We need a thorough examination of the history of American
film criticism as well as a guiding set of principles for moving forward.
Dr Holmqvist has established a publishing record and aspires to move into
film criticism as a professional field.
Dear Ma, After seeing Steve Buscemi's sophomore directorial effort, Animal Factory (following 1996's Trees Lounge), I nearly reconsidered choosing
film criticism as a career path.
Game criticism doesn't flow as naturally from
film criticism as film criticism did from literary criticism.
Of all the things to pin the decline of professional
film criticism as a career choice on, from changing audience - tastes to the globalization of the theatrical marketplace to the collapse of traditional media outlets overall, the Great Threat is actually... a college - age kid in a funny hat cracking wise (in between actual critical insights, mind you) about Antonioni?
Not exact matches
In January, Paul drew immense
criticism for
filming and uploading a video of a dead body hanging in Japan's Aokigahara forest, known
as the «suicide forest.»
Anyone familiar with the more intellectual forms of pop
criticism (whether of music or
film) will recognize it
as a parody of the Rolling Stone critic — a parody so good that, for a moment, one is almost convinced the piece is the real thing:
For Muslim terrorists, there is no difference between any reasonable, based on facts,
criticism of their religion, on the one hand, and hateful and provocative statements such
as those included in the above mentioned
film.
Although the scientific credibility of the
film drew
criticism from climate scientists, the scenario of an abrupt collapse of the AMOC,
as a consequence of anthropogenic greenhouse warming, was never assessed with a state - of - the - art climate model.
If so - then that's something to discuss,
as it provides a direct comparison / contrast to the
criticisms of the
film.
Nonetheless, that's a fairly minor
criticism as far
as this
film is concerned, and I still enjoyed PANDA 2 about
as much
as I enjoyed it predecessor.
Often reviled in his native United States but worshipped
as a genius throughout much of Europe and especially France, Lewis took slapstick comedy to new realms of absurdity and outrageousness, his anarchic vision dividing audiences who found him infantile and witless from those who applauded the ambitions of his sight gags, his subversions of standard comedic patterns, and his
films» acute
criticisms of American values.
When he's not watching movies or writing and editing
film criticism, he's trying to absorb
as much music, art and literature
as possible.
And
as for Jackson's novel being an allegorical
criticism of society, I'll refer you to Nelson Gidding who wrote the screenplay adaptation for the original Robert Wise
film.
As part of the program, current and former Reverse Shot writers joined chief curator David Schwartz and
FILM COMMENT's own Kent Jones to discuss the state of film and film critic
FILM COMMENT's own Kent Jones to discuss the state of
film and film critic
film and
film critic
film criticism.
There is a hallowed space for
film criticism I think, you enter into understanding your preferences are not
as valued at empirical argument.
Naturally, remaking such a revered
film is bound to lead to
criticism, and the director has acknowledged that in an interview with The Guardian, describing his take
as a homage to the horror masterpiece, rather than a commercially - driven decision.
During SF Indiefest, we spoke to him about whether he'd have the same reaction to the apocalypse
as his characters, how
film criticism can numb enthusiasm, his directorial influences, the art of blocking
as opposed to editing, and more.
Alone among his critical colleagues who became filmmakers, he insisted from the beginning that his writing and filmmaking were essentially alternate vehicles for the same discourse; his early movies functioned
as film criticism the same way his reviews anticipated much of his filmmaking.
Noel:
As much as it pains me to say it — in part because it sounds like sour grapes, and in part because it's almost too big a topic to tack onto this discussion — I think the rise of the OPs corresponds with the rapid decline of film criticism in the mainstream medi
As much
as it pains me to say it — in part because it sounds like sour grapes, and in part because it's almost too big a topic to tack onto this discussion — I think the rise of the OPs corresponds with the rapid decline of film criticism in the mainstream medi
as it pains me to say it — in part because it sounds like sour grapes, and in part because it's almost too big a topic to tack onto this discussion — I think the rise of the OPs corresponds with the rapid decline of
film criticism in the mainstream media.
When it comes to
film criticism... well, most people know
as much about it
as they do about the self - defrost mechanisms in their freezers.
Indeed, Hegelian dialectics was a crucial reference point for Rivette —
as it was for a large swathe of 1950s French
film criticism, not least due to the influence of Bazin.
After graduating in economics, he took a job
as a bank teller and contributed stories and
film criticism to the Ferrara newspaper Corriere Padano.
While he does not offer much
criticism of these
films, Cowie at least recognises their limitations — something Kurosawa transcended with Ikiru, the second
film (the first being Rashomon [1950]-RRB- in which he truly articulated his genius
as a director.
As a practicing filmmaker, how do you feel about
film criticism and thought — do you read it?
Women saving
film criticism; The wonderfully unique Shailene Woodley; BuzzFeed hires Allison Wilmore
as their first
film critic; Revisiting George Lucas» American Graffiti; Sex in Pasolini
films.
When I came to movies
as an adult critic, I tried to write religious
film criticism, in the sense that I saw art in religious terms.
