«We are grateful to our nominating committees of film critics, journalists, programmers and
film curators for their dedication to selecting the nominees from so many worthy submissions.»
He is
film curator for the upcoming International Jewish Performing Arts Festival, set to take place in New York in 2015.
He is a co-programmer of Migrating Forms, an annual festival of artists» film and video at Anthology Film Archives, and in 2013, was
the film curator for MoMA PS 1's «Expo 1.»
Cho has acted as
a film curator for the Los Angeles Asian Pacific Film Festival since 2011, and organized and founded the first Tri-Co Film Festival in 2012.
Not exact matches
New York's Museum of Modern Art has created a YouTube series, «How To See,» that features museum
curators and sometimes the artists themselves delving into the work, Monitor movie critic Peter Rainer's pick
for best
film of the year, «The Florida Project,» is available on DVD and Blu - ray, and more top picks.
He's coming
for the same reasons he did it back in 2010: be the
curator of a
film program.
After a brief introduction from LACMA
film curator Elvis Mitchell, where he described the original suggestion
for the occasion happening three weeks prior over chili cheese fries, the man himself took the stage.
To Ron Magliozzi, associate
curator, and Peter Williamson,
film conservation manager, of the Museum of Modern Art,
for identifying and assembling the earliest surviving footage of what would have been the first feature
film to star a black cast, the 1913 «Lime Kiln Field Day» starring Bert Williams.
As a champion and
curator of independent stories
for the stage and screen, Sundance Institute provides and preserves the space
for artists in
film, theatre,
film composing, and digital media to create and thrive.
With the anticipation
for Marvel's latest superhero movie Black Panther at an all time high, the soundtrack
for the
film looks set to be lit after Kendrick Lamar is announced as a
curator and artist of the first single.
As illustrated in the
film, when Langlois was sacked as
curator in May of 1968, there arose among the buffs such a clamour that grey - suited riot police came to bludgeon protestors like Godard, Truffaut, Jean Marais, and Jean Renoir —
film, the medium of our time,
for a delirious moment, became the catalyst
for a new French Revolution, the Cinematheque a cathedral and Bastille.
The two - hour - and -20-minute
film turned out to be a shaggy satirical comedy about Christian (Claes Bang), the chic
curator of an art museum, toggling among mortifying story lines: a one - night stand with lingering consequences, a nastily conceived ad campaign
for a hot new exhibit (the titular «square,» an artwork creating a kind of ethical safe space), and a positively unbelievable outreach effort to retrieve a stolen wallet and other items.
The release includes most of the same extras from the deluxe DVD, as well as a new interview with composer Jon Brion, a new piece featuring behind - the - scenes footage of a recording session
for the
film's soundtrack, and a new conversation between
curators Michael Connor and Lia Gangitano about the art of Jeremy Blake, used in the
film.
Long active in
film festivals internationally, Rich was an International
Curator for the 2002 Toronto International
Film Festival, and was Guest Director
for the Telluride
Film Festival in 1996.
Alongside her academic work, Rich has been International
Curator for the 2002 Toronto International
Film Festival; has served on juries at the Sundance, Toronto, San Francisco, Oberhausen, Havana, Sydney, and Guadalajara
film festivals; and is a member of the advisory board of the Provincetown
Film Festival and previously of the Sundance Selection Committee.
Debbie is also the
curator / project manager
for the ShortCase
film series at Austin
Film Society.
The
film is about a New York art
curator whose quest to find out who killed her brother dovetails with an obsession
for collecting the violent drawings of New Orleans outsider artist Roy Ferdinand.
Philip Hallman,
Film Studies Field Librarian and
Curator for the Screen Arts Mavericks & Makers, manages a collection which includes 20,000 DVDs, 3,000 screenplays, and an archival
film print collection.
All this was done without the kind of fuss or fanfare that labels someone a «
curator»
for just picking a few
films for an event or festival.
Tom Foley — Vice President of Business Intelligence
for the travel firm Inntopia discusses how western resorts have been challenged in recent months by low snowfall and Shari Frilot, Senior Programmer
for Sundance Film Festival and Chief
Curator of New Frontier has details on this year's New Frontier
films and installations at the new location, The Ray.
The on - site installations program IN / SITU, selected by a major international
curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program
for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizations.
This
film is Ballroom Marfa
curator Laura Copelin's selection
for Artists»
Film International 2017.
Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities
for artists,
curators and viewers through its expansive historical shows, exhibitions of emerging and under - recognized artists, experimental theater and performance works, as well as national and international
film and video programs.
Nadja is an independent producer, specialised in the field of art
films and artist
films, a
curator and writer and has worked as a journalist
for press and television (Conde Nast, Canal +).
Selected
for the job were Stuart Comer, formerly a
film curator at Tate Modern and now chief
curator of media and performance art at the Museum of Modern Art; Anthony Elms, associate
curator at the Institute of Contemporary Art, in Philadelphia; and Michelle Grabner, an artist and professor of painting and drawing at the School of the Art Institute of Chicago as well as a teacher at Yale.
thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center
for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with
curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism
film program / NYU Einstein Aud.
For her third year as Art Basel's film curator, Marian Masone has selected «Boom For Real: The Late Teenage Years of Jean - Michel Basquiat» (2017) for a special screening at the Colony Theatre on Friday, December
For her third year as Art Basel's
film curator, Marian Masone has selected «Boom
For Real: The Late Teenage Years of Jean - Michel Basquiat» (2017) for a special screening at the Colony Theatre on Friday, December
For Real: The Late Teenage Years of Jean - Michel Basquiat» (2017)
for a special screening at the Colony Theatre on Friday, December
for a special screening at the Colony Theatre on Friday, December 8.
A number of events expand on the themes explored in the exhibition including a tour led by the exhibition
curator David Campany (20 July, 6.30 pm, Free); the exhibition's
curator David Campany is joined by writer and critic Brian Dillon, artists Xavier Ribas and Eva Stenram
for a symposium discussing notions of time, perception and the history of photography (17 June, 2 - 6 pm, # 15 / # 12.50 concs); and award - winning essay
film - maker Grant Gee presents his study of the late German writer W.G. Sebald which is a multi-layered exploration of place, memory, longing and dust (29 June, 7 pm, # 9.50 / # 7.50 concs).
In this short
film, senior
curator at The Whitworth, Mary Griffiths, talks about James Richards» show
for Wales in Venice.
Also, Marian Masone, New York - based
film curator, has selected «Boom
For Real: The Late Teenage Years of Jean - Michel Basquiat» (2017), directed by Sara Driver, for a special screeni
For Real: The Late Teenage Years of Jean - Michel Basquiat» (2017), directed by Sara Driver,
for a special screeni
for a special screening.
Join artist Laure Prouvost
for a special screening of her
films followed by a conversation between Prouvost and Assistant
Curator, Margot Norton.
• Opportunity to host annual corporate volunteer day * • Opportunity to host annual staff outing or family day * • Complimentary tickets
for Wave Hill's celebrated winter Horticultural Lecture Series • Six Corporate Courtesy Cards, entitling the holder to free parking and a 10 % discount in The Shop and Café • Opportunity to invite up to 10 guests to exclusive special events, including Members Night, Members Picnic and An Evening in the Gardens • Complimentary private tour of the gardens and Conservatory with a Horticultural Interpreter; or the gallery with a
Curator for up to 10 guests • Opportunity to promote discounts on Wave Hill's website to our Members • Weekday access to rent Glyndor Terrace and any space in Wave Hill House
for events such as conferences and retreats, and exclusive weeknight access to rent entire property * • Weekday access to rent grounds
for photo and
film shoots *
• Personalized membership card (s) • Unlimited free admission
for one year • Free access to Cinema Orange
film series, artist talks, and workshops • Engage with artists &
curators at members» opening receptions and previews • 10 % discount on museum merchandise • Invitation to members» opening reception • Opportunity to join the museum's volunteer support groups • Additional benefits as listed below.
Join Tamara H. Schenkenberg,
curator at the Pulitzer Arts Foundation, and Monika Weiss, New York - based artist and associate professor at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis,
for a screening and discussion of three short
films by Mona Hatoum: Don't smile, you're on camera!
From 2004 — 2014, Pirotte has held the position of Senior Advisor of the Rijksakademie
for Visual Arts in Amsterdam, and in 2012 he became Adjunct Senior
Curator at the UC Berkeley Art Museum and Pacific
Film Archive where he curated the first retrospective of acclaimed Chinese
film artist Yang Fudong.
