Sentences with phrase «film curator at»

This year's jury included: John Akomfrah, filmmaker; Iwona Blazwick, director of the Whitechapel Gallery; Avi Grewal of Channel 4 documentaries; Mark Rappolt, editor of ArtReview; artist Gillian Wearing; and Stuart Comer, film curator at Tate Modern.

The book contains essays by the writer Eleonore Frey, the art historian Andréa Picard, the film curator at the Centre Georges Pompidou in Paris, Philippe - Alain Michaud, as well as by Adam Szymczyk, director of Kunsthalle Basel.

Stuart Comer is the chief curator of media and performance art at the Museum of Modern Art; he is no longer the film curator at the Tate Modern in London.

Since 2000 she has served as the film curator at FIAF / The French Institute Alliance Francaise in New York City, where she presents a weekly film series.

Come September, Stuart Comer, who is currently the film curator at the Tate Modern, will be assuming the new role of chief curator of media and performance art at MoMA, an institution that's seen a considerable amount of success with its recent performance art initiatives like Marina Abramovic's «The Artist Is Present,» among others.

Selected for the job were Stuart Comer, formerly a film curator at Tate Modern and now chief curator of media and performance art at the Museum of Modern Art; Anthony Elms, associate curator at the Institute of Contemporary Art, in Philadelphia; and Michelle Grabner, an artist and professor of painting and drawing at the School of the Art Institute of Chicago as well as a teacher at Yale.

In the summer of 2011, he was film curator at the International Yiddish Theatre Festival in Montreal and in 2012 he curated the Ring Family Israel Film Festival at Yeshiva University.

Eric Hynes is a freelance journalist and critic, and associate film curator at the Museum of the Moving Image in New York.

Not exact matches

With the anticipation for Marvel's latest superhero movie Black Panther at an all time high, the soundtrack for the film looks set to be lit after Kendrick Lamar is announced as a curator and artist of the first single.

It features voice - over by Jan Wengström, curator of archival film collections at the Swedish Film Institute.

Film Comment Digital Producer Violet Lucca discusses and debates the selection with a panel of FC contributors, including Eric Hynes, associate curator of film at the Museum of the Moving Image; Aliza Ma, head of programming at Metrograph; Adam Nayman, Cinema Scope contributor; Nick Pinkerton, member of the New York Film Critics Circle; and Michael Koresky, Director of Editorial and Creative Strategy at the Film Society of Lincoln Center.

Alongside her academic work, Rich has been International Curator for the 2002 Toronto International Film Festival; has served on juries at the Sundance, Toronto, San Francisco, Oberhausen, Havana, Sydney, and Guadalajara film festivals; and is a member of the advisory board of the Provincetown Film Festival and previously of the Sundance Selection Committee.

Debbie is also the curator / project manager for the ShortCase film series at Austin Film Society.

Jay Kuehner is a free - lance film critic, instructor, and curator based in Seattle who has contributed to Cinema Scope magazine, Film Comment, and Fandor, and is programmer of Veracity: New Documentary Cinema at Northwest Film Forum.

«We wanted to make the film entertaining and funny at the same time as we're dealing with complicated social issues,» says Ostlund of his film, about a suave museum curator (Claes Bang) whose life unravels when his wallet and phone are stolen.

In a frank and accessible dialogue, Mark Harris, film historian and Vulture columnist, Eric Hynes, critic, journalist, and Associate Curator of Film at the Museum of the Moving Image, talk to FILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medfilm historian and Vulture columnist, Eric Hynes, critic, journalist, and Associate Curator of Film at the Museum of the Moving Image, talk to FILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medFilm at the Museum of the Moving Image, talk to FILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medFILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medium.

On this edition of our daily Sundance 2017 podcast, FC Editor - in - Chief Nicolas Rapold and Eric Hynes, FC contributor and Curator of Film at Museum of the Moving Image, discuss three new films — Tamara Jenkins's Private Life, Maxim Pozdorovkin's Our New President, and Elan and Jonathan Bogarin's 306 Hollywood — as well as the weather and the experience of moviegoing at this unique festival.