Peary builds his
film as a sort of history lesson on the rise and development of
film criticism from the early days prior to the release of The Birth of a Nation, the Sarris / Kael war, to Bowsley Crowther's 27 - year reign
as top critic at The New York Times and even touching a little on the New World of the internet where everyone has the potential to be a critic.
Singular in its distillation of Schrader's decades - spanning preoccupations of
film criticism and filmmaking
as well
as his religious background, First Reformed is a rare object unified in subject and style.
When he's not watching movies and writing and editing
film criticism, he's trying to absorb
as much music, art, and literature
as possible.
An active member is defined
as a member who writes regular
film criticism for online publications, published with a minimum frequency of once a month or at least 20 reviews per year.
Since then the moniker has popped up in
film criticism to describe — among others — Dunst in that
film, Natalie Portman in Garden State, and basically Zooey Deschanel
as a human being.
I feel like you're reading way, way too far into a movie [Then I'll cut you off there
as that attitude makes your opinion irrelevant on a
film criticism blog — TC]
In its 20th year
as an organization, the Las Vegas
Film Critics Society has solidified itself
as a noted and trustworthy source for
film criticism by all lovers of
film and cinema.
Perhaps due to the choices to cover older works, they're more able than ever to produce intelligent, thoughtful, and informative
criticism — while this article maligns their production value
as no better than «the average Youtube video,» editing a video review to provide context via clips of the
film is a step beyond what the vast majority of populist or even academic
film criticism has done in the past, let alone other related
films in the genre and in the director's oeuvre for context.
But I don't think that the traditional mode of what we collectively recognize
as «
film criticism» is satisfying for me anymore, and that's informed my movie - going habits accordingly.
** / **** Image B + Sound B Commentary B + starring Art Carney, Ellen Burstyn, Geraldine Fitzgerald, Larry Hagman screenplay by Paul Mazursky and Josh Greenfeld directed by Paul Mazursky by Alex Jackson I complain a lot about
film criticism being reduced to archaeology, but I don't think I've ever seen anything quite
as impenetrable along these lines
as Paul Mazursky's 1974 sleeper Harry and Tonto.
Note: I have retired from
film criticism, but keeping this bio because I'm very proud of the things I accomplished during my time
as a
film journalist.
We spoke to Kaluuya, who knew he'd «kill it» in the role
as soon
as he read the script, about the prejudice depicted in the
film, his own experiences of racism, and Samuel L Jackson's recent
criticism of black British actors taking African American roles in Hollywood
films.
This idea of familiarity with extra-textual elements or training in a specific method of watching
as essential in the evaluation process is a perennial issue in
film criticism for me.
The particular nature of Sargeant's
film writing has much to do with insisting on the material
as less the object of
film criticism (
criticism, too, must undergo a thorough expurgation if one is to think through underground
film and write about it), and more an attempt to situate it within a wider context of describing its performance upon the audience.
For all the advance
criticism that «United 93» has received for being a Hollywood version of our national tragedy on September 11, 2001, the actual
film itself is about
as far from Hollywood
as you can get.
Actually, I never thought about my «bad» «bad» (the double quoted «bad» s is not a typo) Star Trek review reflecting badly on
Film Junk
as a serious site for
film criticism.
When Rooney Mara was announced
as the chosen lead for this
film, the choice was met with quite a bit of
criticism as well.
If you ask most people (a.k.a. the white male majority that covers
film criticism now and holds most of the power that drives the US
film industry to churn out the kind of crap it does every summer) what they think of Lincoln they will tell you probably something similar to what this anonymous dude wandering out of a screening just transmitted to the NY Post's Lou Lumenick, who then posted it
as credible:
In 2004 I worked
as the field producer for Boston
film critic Gerald Peary's documentary about American
film criticism «For The Love of Movies,» which had its world premiere at the SXSW
Film Festival in 2009.
When I discovered that you could combine writing with watching movies, and this thing was called
film criticism, I recognized it
as the thing for me.
As a result, I'm now a part of the ever - growing legion of critics without a regular perch, and with a gloomy outlook on the future of film criticism — at least in terms of its viability as a (slightly, marginally) professional vocatio
As a result, I'm now a part of the ever - growing legion of critics without a regular perch, and with a gloomy outlook on the future of
film criticism — at least in terms of its viability
as a (slightly, marginally) professional vocatio
as a (slightly, marginally) professional vocation.
Even though Bigelow had to face some harsh
criticism from women who saw Strange Days
as an anti-women
film because of the shocking violence on display, it could be argued Strange Days is a pure feminist picture,
as Angela Bassett's Mace is a physically imposing, capable, intelligent yet distinctly feminine character who might be the supporting pillar of Ralph Fiennes» lost soul, but in some ways remains the emotional center of the whole
film.
As Gitai's most widely screened
film, Kadosh won both admiration and sharp
criticism — the
criticism predictably coming from the Orthodox community, which disputed the
film's portrayal of Orthodox men acting with brutal lack of feeling toward their wives.