Sentences with phrase «film curators who»

Vicente also thanked the committees of film critics, journalists, festival programmers and film curators who selected the nominees from 203 eligible submissions.

Not exact matches

Jay Kuehner is a free - lance film critic, instructor, and curator based in Seattle who has contributed to Cinema Scope magazine, Film Comment, and Fandor, and is programmer of Veracity: New Documentary Cinema at Northwest Film Forum.

The film is about a New York art curator whose quest to find out who killed her brother dovetails with an obsession for collecting the violent drawings of New Orleans outsider artist Roy Ferdinand.

Features include an interview with the artist David Shrigley about his love of football and his life's work, a chat with graphic design legend Paula Scher, an introduction to Gaika and Kibwe Tavares who are set to take the music and film world by storm, an insight into how curator Paola Antonelli shook up the design world in her role at MoMA, and a chat with illustrator Noma Bar.

Rose and Christopher Y. Lew, the Whitney's associate curator who gave the young artist her first New York solo show, walked in at the end of her 10 - minute video and chattered over until the film looped back to the beginning: «When I first came back to Earth after 128 days in space,» the astronaut David Wolf intoned while pools of opalescent fluid shifted onscreen as if agitating a new cosmos.

Upon finding out that an unreleased film denouncing the Greek military junta who ruled Greece from 1967 to 1974 had been shot by the blacklisted, American filmmaker Jules Dassin in 1974 in what is now The Kitchen's gallery space, Curator Matthew Lyons invited Courtesy the Artists, Discoteca Flaming Star, and Georgia Sagri to revisit the themes and structures of the original film.

Presentation: September 22, 2015 7:30 - 10:00 pm 18th Street Arts Center Curator's Lounge 1639 18th Street Santa Monica, CA 90404 Filmmaker J. Louise Makary, who is currently at 18th Street on a Philadelphia - based Pew Fellowship, makes films that...

With the help of the Whitechapel Gallery's film curator, Gareth Evans, who was an executive producer, this bold work is like the sun shown in its closing moments.

Come September, Stuart Comer, who is currently the film curator at the Tate Modern, will be assuming the new role of chief curator of media and performance art at MoMA, an institution that's seen a considerable amount of success with its recent performance art initiatives like Marina Abramovic's «The Artist Is Present,» among others.

19 November 2008 5:00 — 7:00 pm Ibrahim Theater, International House, 3701 Chestnut Street, Philadelphia Changing the Canon: Self - Taught Artists Film Screening and Panel Discussion James Castle: Portrait of an Artist A film by Jeffrey Wolf Introduction by Molly Dougherty, Executive Director, Foundation for Self - Taught Artists Brendan Greaves, Folklorist, University of North Carolina John Ollman, Director, Fleisher - Ollman Gallery Ann Percy, Curator of Drawings, Philadelphia Museum of Art Jeffrey Wolf, Film Producer and Director Wendy Steiner (moderator), Founding Director, Penn Humanities Forum Born deaf, James Castle (1900 — 1977), a self - taught American artist who refused to read, write, or otherwise communicate except through art, used soot, saliva, and found materials such as ads and food wrappers for his creations.

The foregrounding of installation, film and performance, mixed with the presence of names familiar from western biennial circuits points to one thing: the class of curators who have become associated with biennials, and with criss - crossing the globe.

Curator of Location One's Abramović Studio, Jovana Stokić spoke with artist Lucy Skaer about her current and past work focusing on the collaborative artist group Henry VIII's Wives, who have been working together since 1998, mainly in film and video.

Andrew Rosinski is a visual artist, curator, and writer who received his BA from Columbia College in Film & Video with a concentration in post-production and documentary & ethnographic film.

Seen at last month's tribute to Mabel Normand were internationally renowned independent curator Nicholas Weist (The Dulcet Clime of the Bed Chamber), well endowed German artist Christian Siekmeier, who has returned to Berlin after 11 years spent in New York, lovesexy experimental film darling Wilhelm Hein with his brilliant art photog girlfriend Annette Frick, gorgeous British live artist Keira O`Reilly, movie ingenue Brady Corbet, author Benjamin von Stuckrad - Barre, vivacious actresses Alexandra Maria Lara and Susanna Sachße and the grande dame des deutschen Schauspiels Senta Berger.

«Friends of mine, they'd told me, «You have to see this,»» said curator Mark Beasley, who acquired it for the Hirshhorn and placed it in «The Message,» an exhibition of new film works that took its name from Jafa's piece.

Much of the director's noncinematic art is «humorous and high spirited,» says Ron Magliozzi, MoMA's assistant film curator, who organized the show with curatorial assistant Jenny He and chief film curator Rajendra Roy.

