Sentences with phrase «film culture»

Almost 40 years on and now firmly part of American film culture, this still has as much staying power as it had upon its release.

With its focus on groundbreaking Asian cinema, this prestigious event is known for its dynamic programming and commitment to the development of a vibrant local film culture Frequency about 1 post per month.

Could you discuss how these two aspects of your work come together in the context of Australian film culture?

Go Short wants to promote and enrich short film culture.

The growth of the Art House Convergence and its development of research, surveys and year round communication among art house theaters affirm that the organization has evolved into a leading national resource for the support of independent film and the promotion of film culture in local communities.

The episode also features a clip of Dario's deep discussion about film criticism and contemporary film culture with friend of the podcast Simran Hans, which can be found in full over on our Patreon site for subscribers, as well as Neil's chat with film critic and podcaster Leslie Byron Pitt about representation in filmmaking and film criticism alongside as Basic Instinct and erotic thrillers as Leslie is one quarter of the excellent Fatal Attractions podcast.

Where much talk of film culture necessarily targets the social conditions enabled (and disabled) by government, institutions, big business, etc, an older tradition in film criticism takes a step away from this «materialist» fray, to revel in the visions of special auteurs.

In our case the conflicts with the Berlinale were not very determining because we wanted to achieve something that has more to do with film culture in general.

[8] The group's projects include film production and exhibition curation as part of an integrated practice with the intended aim to «build a new film culture».

Jones has gained an unusual perspective on film culture in the two cities.

A key contributor to France's experimental film culture, Christian Lebrat, filmmaker and director of the publishing imprint Paris Expérimental, talks about his films and related interests.

Subway Cinema is America's leading 501 (c)(3) nonprofit organization dedicated to the exhibition and appreciation of Asian popular film culture in all forms, building bridges between Asia and the West.

More interestingly, however, Kim's essay raises further ideas about what he calls «interpretive performance» of Japanese film, anywhere, as part of Japanese film culture.

For going on a quarter of a century, he's been New York film culture's indispensable man.»

Of course, any festival that self - identifies as inclusive will have its lineup determined almost as much by the current film culture at large as by its own tastemakers.

However, now one such film has come along, and there is, for whatever reason, a sort of eagerness for it to fail, with people anticipating hating exactly the kind of work that is sadly lacking in mainstream film culture.

Therefore, it will be equally grim for film culture if, on the side of academia, what counts as acceptable writing is restricted to probable causes and measurable effects, cutting film off from speculative thought and political realities.

The mission of the not - for - profit Coolidge Corner Theatre is to entertain, inform, and engage — building a vital community through film culture.

Steeped in American college history and engraved in teen film culture across the world, the varsity jacket is one of the comfiest and most versatile pieces you could own in your wardrobe arsenal.

Its 30 - plus contributors have gone from being new voices in the New York film criticism scene to part of established film culture.

The success of such movies and their imitators has been identified by many as one of the reasons why American film culture took a nosedive in the 1980s, but his career has always alternated between blockbusters and more serious fare.

A magazine of film culture past and present, with new articles, interviews, and videos published every day

READINGS Books about all aspects of filmmaking and film culture Reinventing Hollywood by David Bordwell, reviewed by Nick Pinkerton; California Infernal: Anton LaVey & Jayne Mansfield As Portrayed by Walter Fischer, reviewed by J. Hoberman; Metaphors on Vision by Stan Brakhage, reviewed by Michael Joshua Rowin

I agree its very important to have our own film culture, rather than slavishly following other countries way of making movies.

Our philosophy of cinema remains the same: to stay outside the mainstream system of distribution and promotion that rules public film culture, and to champion what is innovative, challenging, personal and under - recognised in the art of cinema.

READINGS Books about all aspects of filmmaking and film culture Michael Curtiz: A Life in Film by Alan K. Rode, reviewed by Imogen Sara Smith; Innocent by Gérard Depardieu, translated by Rainer J. Hanshe, reviewed by Nick Pinkerton; From the Third Eye: The Evergreen Review Reader edited by Ed Halter and Barney Rosset, reviewed by Michael Joshua Rowin

Saldana is also aware of the transcendence of her character as being played by a black Latina amid a diversifying film culture.

