Sentences with phrase «film curator for»

Cho has acted as a film curator for the Los Angeles Asian Pacific Film Festival since 2011, and organized and founded the first Tri-Co Film Festival in 2012.

He is a co-programmer of Migrating Forms, an annual festival of artists» film and video at Anthology Film Archives, and in 2013, was the film curator for MoMA PS 1's «Expo 1.»

He is film curator for the upcoming International Jewish Performing Arts Festival, set to take place in New York in 2015.

«We are grateful to our nominating committees of film critics, journalists, programmers and film curators for their dedication to selecting the nominees from so many worthy submissions.»

Not exact matches

New York's Museum of Modern Art has created a YouTube series, «How To See,» that features museum curators and sometimes the artists themselves delving into the work, Monitor movie critic Peter Rainer's pick for best film of the year, «The Florida Project,» is available on DVD and Blu - ray, and more top picks.

He's coming for the same reasons he did it back in 2010: be the curator of a film program.

After a brief introduction from LACMA film curator Elvis Mitchell, where he described the original suggestion for the occasion happening three weeks prior over chili cheese fries, the man himself took the stage.

To Ron Magliozzi, associate curator, and Peter Williamson, film conservation manager, of the Museum of Modern Art, for identifying and assembling the earliest surviving footage of what would have been the first feature film to star a black cast, the 1913 «Lime Kiln Field Day» starring Bert Williams.

As a champion and curator of independent stories for the stage and screen, Sundance Institute provides and preserves the space for artists in film, theatre, film composing, and digital media to create and thrive.

With the anticipation for Marvel's latest superhero movie Black Panther at an all time high, the soundtrack for the film looks set to be lit after Kendrick Lamar is announced as a curator and artist of the first single.

As illustrated in the film, when Langlois was sacked as curator in May of 1968, there arose among the buffs such a clamour that grey - suited riot police came to bludgeon protestors like Godard, Truffaut, Jean Marais, and Jean Renoir — film, the medium of our time, for a delirious moment, became the catalyst for a new French Revolution, the Cinematheque a cathedral and Bastille.

The two - hour - and -20-minute film turned out to be a shaggy satirical comedy about Christian (Claes Bang), the chic curator of an art museum, toggling among mortifying story lines: a one - night stand with lingering consequences, a nastily conceived ad campaign for a hot new exhibit (the titular «square,» an artwork creating a kind of ethical safe space), and a positively unbelievable outreach effort to retrieve a stolen wallet and other items.

The release includes most of the same extras from the deluxe DVD, as well as a new interview with composer Jon Brion, a new piece featuring behind - the - scenes footage of a recording session for the film's soundtrack, and a new conversation between curators Michael Connor and Lia Gangitano about the art of Jeremy Blake, used in the film.

Long active in film festivals internationally, Rich was an International Curator for the 2002 Toronto International Film Festival, and was Guest Director for the Telluride Film Festival in 1996.

Alongside her academic work, Rich has been International Curator for the 2002 Toronto International Film Festival; has served on juries at the Sundance, Toronto, San Francisco, Oberhausen, Havana, Sydney, and Guadalajara film festivals; and is a member of the advisory board of the Provincetown Film Festival and previously of the Sundance Selection Committee.

Debbie is also the curator / project manager for the ShortCase film series at Austin Film Society.

The film is about a New York art curator whose quest to find out who killed her brother dovetails with an obsession for collecting the violent drawings of New Orleans outsider artist Roy Ferdinand.

Philip Hallman, Film Studies Field Librarian and Curator for the Screen Arts Mavericks & Makers, manages a collection which includes 20,000 DVDs, 3,000 screenplays, and an archival film print collection.

All this was done without the kind of fuss or fanfare that labels someone a «curator» for just picking a few films for an event or festival.

Tom Foley — Vice President of Business Intelligence for the travel firm Inntopia discusses how western resorts have been challenged in recent months by low snowfall and Shari Frilot, Senior Programmer for Sundance Film Festival and Chief Curator of New Frontier has details on this year's New Frontier films and installations at the new location, The Ray.

The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizations.

This film is Ballroom Marfa curator Laura Copelin's selection for Artists» Film International 2017.

Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under - recognized artists, experimental theater and performance works, as well as national and international film and video programs.

Nadja is an independent producer, specialised in the field of art films and artist films, a curator and writer and has worked as a journalist for press and television (Conde Nast, Canal +).

Selected for the job were Stuart Comer, formerly a film curator at Tate Modern and now chief curator of media and performance art at the Museum of Modern Art; Anthony Elms, associate curator at the Institute of Contemporary Art, in Philadelphia; and Michelle Grabner, an artist and professor of painting and drawing at the School of the Art Institute of Chicago as well as a teacher at Yale.

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.

For her third year as Art Basel's film curator, Marian Masone has selected «Boom For Real: The Late Teenage Years of Jean - Michel Basquiat» (2017) for a special screening at the Colony Theatre on Friday, DecemberFor her third year as Art Basel's film curator, Marian Masone has selected «Boom For Real: The Late Teenage Years of Jean - Michel Basquiat» (2017) for a special screening at the Colony Theatre on Friday, DecemberFor Real: The Late Teenage Years of Jean - Michel Basquiat» (2017) for a special screening at the Colony Theatre on Friday, Decemberfor a special screening at the Colony Theatre on Friday, December 8.

A number of events expand on the themes explored in the exhibition including a tour led by the exhibition curator David Campany (20 July, 6.30 pm, Free); the exhibition's curator David Campany is joined by writer and critic Brian Dillon, artists Xavier Ribas and Eva Stenram for a symposium discussing notions of time, perception and the history of photography (17 June, 2 - 6 pm, # 15 / # 12.50 concs); and award - winning essay film - maker Grant Gee presents his study of the late German writer W.G. Sebald which is a multi-layered exploration of place, memory, longing and dust (29 June, 7 pm, # 9.50 / # 7.50 concs).

In this short film, senior curator at The Whitworth, Mary Griffiths, talks about James Richards» show for Wales in Venice.

Also, Marian Masone, New York - based film curator, has selected «Boom For Real: The Late Teenage Years of Jean - Michel Basquiat» (2017), directed by Sara Driver, for a special screeniFor Real: The Late Teenage Years of Jean - Michel Basquiat» (2017), directed by Sara Driver, for a special screenifor a special screening.

Join artist Laure Prouvost for a special screening of her films followed by a conversation between Prouvost and Assistant Curator, Margot Norton.

• Opportunity to host annual corporate volunteer day * • Opportunity to host annual staff outing or family day * • Complimentary tickets for Wave Hill's celebrated winter Horticultural Lecture Series • Six Corporate Courtesy Cards, entitling the holder to free parking and a 10 % discount in The Shop and Café • Opportunity to invite up to 10 guests to exclusive special events, including Members Night, Members Picnic and An Evening in the Gardens • Complimentary private tour of the gardens and Conservatory with a Horticultural Interpreter; or the gallery with a Curator for up to 10 guests • Opportunity to promote discounts on Wave Hill's website to our Members • Weekday access to rent Glyndor Terrace and any space in Wave Hill House for events such as conferences and retreats, and exclusive weeknight access to rent entire property * • Weekday access to rent grounds for photo and film shoots *

• Personalized membership card (s) • Unlimited free admission for one year • Free access to Cinema Orange film series, artist talks, and workshops • Engage with artists & curators at members» opening receptions and previews • 10 % discount on museum merchandise • Invitation to members» opening reception • Opportunity to join the museum's volunteer support groups • Additional benefits as listed below.

Join Tamara H. Schenkenberg, curator at the Pulitzer Arts Foundation, and Monika Weiss, New York - based artist and associate professor at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, for a screening and discussion of three short films by Mona Hatoum: Don't smile, you're on camera!

From 2004 — 2014, Pirotte has held the position of Senior Advisor of the Rijksakademie for Visual Arts in Amsterdam, and in 2012 he became Adjunct Senior Curator at the UC Berkeley Art Museum and Pacific Film Archive where he curated the first retrospective of acclaimed Chinese film artist Yang Fudong.

