 % of 100 % of the film's net receipts, and (c) Sundance Institute will receive a credit line and logo placement in the film's end titles.

Running a mere 76 minutes (minus end credits), the film largely rushes through its story, thrusting Boy from one event to the next.

He does deserve some credit for trying to put in some hints and clues throughout the movie, but the problem is that it is so blatantly obvious where this movie is going that halfway through the film, the secret is not a secret anymore.

«They're taking different approaches to it too — Amazon is getting a lot of credit right now in the press for their commitment to the theatrical exhibition of their film, it's not just about the digital platform, where Netflix is taking a slightly different approach — although they're doing limited theatrical with stuff too — it'll be interesting to see what the long - term end result is for those two approaches and where it all ends up, but I think right now it's great for our filmmakers and our producers to make their money back and they have a chance to reach massive audiences through these digital platforms.»

Myers said that he was convinced that «Wayne's World» was never going to make it through production, and credited the film's producer, «SNL» creator Lorne Michaels, with pushing the project past skeptical Paramount execs (via Yahoo).

by Walter Chaw Billed as being filmed in a single shot (though the skeptical — and those taken in by the «unedited» long takes of Alfonso Cuarón's Children of Men — should wonder why an editor is credited), Gustavo Hernández's zero - budget conceptual experiment The Silent House (La casa mudi) has found a way not only to suggest a gimmick successfully carried through, but also to weave that gimmick into a richer thematic tapestry.

Through 18 MCU films, the Infinity Stones have never been far away from the main plot or the post credits scenes.

The man who cobbled together a budget for his first film from loans and borrowed credit cards spent a fair amount of his second feature walking viewers through the myriad particulars of independent filmmaking.

HOMEWORK ASSIGNMENT: send us your best example of a highly credited actor who doesn't show up in the film until approximately halfway through or later.

The first film told the origin story of Benedict Cumberbatch's Doctor Strange, while also setting up the character's appearance in «Thor: Ragnarok» through the end - credit scene that saw the Doctor meet with Chris Hemsworth's Thor regarding Loki.

Note to those planning to see the film: sit through the end credits.

I very rarely watch a film twice, I never read a book more than once, and unless it's to pick up a couple of super easy achievements, I'll never ever play through the same story campaign in a blockbusting AAA game once those credits have rolled.

Of course, as is always the case with a Marvel film, there's a scene tucked at the end of the credits that's worth staying through, even if those credits seem like a list of everyone who has ever been born.

Singer returns here to nab producer and story credits, and his influence is felt all through the production, which welcomes a restart of the franchise by dialing back the clock to 1962, infusing the film with a Cold War feel and a retro vibe, illustrating the mutant reveal while world politics head to the brink of global destruction.

Richard Attenborough: an escaped lunatic in A Bridge Too Far (1977) John Carpenter: his longest cameo appearance was as Bennett in The Fog (1980) Terry Gilliam: directed himself in bit roles in Jabberwocky (1977), Brazil (1985), and The Adventures of Baron Munchausen (1988); he also directed himself as a member of the Monty Python troupe in Monty Python and the Holy Grail (1975), and The Meaning of Life (1983) Ron Howard: small cameo roles in Night Shift (1982), How the Grinch Stole Christmas (2000), and A Beautiful Mind (2001) Lawrence Kasdan: Devo's (River Phoenix) lawyer in I Love You To Death (1990) Elia Kazan: Mortuary Assistant in Panic in the Streets (1950) Stephen King: in his lone directorial effort Maximum Overdrive (1986) Spike Lee: cameos (and some larger roles) in many of his own films, including: She's Got ta Have It (1986), School Daze (1988), Do the Right Thing (1989), Mo» Better Blues (1990), Jungle Fever (1991), Malcolm X (1992), Crooklyn (1994), Clockers (1995), Girl 6 (1996), Summer of Sam (1999), and 3 A.M. (2001) Terrence Malick: an unexpected visitor at door, with blueprints, in Badlands (1973)- credited as «Caller at Rich Man's House» Robert Redford: the Narrator in A River Runs Through It (1992) Rob Reiner: a helicopter pilot in Misery (1990) M. Night Shyamalan: Dr. Hill at the hospital in The Sixth Sense (1999), a Stadium drug dealer in Unbreakable (2000), deadly driver Ray Reddy in Signs (2002), and Guard at Desk in The Village (2004) Steven Soderbergh: small cameo roles in Schizopolis (1996), Ocean's Eleven (2001) Oliver Stone: an officer with a phone in his hand in a US base's bunker when it is blown up by a suicide bomber in Platoon (1986)