AS MUCH OF A LONER AS Kertess can be, he knew that an exhibition of this scale could not be put together without substantial help and he found it mostly from within the Whitney: Minou Roufail, his assistant, who oversaw the logistics of the show with a temperament similar to Kertess's combination of gentle firmness and utter precision; Matthew Yokobosky, a young assistant curator of film and video who is also a set designer and whom Kertess, unwilling to yield control of the biennial layout to an outside architect, tapped as the exhibition designer, and John Hanhardt, the Whitney's curator of film and video who advised Kertess in those areas, in which he admits limited expertise.

The Guggenheim Museum owns another edition of Johnson's film and is planning to show it next year, said Katherine Brinson, a Guggenheim curator who led a group of collectors, art dealers and advisers through Johnson's exhibition the day after the opening and the dinner.

Because right here, about 35 minutes into the 50 minute film, the idiots who run the press department at the Tate decided to hold a televised interview with one of the show's curators right there in the gallery, instantly rendering the sound inaudible and destroying the concentration of the critics who were trying to watch it.

«He was my closest friend,» Biesenbach said, leading collector Harald Falckenberg through the show with Schlingensief's widow, curator Aino Laberenz, who subtitled the exhibition's films.

Both films will be introduced by acclaimed freelance curator Andrea Schlieker who recently co-curated the British Art Show in which Sedira was a participating artist.

He could start with the judges — as well as curators, the lineup could usefully contain a generalist, or perhaps an artist from another discipline (literature, theatre, film — anyone who could bring a fresh, outside eye to proceedings).

Daniel Birnbaum, a juror in 2008, was the director of the Staatliche Hochschule für Bildende Künste, Frankfurt, where that year's winner, Mark Leckey, was professor of film studies (and also partner of a Tate curator who has curated the prize).

«This is a love fest for Tacita,» said Goodman in her toast to the artist at Tocqueville, where collectors made up a small minority of dinner guests who included friends like Roni Horn, Piero Golia, and Julie Mehretu, curators from museums in at least three countries (including Mexico City's Tamayo, where Dean will have a show next year), and Jeff Clarke, the CEO of Kodak, whom Dean characterized as «the man who saved film.»

The couple's accomplishments - as patrons, philanthropists and political activists who lived and worked along a Paris - Houston - New York axis - is told in lively texts and remembrances by contributors such as the artist Dorothea Tanning, architect Renzo Piano, film scholar Gerald O'Grady, architectural historian Stephen Fox, curators Bertrand Davezac and Walter Hopps, and Africanist Kristina Van Dyke.

Reinhold Misselbeck, the director of the department of photography and video at Museum Ludwig, who was curator of the current show, wrote of Mr. Hockney: «He is well aware the media, like photography, video and film, are losing the documentary quality hitherto attributed to them because of digital manipulation and that they are converging more with painting in their relation to reality.»

At the Kunstmuseum, Matthew Barney submitted to the annual dog - and - pony conversation with Tina Brown, who bravely asked stupid questions that Barney dignified with serious answers before a crowd that included Beatrix Ruf and Bart Rutten; curator of the permanent collection at the Stedelijk Museum (her new posting); Richard Chang; artist Pamela Rosenkranz; and many suits who had not yet seen Barney's new, six - hour film, River of Fundament.

CPW welcomes proposals from curators who wish to curate exhibition / publication programs of innovative contemporary photography and related media including film, video, and web - based works.

Curator Nicholas Cullinan writes on the Tate blog that the exhibition looks «beyond the clichés of Munch as an angst - ridden and brooding Nordic artist who painted scenes of isolation and trauma» to focus on the neglected aspects of his often radical work, particularly his use of film and photography, and his «obsessive reworking of motifs.»

The participating artists were selected under the curatorial guidance of Rita Kersting, former director of the Kunstverein für die Rheinlande und Westfalen, who, together with Marc Glöde (film theorist and the curator of abc 2010) designed the exhibition's spatial setting and presentation.

Advisers who will work closely with the curators include Negar Azimi, a writer and editor at Bidoun; Gean Moreno, artistic director of Cannonball, a Miami — based contemporary art nonprofit; Aily Nash, co-curator of Projections, the New York Film Festival's artists» film and video unit, and Wendy Yao, funder of beloved L.A. bookstore Ooga Booga.

Anselm Franke, curator at the Kunst - Werke Institute for Contemporary Art, Berlin, has chosen two artists, Matthew Buckingham and Harun Farocki, who are primarily known for their work with film.

Nominated by experts across the UK contemporary film and arts sectors, the Jury who selected this year's shortlist were: Iwona Blazwick OBE, Director, Whitechapel Gallery; Andrea Lissoni, Senior Curator, International Art (Film), Tate Modern and Film London Board Member; Catherine Bray, Editor, Random Acts, Channel 4; Shona Illingworth, Artist; Peter Taylor, Director, Berwick Film & Media Arts Festival and Tyrone Walker - Hebborn, Director, Genesis Cinema.