Tom Foley — Vice President of Business Intelligence for the travel firm Inntopia discusses how western resorts have been challenged in recent months by low snowfall and Shari Frilot, Senior Programmer for Sundance Film Festival and Chief Curator of New Frontier has details on this year's New Frontier films and installations at the new location, The Ray.

Features include an interview with the artist David Shrigley about his love of football and his life's work, a chat with graphic design legend Paula Scher, an introduction to Gaika and Kibwe Tavares who are set to take the music and film world by storm, an insight into how curator Paola Antonelli shook up the design world in her role at MoMA, and a chat with illustrator Noma Bar.

He is a co-programmer of Migrating Forms, an annual festival of artists» film and video at Anthology Film Archives, and in 2013, was the film curator for MoMA PS 1's «Expo 1.»

Rose and Christopher Y. Lew, the Whitney's associate curator who gave the young artist her first New York solo show, walked in at the end of her 10 - minute video and chattered over until the film looped back to the beginning: «When I first came back to Earth after 128 days in space,» the astronaut David Wolf intoned while pools of opalescent fluid shifted onscreen as if agitating a new cosmos.

Neshat's film screening will kick off the month - long Summer Residencies and Programs at Otis College of Art and Design, which includes participation by artists, curators, and museum figures such as Graham Harman, Roxane Gay, Eric Fischl, Laurie Hogin, Jamillah James, Naima J. Keith, and Jennifer Steinkamp, among others.

He was assistant curator of film at Tate Modern (2013 - 2015) where he curated numerous retrospectives and thematic seasons.

Sophie Hackett, associate curator of photography at the Art Gallery of Ontario (AGO), will lead the 2014 Prize panel which will include luminaries Laurie Simmons, a New York photography and film - based artist, and Okwui Enwezor, director of Munich's renowned Haus der Kunst.

Then later at 4.30 pm, Jörg Heiser discusses and compares the reality of representations of «The Curator» with Daniel Birnbaum in the talk «Screen Life / Real Life», which features a special preview of the 2017 Palme d'Or - winning film The Square.

A Los Angeles - based independent curator and film programmer, she is co-curator of Black Radical Imagination, a series of film shorts, screened at venues including MCA Chicago, ICA Boston, and the Brooklyn Museum, that focuses on «the aesthetics of Afro - futurism, Afro - surrealism, and the magnificent through the context of cinema.»

Our short - films go behind - the - scenes with artists, curators and art world professionals looking at everything from education projects to career paths and the curating of shows.

Presentation: September 22, 2015 7:30 - 10:00 pm 18th Street Arts Center Curator's Lounge 1639 18th Street Santa Monica, CA 90404 Filmmaker J. Louise Makary, who is currently at 18th Street on a Philadelphia - based Pew Fellowship, makes films that...

Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under - recognized artists, experimental theater and performance works, as well as national and international film and video programs.

Other notable speakers of the season are British feminist film theorist and seminal voice on film and media studies, Laura Mulvey; writer and professor of psychology and gender studies, Lynne Segal; and Catherine Wood, Senior Curator of Performing Art at Tate, writer of Yvonne Rainer: The Mind is a Muscle (2007) and curator of Yvonne Rainer: Dance Works 1961 — 72 at Raven Row in London iCurator of Performing Art at Tate, writer of Yvonne Rainer: The Mind is a Muscle (2007) and curator of Yvonne Rainer: Dance Works 1961 — 72 at Raven Row in London icurator of Yvonne Rainer: Dance Works 1961 — 72 at Raven Row in London in 2014.

This special event at South London Gallery features a screening of Sankofa Film and Video Collective's The Passion of Remembrance (1986), followed by an in conversation between Isaac Julien and film curator Karen Alexander.

They include: Negar Azimi, writer and senior editor at Bidoun, an award - winning publishing, curatorial, and educational initiative with a focus on the Middle East and its diasporas; Gean Moreno, curator of programs at the Institute of Contemporary Art Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clcurator of programs at the Institute of Contemporary Art Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clcurator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clCurator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clothing.