The
Film program is curated
for the fourth consecutive year by Cairo - based
film curator Maxa Zoller
19 November 2008 5:00 — 7:00 pm Ibrahim Theater, International House, 3701 Chestnut Street, Philadelphia Changing the Canon: Self - Taught Artists
Film Screening and Panel Discussion James Castle: Portrait of an Artist A
film by Jeffrey Wolf Introduction by Molly Dougherty, Executive Director, Foundation
for Self - Taught Artists Brendan Greaves, Folklorist, University of North Carolina John Ollman, Director, Fleisher - Ollman Gallery Ann Percy,
Curator of Drawings, Philadelphia Museum of Art Jeffrey Wolf,
Film Producer and Director Wendy Steiner (moderator), Founding Director, Penn Humanities Forum Born deaf, James Castle (1900 — 1977), a self - taught American artist who refused to read, write, or otherwise communicate except through art, used soot, saliva, and found materials such as ads and food wrappers
for his creations.
Barry Jenkins's 2016
film Moonlight, winner of the 2017 Academy Award
for Best Picture, is featured in the selections of Blue Black Library guest contributors Victoria Donaldson, Rebecca Wanzo, and exhibition
curator Glenn Ligon.
Returning to the show
for her third year, New York - based film curator Marian Masone selected the feature film «ÄòBoom For Real: The Late Teenage Years of Jean - Michel Basquiat «Äô (2017) directed by Sara Driver (b. 1955), which was screened at the Colony Theatre on Friday during the fa
for her third year, New York - based
film curator Marian Masone selected the feature
film «ÄòBoom
For Real: The Late Teenage Years of Jean - Michel Basquiat «Äô (2017) directed by Sara Driver (b. 1955), which was screened at the Colony Theatre on Friday during the fa
For Real: The Late Teenage Years of Jean - Michel Basquiat «Äô (2017) directed by Sara Driver (b. 1955), which was screened at the Colony Theatre on Friday during the fair.
Thursday, July 29 at 5:30 pm Step behind - the - scenes with
Curator Joyce K. Schiller, Ph.D.
for a lively look at Rockwell's many brushes with fame in the creation of artworks
for posters advertising the now - classic feature length
films of his day.
Ischar's recent video and
film work was chosen by
curator Michelle Grabner
for the 2014 Whitney Biennial.
Dedicated to rigorous and challenging programming, EXPO CHICAGO hosts the / Dialogues panel series, featuring provocative artistic discourse with leading artists,
curators, designers and arts professionals on the current issues that engage them; IN / SITU, featuring large - scale sculptures and site - specific works; EXPO VIDEO, highlighting a dynamic screening program
for film, video and new media works; and more.
One big decision the
curators agonized over was whether to dispense with the traditional museum practice of devoting separate galleries
for drawings and prints; paintings and sculpture; photographs; and
film and video — in part because they felt that artists today think and produce across different media.
VILLAIN: A diabolical genius, Bruce Nauman has persuaded naïve
curators and critics around the world that his habit of torturing clowns, tormenting viewers with claustrophobic tunnels, and
filming strange nocturnal surveillance videos is a force
for good — when really his endgame is infinitely more disturbing, resolving itself only at his viewer's point of death.
Alongside the gallery halls, Art Dubai's extensive not -
for - profit programme includes a dynamic roster of commissioned projects,
film and radio programmes; artists» and
curators» residencies; educational initiatives
for children through to professionals, including the year - round art school Campus Art Dubai; an annual exhibition of works by winners of The Abraaj Group Art Prize; and the critically - acclaimed Global Art Forum.
On April 22, 2018,
for our series Voices on Art, Art This Week Productions
filmed this talk by Debra Diamond,
curator of South and Southeast...
«Tango
for Page Turning joins a burgeoning collection of
film and video art at Middlebury,» said Emmie Donadio, Middlebury College Museum of Art's
Curator of Modern and Contemporary Art.
Individually, Gaines has worked as an independent critic and
curator and written
for the theater, while Segade has directed projects on
film and video that have been included in numerous galleries and festivals.
In conjunction with Rituals of Rented Island: Object Theater, Loft Performance, and the New Psychodrama — Manhattan, 1970 — 1980, join us at Anthology
Film Archives
for a
film series co-curated by J. Hoberman, Andrew Lampert, and Whitney
curator Jay Sanders.
On May 6, 2018,
for our series Voices on Art, Art This Week Productions
filmed this talk by Shailka Mishra, assistant
curator, Mehrangarh Museum, Jodhpur,...