Sentences with phrase «film crews doing»

He remarked that whenever he sees heart - rending scenes of famine victims he wonders, «How come the film crew didn't just give the kid a sandwich?

But the film crew didn't know that: When they covered actress Shirley Eaton in gold paint, they left bare a small patch on her tummy.

Not exact matches

Rachael was given the code name «Rita» during filming, and the scene was done often with a very small crew to ensure that what was being done would not get out to the public.

He thought to himself, let's look at the facts: there is a film crew, I made an appointment, I am 15 minutes late, and I did decide to go to the gym instead of being responsible.

I did do one just for my own entertainment once where I hired a crew and we filmed for 12 days — cost an absolute fortune.

On Tuesday I had the pleasure of taking a film production crew from the Trinity Institute of Trinity Wall Street in New York around my hometown of Dayton, TN to introduce them to people in this community who are doing amazing work among the economically disadvantaged.

All we have to do is send movie crews along to film the politicians» every move.

We'd made a quintessentially European British film: based on a Hungarian novel, shot in Hungary with a pan-European cast and crew, with editing, VFX and sound done between Berlin, Stockholm, Warsaw and London.

As the number of films produced here increases, so, too, does the number of local people needed to work on their crews.

Scientists who want to dance their Ph.D. don't need to hire a film crew.

Boslough was among the first western scientists to arrive in Chelyabinsk, where he did field research and accompanied a production crew filming Meteor Strike for NOVA.

Every time I said yes, amazing people who believed in me and who've had a bigger vision of what I could do in this world stepped forward — from my mom who went vegan with me after my fourth recurrence of bone cancer, to the yoga teachers who insisted I could become a yoga teacher too, to the talented woman who designed my website, to the director who brought together the crew for this film and made an idea a reality.

You see, I just can't always wait for my film crew, and I don't believe you always want to see me all snazzed up.

While I was busy during the entire event dealing with the media, and making sure the cameras and video crew weren't filming at places they were not allowed to (e.g., media were confined to a room at the party, but some did venture out and we had the security almost kick the German TV crew out because they did not follow our rules), I did have a chance to meet many amazing Sugar Daddies and Sugar Babies.

MillionaireMatch.com has for long been the favored decision of Hollywood famous people that don't wish to date somebody from the film crew.

The film doesn't pick sides for the most part, showing respect for both crews, and particularly both captains as they try to predict each other's moves.

The crew don't beam down in this film though, its all a bit more grounded.

Working with an insanely talented crew that also includes cinematographer Rodrigo Prieto («Babel,» «Brokeback Mountain»), Affleck has made a film that features multiple locations, dozens of speaking roles, and the kind of tonal shifting that veterans routinely screw up and he's not only dodged the many potential pitfalls but made a modern classic by doing so.

Brief flashes of insecurity would add a lot to the character of Morgan, but only when added at just the right time; as is, there are moments when the façade seems to falter with the entire crew present and you have to wonder how some more ambitious pirate didn't dethrone her long before the film had ended.

McConaughey, with his flattop «do, square jaw, and grim determination, is clearly giving his all here, as are Keitel (as Crew Chief Klough) and the others, but I couldn't help thinking the film would benefit from less diving and surfacing and more exposition.

asks the C - Span crew member filming one of his more unprintable monologues) and takes on the inevitable hip - hop wardrobe, the film does lose some steam.

The next generation crew steps up to the plate with a third film but does it knock one out of the park?

But the film doesn't dwell on her death for very long, instead jumping ahead four months when Joshy's small crew of friends (Nick Kroll, Adam Pally, Alex Ross Perry, and Brett Gelman) elect to celebrate his bachelor party, just as they had intended before the incident occurred.

While Aronofsky's insistence on explaining the movie to those mainstream audiences doesn't do it any great service, the film stands up on its own as something wonderfully unique and impassioned, readable from many different angles, with every cast member and crew department working at their highest level.

and you put down all the names of the people you've just revered and looked at their work and you go, «Well there's no way I'm gonna get Seamus on my first film and there's no way Nathan Crowley isn't going to be doing a Chris Nolan film,» these are just my dream crew.

The film marks Adam Sandler's third Netflix movie after The Ridiculous 6 and The Do - Over and sees him starring alongside Jennifer Hudson, Kevin James, Terry Crews, Lamorne Morris, Nick Swardson, Rob Schneider, Jane Seymour, Carl Weathers and Arsenio Hall; check it out below after the -LSB-...]

Early in the first episode, there's a scene where Kelly Ann [Imogen Poots] tells the crew bus driver [Luis Guzman] that she's leaving the tour to go to film school, and he says, «Don't mean nothin».

The film privileges Shaun as a supermom who's always one barefoot step ahead of the opportunistic crew, led by Eddie (Billy Burke), who spends more time psychoanalyzing her than actually getting anything done.