READINGS Books about all aspects of filmmaking and film culture Sisters in the Life: A History of Out African American Lesbian Media - Making edited by Yvonne Welbon and Alexandra Juhasz, reviewed by Nick Davis; William Faulkner at Twentieth Century - Fox: The Annotated Screenplays edited by Sarah Gleeson - White, reviewed by Nick Pinkerton; Everybody Sing!

If you find any satisfaction in our work and are keen to continue exploring the rewarding depths of cinema by our side, please consider becoming our subscribers and supporting us with however small donations to give us a helping hand in keeping film culture alive for future generations.

READINGS Books about all aspects of filmmaking and film culture Film Is Like a Battleground: Sam Fuller's War Movies by Marsha Gordon, reviewed by Scott Eyman; Director's Cut: My Life in Film by Ted Kotcheff, reviewed by Nick Pinkerton; Steven Spielberg: A Life in Films by Molly Haskell, reviewed by Michael Koresky

Even without its extensive butterfly effect on film culture en masse, Kurosawa's landmark film is an epic to behold, especially on 35 mm in Seattle's Cinerama Theater (now one of the most advanced, hi - tech theaters in the world.)

As the only festival in the US to be accredited by FIAPF, and having developed under the shadow of the formidable American Film Institute, the event entertains a complex relationship to mainstream US film culture and international cinephilia.

In a youth film culture that has embraced increasingly violent and sadistic horror films, especially those that linger on acts of inhuman brutality and excruciatingly endured mutilations (quite accurately dubbed «torture porn»), what's not to like about a film about a silent butcher who bludgeons the passengers of a late - night subway ride, preps the carcasses like slaughtered cattle and hangs them like sides of beef?

We exist to create a dynamic film culture in Kansas City by promoting and supporting local film makers and theaters, providing educational programs and events, and creating transformative movie experiences for film enthusiasts.

READINGS Books about all aspects of filmmaking and film culture Hank and Jim: The Fifty - Year Friendship of Henry Fonda and James Stewart by Scott Eyman, reviewed by Steven Mears; Ingmar Bergman's Face to Face by Michael Tapper, reviewed by Justin Stewart; Cinemaps: An Atlas of 35 Great Movies by Andrew DeGraff, reviewed by Chloe Lizotte

The festival is devoted to renewing local interest in independent and experimental film as part of an international underground film culture and aims to change an ingrained culture of cinematic complacency and revitalise an enthusiasm for cinema.4

asks director John L. Sullivan (Joel McCrea) in Sullivan's Travels (1941), thereby betraying his lack of true film culture.

The first wave of Sundance filmmakers in the»80s had to be purely committed to their craft just to eke out an existence in the homogenous film culture of the decade.

Instead, she has persuaded film culture to meet her where she lives — in a laconic, minutely expressive, barely laminated register of acting that's confusable with «just being.»

READINGS Books about all aspects of filmmaking and film culture Sélection officielle by Thierry Frémaux, reviewed by Jonathan Romney; Two Cheers for Hollywood: Joseph McBride on Movies by Joseph McBride, reviewed by Jonathan Rosenbaum; Intimations: The Cinema of Wojciech Has by Annette Insdorf, reviewed by Violet Lucca

Allusively complex, it's also a Finnegans Wake — like meditation on Sixties film culture.

And I was painfully aware of this gap in the Anglo - American situation, whereas in France there is an academic culture and still a very powerful film culture.

There is some playful interaction with silent film culture in the earlier one and the young lead Millicent Simmonds in that section gives the film's best performance.

One refrain often heard in discussions of twenty - first - century film culture is a lament for the loss of social film viewing.

The pair's opening monologue featured the expected jabs at indie film culture («It's definitely about losing money,» McKinnon said of investors) and some gloating over the Indie Spirits» considerably better representation of diversity in comparison to the Oscars.

Contemporary film culture agonizes over sussing out and defining the political content of every release, eager to slot it into the «correct» side of the right - left divide.