Sentences with phrase «film curator at the museum»

Eric Hynes is a freelance journalist and critic, and associate film curator at the Museum of the Moving Image in New York.

Not exact matches

Film Comment Digital Producer Violet Lucca discusses and debates the selection with a panel of FC contributors, including Eric Hynes, associate curator of film at the Museum of the Moving Image; Aliza Ma, head of programming at Metrograph; Adam Nayman, Cinema Scope contributor; Nick Pinkerton, member of the New York Film Critics Circle; and Michael Koresky, Director of Editorial and Creative Strategy at the Film Society of Lincoln Center.

«We wanted to make the film entertaining and funny at the same time as we're dealing with complicated social issues,» says Ostlund of his film, about a suave museum curator (Claes Bang) whose life unravels when his wallet and phone are stolen.

In a frank and accessible dialogue, Mark Harris, film historian and Vulture columnist, Eric Hynes, critic, journalist, and Associate Curator of Film at the Museum of the Moving Image, talk to FILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medfilm historian and Vulture columnist, Eric Hynes, critic, journalist, and Associate Curator of Film at the Museum of the Moving Image, talk to FILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medFilm at the Museum of the Moving Image, talk to FILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medFILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medium.

On this edition of our daily Sundance 2017 podcast, FC Editor - in - Chief Nicolas Rapold and Eric Hynes, FC contributor and Curator of Film at Museum of the Moving Image, discuss three new films — Tamara Jenkins's Private Life, Maxim Pozdorovkin's Our New President, and Elan and Jonathan Bogarin's 306 Hollywood — as well as the weather and the experience of moviegoing at this unique festival.

Neshat's film screening will kick off the month - long Summer Residencies and Programs at Otis College of Art and Design, which includes participation by artists, curators, and museum figures such as Graham Harman, Roxane Gay, Eric Fischl, Laurie Hogin, Jamillah James, Naima J. Keith, and Jennifer Steinkamp, among others.

A Los Angeles - based independent curator and film programmer, she is co-curator of Black Radical Imagination, a series of film shorts, screened at venues including MCA Chicago, ICA Boston, and the Brooklyn Museum, that focuses on «the aesthetics of Afro - futurism, Afro - surrealism, and the magnificent through the context of cinema.»

Selected for the job were Stuart Comer, formerly a film curator at Tate Modern and now chief curator of media and performance art at the Museum of Modern Art; Anthony Elms, associate curator at the Institute of Contemporary Art, in Philadelphia; and Michelle Grabner, an artist and professor of painting and drawing at the School of the Art Institute of Chicago as well as a teacher at Yale.

• Personalized membership card (s) • Unlimited free admission for one year • Free access to Cinema Orange film series, artist talks, and workshops • Engage with artists & curators at members» opening receptions and previews • 10 % discount on museum merchandise • Invitation to members» opening reception • Opportunity to join the museum's volunteer support groups • Additional benefits as listed below.

Dr Omar Kholeif, Manilow Senior Curator at the Museum of Contemporary Art Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film progCurator at the Museum of Contemporary Art Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film progcurator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film programmes.

From 2004 — 2014, Pirotte has held the position of Senior Advisor of the Rijksakademie for Visual Arts in Amsterdam, and in 2012 he became Adjunct Senior Curator at the UC Berkeley Art Museum and Pacific Film Archive where he curated the first retrospective of acclaimed Chinese film artist Yang Fudong.

The exhibition will also be accompanied by a full range of public programs at the Hammer Museum including a curator walkthrough and a film series, Elective Affinities, devised by Larry Johnson and artist and filmmaker William E. Jones.

Filmmaker / curator / professor Roger Beebe has screened his films around the globe at such unlikely venues as the CBS Jumbotron in Times Square and McMurdo Station in Antarctica as well as more likely ones including Sundance and the Museum of Modern Art with solo shows at Anthology Film Archives, The Laboratorio Arte Alameda in Mexico City, and Los Angeles Filmforum among many other venues.

«Panel Discussion: Roy Lichtenstein's Only Film» takes place on Sunday at 3 p.m. Clare Bell, Exhibition Support Manager / Reference at Roy Lichtenstein Foundation, will moderate a panel on Roy Lichtenstein's film with Joel L. Freedman, Filmmaker / Producer, and Chrissie Iles, Curator, Whitney Museum of American Art.

In her catalog essay, the Whitney Museum of American Art's film curator, Chrissie Iles, distinguishes Ms. Collier from the Pictures Generation artists: «Collier's relationship with her subject matter takes place at one remove, and at a greater historical distance, within a social culture transformed by the Internet, in which the linear trajectory of history has collapsed into a flat matrix of information, influence and temporal fluidity.»

«Tango for Page Turning joins a burgeoning collection of film and video art at Middlebury,» said Emmie Donadio, Middlebury College Museum of Art's Curator of Modern and Contemporary Art.