Verbinski and Depp don't offer much insight into the making of the film and most of their comments consist of compliments to the cast and crew.

It's only in it's second half does the film become interesting and suspenseful as the action is set in place for Petit and his crew to start their rigging and pull it all off.

As with the Stallone film, director Schwentke's (The Time Traveler's Wife, Flightplan) employs the «getting the band back together» formula, complete with that exact phrase, whereby a former crew of cronies are gathered one by one in order to get one last hurrah doing what they do best, namely, kick some major ass with a variety of increasingly more explosive weapons.

Supplementals include a 19 - minute featurette from the ROSAS production house — «Improv and Ensemble: The Evolution of a Film» — that's almost too glossy for a film like All the Real Girls, but it does add the perspectives of Zooey (pronounced Zoë) Deschanel and other key cast and crew members, Orr unfortunately not among them.

Putting aside this tiresome plot - thread, which, quite frankly, adds very little tension or drama to the story, the film does introduce the personal lives of the crew, albeit only the primary characters.

The only major awards nominations «All the Money» has a chance at are the BAFTAs (noms out Jan. 9) and The Oscars (noms announced Jan. 23)-- if Scott, Plummer and crew can get filming and editing done in time.

«Such a delight» cast & crew statements do little to bolster the actual quality of the docu, but because the film is sort of fun in a trash - cinema way, you feel like forgiving a lot of the crimes of self - regard herein.

Characters are well written, and the themes of the film still touch on creation, but also touch a bit more heavily on faith, as Billy Crudup's character struggles to lead his crew while believing they don't respect him based on his beliefs.

Christian Bale loves punishing his body as much as he does film crews.

The events from that film also lead into this one as we find Dominic Toretto (Vin Diesel) and his crew of former outlaws doing their best to adjust to the world that they left behind after taking down Owen Shaw (Luke Evans), an international villain who presented more danger than they ever did.

Blu - ray Highlight: The making - of featurette, «The Film That Became a Movement,» does a great job of balancing the usual behind the scenes footage with cast and crew interviews promoting mental health awareness, while the Q&A highlights are worth watching for those who want to know more about the film's production.

It's as - yet unknown, but as it's set prior to 1977's original film, A New Hope, we can surmise Han and his crew will be taking on the early days of the Empire in some form — and as a standalone film, it doesn't really have to connect to the other films in the way Rogue One chose to.

There's little action in between a surprisingly violent gunfight at the beginning and the climactic battle - at - high - seas between Sparrow and Jones» crews, and while the special effects are quite effective, these sequences just don't have the inventive thrills of the last films.

That doesn't mean the movie's bad — in fact, quite the contrary — but while the decision to pair off the various crew members is a clever idea, it takes away from the group dynamic that worked so well in the first two films.

«I just found out about this last week, there's always been available to everybody that does a negotiation on a film, an inclusion rider, which means that you can ask for and / or demand at least 50 percent diversity in not only the casting, but also the crew,» she said.

A photo gallery, cast & crew biographies, and a trailer that does more to explain the film's plot (and with more gore) than the movie itself does round out the disc.

His crew, wheelman Tennyson (Rory McCann, Game of Thrones), sniper Adele (Ruby Rose) and party man Nicks (Kris Wu), don't offer much beyond stuffing the film with too many characters.

Avengers: Infinity War is set to wrap production on July 14th, but that doesn't mean the cast and crew will be getting a big break between films.

«For anybody that does a negotiation on a film, there is an inclusion rider, which means you can ask for and / or demand at least fifty percent diversity, not only in the casting but also the crew, and so the fact that I just learned that after 35 years of being in the film business — we're not going back.»

Eastwood doesn't give up the goods easily, holding back the sequence until nearly an hour into the film's lean 96 - minute runtime, but he revisits the harrowing event multiple times, revealing new details and the different perspectives of everyone involved, from the pilots, to the passengers, to the flight crew, to the air traffic controller, to the U.S. Coast Guard rescue teams.

Since she first appeared as Nina in Goran Dukić's Wristcutters: A Love Story (2006), Seimetz has been active in the independent film scene in many capacities — as a collaborator to Joe Swanberg (which involves wearing many hats), (14) a producer (for Barry Jenkins's elegant and sensitive Medicine for Melancholy [2008], among others) and an actress for edgy, polyvalent directors who often blur the boundary between acting, directing, writing and crewing: Jay Keitel (also the DP for Sun Don't Shine), Lawrence Michael Levine, Lena Dunham, Kentucker Audley, David Robert Mitchell, Adam Wingard, Cherie Saulter, Josh Slates, Dan Bush and Tomer Almagor.

Of course, as is usually the case with the «Star Trek» series, the films are only as strong as their villains, and for as great of a job as they did casting the Enterprise crew, hiring Benedict Cumberbatch to play the sequel's baddie is looking more brilliant with each new trailer.