The film follows Mannix over the course of a day, which gives the Coens, who share writing, directing, and producing credits, an excuse to hop - scotch through the various screen styles of Old Hollywood.

Its message one of unavoidable predestination mixed with the importance of being a good person through all of life's stunning disappointments (and one's own personal shortcomings as a human being), I'm inclined to give the film credit for not creating much false hope for the hopeless; save for the fact that it milks Mr. Hundert's humiliation for maximum uplift.

Quick cuts of different times, locations and actions are thus contrasted with an extended shot in continuous space and time, whilst images of artificial immobility (such as Birkut's statue and photograph, and him posing beside them) are succeeded by a forceful presentation of dynamic movement as Agnieszka storms through a corridor and, afterwards, drives in a van through the city under the film's credits.

Above and beyond, this is a film of big ideas, elevated from what could be a theatrical chamber piece by the rigorous manner in which it delves into the question of artificial intelligence and the singularity, leaving you picking over its issues well after the credits roll, while also never feeling like you're sitting through a TED talk.

However, by the time the film's wonderful animated opening credit sequence concludes it's crystal clear that In a Valley of Violence is a Ti West film through and through.

But by the time you sit through the entire credits, you'll learn that the film also gave us an origin story for a potentially prominent supervillain as well.

It comes as a relief when the film finally addresses Qui's destiny halfway through the closing credits, because he's too lovable a character to meet an abrupt end.

Everything here is dedicated to the pure indulgent joy of consumption, culminating in a simple yet taboo shot, running right through the film's final credits, which depicts a baby suckling on its mother's breast.

And these days, practically every Marvel moviegoer stays through the credits to catch a glimpse of a future film.

As an added bonus, if you watch the documentary all the way through the credits, at the very end there's a «making of» feature showing the filming of the «Thor's Hammer» scene at the end of «Iron Man 2.»

The legendary director credits the «Mrs. Doubtfire» star - who passed away in August 2014 - for helping him through the tough filming for the period drama, which documents the persecution of Jewish people by the Nazis.

With a sequel being announced during the first film's post credits scene, fans have been eagerly anticipating any new Deadpool material, while patiently waiting as Deadpool 2 goes through a rocky development process.

The trippy aspect of the film is established in the Brakhage-esque credit sequence with the abstraction of the out - of - focus lights in the distance through the car windshield.

Credit the directors for one major surprise midway through the film that results in the two of the funniest scenes in the film.

Halfway through the film it becomes noticeably clear what Inarritu is trying to do, and by the time the end credits roll, that agenda is confirmed to be just about all that matters.

While the main characters in most movies generally survive through the final credits, in a bit of a plot twist, Warner Brothers is intent on killing off Hari Puttar (or at least the name, if not the actual character) even before the eponymously titled, Bollywood - produced film opens in September.

A simple process where a film enthusiast can log into his account, add US$ 5.00 in value to his digital wallet (either by electronic funds transfer, an online credit / debit card transfer authorization, or by exchange of a fraction of a bitcoin or other cryptocurrency through an exchange), and then clicks to watch a film.

Generated a need and desire for almost every film to include aerial images (establishing, action, VFX and credit shots) through creative marketing efforts.