The exhibition is realized in connection with the film series Jean - Marie Straub and Danièle Huillet at the Harvard Film Archive from September 15 to October 15, 2016, originally organized by Joshua Siegel, Curator, Department of Film, Museum of Modern Art, New York.

On March 11, 2018, for our series Voices on Art, Art This Week Productions filmed this lecture by Dena M. Woodall, associate curator of prints and drawings, and organizing co-curator of the exhibition Michelangelo and the Vatican: Masterworks from the Museo e Real Bosco di Capodimonte, Naples at the Museum of Fine Arts, Houston.

In 1974 he was appointed Curator and Head of the Film and Video Department at the Whitney Museum of American Art where he directed the «New American Film and Video Series» which featured independent film and video art programming as well as commissioning art projects and expanding the museum's collection to include video installatioMuseum of American Art where he directed the «New American Film and Video Series» which featured independent film and video art programming as well as commissioning art projects and expanding the museum's collection to include video installatiomuseum's collection to include video installation art.

Seen last month at our Charlie Chaplin tribute: Joel Gibb of the Hidden Cameras, raw foods celebrity chef Boris Lauser with his visiting San Francisco posse, young sexy filmmaker Tilemachos Alexios Alexiou with super hot lover Assaf Hochman, translator to the stars Daniel «Haji» Hendrickson, dapper composer and music theorist Volker Straebel, Maerz Music Festival Director Mattias Osterwold, gorgeous cineaste Julian Schubert, Gabriele Knapstein curator at Hamburger Bahnof Museum, vivacious ballerina Trixie Cordua, film scholar Christian «F» Weber, academe Vincent Hediger, Christian Siekmieir of Exile Gallery with Japanese New York based artist Kazuko Mijamoto, curator Stefanie Schulte Strathaus, Tim & kJohnny Blue, LA fashion designer Cornel Collins, artist Bertand Bodenave, Alannah Weston, the creative director of Selfridges, male ingenue Jake Myerson, British provacateuse Isabela Blow with writer Hamish Bowles, art star Elias Hassos and Julia - Restoin Roitfeld.

So far, his curators include Pierre Bal - Blanc, the director of Contemporary Art Center (CAC) Brétigny; Hendrik Folkerts, curator of performance, film, and discursive programs at the Stedelijk Museum in Amsterdam; Hila Peleg, the founder and artistic director of the Berlin Documentary Forum; Dieter Roelstraete, senior curator at the Museum of Contemporary Art Chicago; and Monika Szewczyk, visual arts program curator at the Reva and David Logan Center for the Arts, University of Chicago, where she also lectures in the departments of Visual Arts and Art History.

«The Zidane film really tackles how you make a portrait today,» says Nancy Spector, curator of contemporary art at the Guggenheim Museum in New York.

Screening & Discussion: Laure Prouvost at the New Museum Artist Laure Prouvost, whose first U.S. solo show is up now, will talk with assistant curator Margot Norton following a screening of her films.

Proof: Francisco Goya, Sergei Eisenstein, Robert Longo, Deichtorhallen Hamburg February 17 - May 27, 2018 Curator Kate Fowle presents Robert Longo's drawings alongside etchings by Francisco Goya and films by Sergei Eisenstein in this major exhibition that originated at the Garage Museum in Moscow in 2016 and traveled to the Brooklyn Museum in 2017.

These are a few of the early films of Jack Goldstein, which are now on view in the artist's first museum retrospective in the U.S., organized by the Orange County Museum of Art with guest curator Philipp Kaiser, and Joanna Montoya, Neubauer Family Assistant Curator, at the Jewish Museum in Newmuseum retrospective in the U.S., organized by the Orange County Museum of Art with guest curator Philipp Kaiser, and Joanna Montoya, Neubauer Family Assistant Curator, at the Jewish Museum in NewMuseum of Art with guest curator Philipp Kaiser, and Joanna Montoya, Neubauer Family Assistant Curator, at the Jewish Museum in Necurator Philipp Kaiser, and Joanna Montoya, Neubauer Family Assistant Curator, at the Jewish Museum in NeCurator, at the Jewish Museum in NewMuseum in New York.

On January 18, 2018, for our series Voices on Art, Art This Week Productions filmed this conversation between Sharon Louden, Lenka Clayton, and the Blanton's curator Veronica Roberts at the Blanton Museum of Art.

In a public discussion with Jens Hoffmann, the Jewish Museum's deputy director for exhibitions and public programs, Douglas Crimp (curator of the landmark 1977 «Pictures» show at Artists Space) described his initial experience viewing Goldstein's films in the»70s as one of wonder.

Now, coming full circle, my documentary film Bill Traylor: Chasing Ghosts will premiere at the opening of a retrospective of his work at the Smithsonian American Art Museum, organized by curator of Folk and Self - Taught Art Leslie Umberger.

Stuart Comer is the chief curator of media and performance art at the Museum of Modern Art; he is no longer the film curator at the Tate Modern in London.