The Film program is curated for the fourth consecutive year by Cairo - based film curator Maxa Zoller

19 November 2008 5:00 — 7:00 pm Ibrahim Theater, International House, 3701 Chestnut Street, Philadelphia Changing the Canon: Self - Taught Artists Film Screening and Panel Discussion James Castle: Portrait of an Artist A film by Jeffrey Wolf Introduction by Molly Dougherty, Executive Director, Foundation for Self - Taught Artists Brendan Greaves, Folklorist, University of North Carolina John Ollman, Director, Fleisher - Ollman Gallery Ann Percy, Curator of Drawings, Philadelphia Museum of Art Jeffrey Wolf, Film Producer and Director Wendy Steiner (moderator), Founding Director, Penn Humanities Forum Born deaf, James Castle (1900 — 1977), a self - taught American artist who refused to read, write, or otherwise communicate except through art, used soot, saliva, and found materials such as ads and food wrappers for his creations.

Barry Jenkins's 2016 film Moonlight, winner of the 2017 Academy Award for Best Picture, is featured in the selections of Blue Black Library guest contributors Victoria Donaldson, Rebecca Wanzo, and exhibition curator Glenn Ligon.

Returning to the show for her third year, New York - based film curator Marian Masone selected the feature film «ÄòBoom For Real: The Late Teenage Years of Jean - Michel Basquiat «Äô (2017) directed by Sara Driver (b. 1955), which was screened at the Colony Theatre on Friday during the fafor her third year, New York - based film curator Marian Masone selected the feature film «ÄòBoom For Real: The Late Teenage Years of Jean - Michel Basquiat «Äô (2017) directed by Sara Driver (b. 1955), which was screened at the Colony Theatre on Friday during the faFor Real: The Late Teenage Years of Jean - Michel Basquiat «Äô (2017) directed by Sara Driver (b. 1955), which was screened at the Colony Theatre on Friday during the fair.

Thursday, July 29 at 5:30 pm Step behind - the - scenes with Curator Joyce K. Schiller, Ph.D. for a lively look at Rockwell's many brushes with fame in the creation of artworks for posters advertising the now - classic feature length films of his day.

Ischar's recent video and film work was chosen by curator Michelle Grabner for the 2014 Whitney Biennial.

Dedicated to rigorous and challenging programming, EXPO CHICAGO hosts the / Dialogues panel series, featuring provocative artistic discourse with leading artists, curators, designers and arts professionals on the current issues that engage them; IN / SITU, featuring large - scale sculptures and site - specific works; EXPO VIDEO, highlighting a dynamic screening program for film, video and new media works; and more.

One big decision the curators agonized over was whether to dispense with the traditional museum practice of devoting separate galleries for drawings and prints; paintings and sculpture; photographs; and film and video — in part because they felt that artists today think and produce across different media.

VILLAIN: A diabolical genius, Bruce Nauman has persuaded naïve curators and critics around the world that his habit of torturing clowns, tormenting viewers with claustrophobic tunnels, and filming strange nocturnal surveillance videos is a force for good — when really his endgame is infinitely more disturbing, resolving itself only at his viewer's point of death.

Alongside the gallery halls, Art Dubai's extensive not - for - profit programme includes a dynamic roster of commissioned projects, film and radio programmes; artists» and curators» residencies; educational initiatives for children through to professionals, including the year - round art school Campus Art Dubai; an annual exhibition of works by winners of The Abraaj Group Art Prize; and the critically - acclaimed Global Art Forum.

On April 22, 2018, for our series Voices on Art, Art This Week Productions filmed this talk by Debra Diamond, curator of South and Southeast...

«Tango for Page Turning joins a burgeoning collection of film and video art at Middlebury,» said Emmie Donadio, Middlebury College Museum of Art's Curator of Modern and Contemporary Art.

Individually, Gaines has worked as an independent critic and curator and written for the theater, while Segade has directed projects on film and video that have been included in numerous galleries and festivals.

In conjunction with Rituals of Rented Island: Object Theater, Loft Performance, and the New Psychodrama — Manhattan, 1970 — 1980, join us at Anthology Film Archives for a film series co-curated by J. Hoberman, Andrew Lampert, and Whitney curator Jay Sanders.

On May 6, 2018, for our series Voices on Art, Art This Week Productions filmed this talk by Shailka Mishra, assistant curator, Mehrangarh Museum, Jodhpur,...