For her third year as Art Basel's film curator, Marian Masone has selected «Boom For Real: The Late Teenage Years of Jean - Michel Basquiat» (2017) for a special screening at the Colony Theatre on Friday, December 8.

In this short film, curator of the New Hall Art Collection in Cambridge, Eliza Gluckman, talks about Phyllida Barlow's show at the British Pavilion.

In this short film, senior curator at The Whitworth, Mary Griffiths, talks about James Richards» show for Wales in Venice.

• Personalized membership card (s) • Unlimited free admission for one year • Free access to Cinema Orange film series, artist talks, and workshops • Engage with artists & curators at members» opening receptions and previews • 10 % discount on museum merchandise • Invitation to members» opening reception • Opportunity to join the museum's volunteer support groups • Additional benefits as listed below.

In this short film, Phoebe Roberts, Curator of the Artangel Collection, talks about the Diaspora Pavilion at the 57th Venice Biennale.

Dr Omar Kholeif, Manilow Senior Curator at the Museum of Contemporary Art Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film progCurator at the Museum of Contemporary Art Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film progcurator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film programmes.

Join Tamara H. Schenkenberg, curator at the Pulitzer Arts Foundation, and Monika Weiss, New York - based artist and associate professor at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, for a screening and discussion of three short films by Mona Hatoum: Don't smile, you're on camera!

From 2004 — 2014, Pirotte has held the position of Senior Advisor of the Rijksakademie for Visual Arts in Amsterdam, and in 2012 he became Adjunct Senior Curator at the UC Berkeley Art Museum and Pacific Film Archive where he curated the first retrospective of acclaimed Chinese film artist Yang Fudong.

The exhibition will also be accompanied by a full range of public programs at the Hammer Museum including a curator walkthrough and a film series, Elective Affinities, devised by Larry Johnson and artist and filmmaker William E. Jones.

The programming includes film screenings, lectures, performances, dialogues, and panel discussions featuring artists, art historians, curators, and academics that will take place at each of the institutions.

This talk traces the relationship that began with this collaboration, and continues into the present through the archiving of Cantor's Estate, the completion of her feature film, and a 2016 multi-site exhibition of Cantor's work at 80WSE and Participant Inc, organized in conjunction with curators Jonathan Berger and Pati Hertling.

Filmmaker / curator / professor Roger Beebe has screened his films around the globe at such unlikely venues as the CBS Jumbotron in Times Square and McMurdo Station in Antarctica as well as more likely ones including Sundance and the Museum of Modern Art with solo shows at Anthology Film Archives, The Laboratorio Arte Alameda in Mexico City, and Los Angeles Filmforum among many other venues.

Since 2013 she has been a curator at Little Berlin organizing exhibitions, film screenings, performances, weekend - long festivals, artist critiques, and other public events.

In fall 2018, the Institute of Contemporary Art at the University of Pennsylvania will present the exhibition, Give It Or Leave It, a solo exhibition of film, video, and sculpture by filmmaker and artist Cauleen Smith, curated by ICA Chief Curator Anthony Elms.

Returning to the show for her third year, New York - based film curator Marian Masone selected the feature film «ÄòBoom For Real: The Late Teenage Years of Jean - Michel Basquiat «Äô (2017) directed by Sara Driver (b. 1955), which was screened at the Colony Theatre on Friday during the fair.

Thursday, July 29 at 5:30 pm Step behind - the - scenes with Curator Joyce K. Schiller, Ph.D. for a lively look at Rockwell's many brushes with fame in the creation of artworks for posters advertising the now - classic feature length films of his day.

As a curator at Creative Time he organized This World & Nearer Ones (2009); Hey Hey Glossolalia: Exhibiting the Voice (2008); and Javier Tellez's critically acclaimed film A Letter on the Blind (2008).

She was previously a curator at The Drawing Center in New York City, where she co-directed Open Sessions, a two - year residency / exhibition hybrid program organized with local, national, and international artists, supporting drawing practices in relation to film, architecture, sculpture, music, and other fields.