«This is a love fest for Tacita,» said Goodman in her toast to the artist at Tocqueville, where collectors made up a small minority of dinner guests who included friends like Roni Horn, Piero Golia, and Julie Mehretu, curators from museums in at least three countries (including Mexico City's Tamayo, where Dean will have a show next year), and Jeff Clarke, the CEO of Kodak, whom Dean characterized as «the man who saved film.»

Assistant Curator Molly Boarati's first major exhibition at the Nasher Museum is complemented by new programs, including a film series and a pop - up mini wellness fair co-hosted by Duke student groups and featuring massage, yoga in the Great Hall and Tibetan singing bowls.

Reinhold Misselbeck, the director of the department of photography and video at Museum Ludwig, who was curator of the current show, wrote of Mr. Hockney: «He is well aware the media, like photography, video and film, are losing the documentary quality hitherto attributed to them because of digital manipulation and that they are converging more with painting in their relation to reality.»

At the Kunstmuseum, Matthew Barney submitted to the annual dog - and - pony conversation with Tina Brown, who bravely asked stupid questions that Barney dignified with serious answers before a crowd that included Beatrix Ruf and Bart Rutten; curator of the permanent collection at the Stedelijk Museum (her new posting); Richard Chang; artist Pamela Rosenkranz; and many suits who had not yet seen Barney's new, six - hour film, River of FundamenAt the Kunstmuseum, Matthew Barney submitted to the annual dog - and - pony conversation with Tina Brown, who bravely asked stupid questions that Barney dignified with serious answers before a crowd that included Beatrix Ruf and Bart Rutten; curator of the permanent collection at the Stedelijk Museum (her new posting); Richard Chang; artist Pamela Rosenkranz; and many suits who had not yet seen Barney's new, six - hour film, River of Fundamenat the Stedelijk Museum (her new posting); Richard Chang; artist Pamela Rosenkranz; and many suits who had not yet seen Barney's new, six - hour film, River of Fundament.

From 1974 to 1996, he was curator and head of the film and video department at the Whitney Museum of American Art.

He was the senior curator of film and media arts at the Solomon R. Guggenheim Museum from 1996 to 2006.

Screening: «Mommy» by Maggie Lee at the Whitney Museum of Art Maggie Lee's 2015 film Mommy, which is being shown alongside the just - opened Whitney exhibition «Mirror Cells» as part of an ongoing film series from the show's curators Christopher Lew and Jane Panetta, is a playful yet emotional meditation on the sudden death of the artist's mother in 2012.

Prior to MoMA, Janevksi was Curator at the Museum of Modern Art in Warsaw, Poland, where she curated the large - scale exhibition on Yugoslav experimental film and art from the 1960s and 1970s, As Soon As I Open My Eyes I See a Film (2008).

The film will be followed by a panel discussion about Hesse's work and legacy in contemporary art with Elisabeth Sussman, Sondra Gilman Curator of Photography at the Whitney; Kelly C. Baum, Haskell Curator of Modern and Contemporary Art, Princeton University Art Museum; and the artist Sam Lewitt.

Rudolf Frieling, Curator of Media Arts at the San Francisco Museum of Modern Art, developed an interest in Bruce Conner's work soon after relocating to the Bay Area and has subsequently acquired several of the artist's films for the museum's colleMuseum of Modern Art, developed an interest in Bruce Conner's work soon after relocating to the Bay Area and has subsequently acquired several of the artist's films for the museum's collemuseum's collection.

SuperTrash, on loan from The Andy Warhol Museum in Pittsburgh, was curated by Jacques Boyreau, trash scholar, collector and author of Trash: The Graphic Genius of Xploitation Movie Posters; and Greg Pierce, assistant curator of film and video at The Andy Warhol Museum in Pittsburgh.

«The film industry here is experiencing a boom,» said Bush, curator of history / exhibitions manager at The Columbus Museum.

Dr. Valerie Steele, author of Gothic: Dark Glamour and director and chief curator of The Museum at the Fashion Institute of Technology (FIT), will speak about Gothic themes in high fashion and in sub cultural style, charting their relationship with art, film, literature, and music.

As Pick - Laudati Curator of Media Arts, she will guide the presentation of «time - based media» (contemporary artworks that include film, video, slides, audio or computer - based technologies) at the Block Museum in a variety of contexts, including Block Cinema and the museum's galleries, and she will develop innovative programs related to time - based Museum in a variety of contexts, including Block Cinema and the museum's galleries, and she will develop innovative programs related to time - based museum's galleries, and she will develop innovative programs related to time - based media.

Video and film by feminist artists and filmmakers, from the 1970s to today, selected by Carmen Hermo, assistant curator, Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.

Tomorrow at 7:30 PM - Join Doug Aitken for a screening of his new feature film, Station to Station, followed by a conversation with him and Film Independent's curator, Elvis Mitchell, at LACMA Los Angeles County Museum of Art.