Sentences with phrase «film cuts back»

But once he is missing, the film cuts back and forth from their search to their relationships with their new partners where the child is barely mentioned.

The visually arresting film cuts back and forth between the two children's stories, their separate timelines evoked via sounds and images from period - specific music and movies.

The film cuts back and forth between both storylines often, it's not always that smooth, but it does keep pushing things along at a good pace.

The film cuts back to 1939 in Cambridge, England.

In a move inspired by Ingmar Bergman's Fanny and Alexander, the film cuts back - and - forth between multiple storylines over the course of two years.

The film cuts back and forth in a non-traditional biopic way to put the pieces of the Harding puzzle together.

Drinking Rules for World War Z: 1) Drink whenever you see zombies running in a massive group 2) Drink every time the film cuts back to Brad Pitt's wife and children 3) Drink anytime the actual «zombie» word is used Finish Your Drink When: Gerry Lane (Brad Pitt) says, «This is not the end.

Edited with a frantic energy, the film cuts back and forth with almost cartoonish verve from Don's real - life experiences to explicit scenes of pornography that are humorous in their gratuity, but also serve to highlight the character's obsession, revealing the constant feed of sex playing inside his mind.

For a while, the film cuts back and forth between his track - and - field glory days and his time in the U.S. Air Force, where he worked as a bombardier on a B - 24.

The film cuts back and forth between the smoky footage of the chief's execution and the explosions of riot - engulfed Cochabamba.

At the same time — and time is impossibly circular here, the film cutting back and forth in time, among scenes of memory, storytelling, and devastating flashbacks — Darwin is repeatedly haunted by Annie's ghost.

Not exact matches

DuPont ™ Biomax ® Strong 120 overcomes limitations that have hold back widespread use of bio-based PLA, delivering remarkable toughening effects in brittle PLA materials, reducing crinkly film noise and cutting power consumption while increasing thermal stability during extrusion.

Peel back the cling film and cut into squares.

He looks like the liquid sulphur policeman that is shot by Arnie in the terminator films and gets cut in half then re morphs back to one..

That's made evident when one child does manage to lose a considerable amount of weight by cutting out processed foods — and then gains it all back before the filming is even completed.

In «Nashville» and his back - to - back triumphs «The Player» (1992) and «Short Cuts» (1993), he pointed the way for Paul Thomas Anderson's «Boogie Nights» and «Magnolia,» and in the last year I've seen several more films of interconnected characters, most recently «Wonderland» and «Five Senses.»

But unlike earlier Bond films in which this all might play out in an uninterrupted stream of stuntery, here we cut back to rainy London, where Bond's boss M (Judi Dench) is tensely following the mission's progress.

VIOLENCE / GORE 6 - In a close - up, film footage shows a man using a knife to cut a large square of flesh from a grunting man's abdomen; the first man pulls back the bloody flesh and we see snake - like coils writhing through the victim's abdomen.

Less than three years after the film made its theatrical debut (to many boos and jeers), the director comes back to tweak Alexander AGAIN with what I like to call the This Time for Real Cut.

Sadly the original rough cut of the film was destroyed by the studio, probably to keep megalomaniac Welles from putting his film back together.

It's an extremely silly device that pulls you out of the film every time it cuts back to him, although Petit is so self - absorbed and flamboyant (constantly jostling to be the center of attention) that it makes perfect sense that even his fictional self would be this theatrical.

The producers took a tremendous pay cut in order to make the film, and many of the crew went with minimal pay until the movie could make back its investment.

On DVD, the Farrellys provide audio commentary for the film and 11 deleted scenes, ranging from seconds - long sight gags to longish, well - developed segments (some were cut because the film had built up too many melodramatic scenes back to back, the Farrellys note).

Howard cuts back from the high seas to these two men discussing the past events several times during the film.

Thanks to his Godfather success, he was able to get the film made and prevented Universal from later demanding drastic cuts, by threatening to buy back the negative himself if they didn't comply.

In the past few months, a spirited game of he - said / they - said has played out in the press, with a gag - ordered Schrader accusing his producers of taking the film away from him when he refused to make all of their desired changes to his director's cut, and said producers firing back that Schrader quit the picture without ever completing it, and that their version is, well, a lot better.

«No studio is going to take a big film to the ratings board and have them say, «Go back and cut that dismemberment or that decapitation,» or you land «in jail» with an NC - 17.

Presentation This two - disc Blu - ray release of Gladiator contains both the 155 - minute theatrical cut and the 171 - minute extended cut which inserts 16 minutes of deleted material back into the film through seamless branching.

Payback: Straight Up - The Director's Cut is probably not exactly how Helgeland would have released his film back in 1999, but it's as close as it's going to get.

Part of the movie cuts back and forth to her filming the CBS tour of the White House.

Morris would just get engaged in making a point — he's a prodigious and enthusiastic talker, a quality that's rarely on display in the many films in which he so prodigiously listens — when the line would cut out and I'd have to call him back, a maddening glitch he handled with graciousness and good humor.

Since both films well pre-date the preservationist era of film - as - art - and - heritage — Greed was released in 1925, The Magnificent Ambersons in 1942 — they have suffered the further indignity of being unreconstructible; studios back in those days didn't hang on to excised footage for the sake of future director's cuts on DVD, so the reels upon reels of nitrate film trimmed from the original versions were — depending on which movie you're talking about and which story you believe — burned, thrown in the garbage, dumped into the Pacific, or simply left to decompose in the vaults.»

The film moves back and forth between the survivors in the present and their younger selves (Annalise Basso and Garrett Ryan) 11 years ago, as they and their parents (Katee Sackhoff and Rory Cochrane) move into a new house and start to drift into madness (Never, ever attempt to cut a bandage with a staple remover; that device's purpose is in its name).

Interestingly, only three years after the film's initial release, she had to go back into the edit bay with director Lean and create a «cut down» television version.

The bulk of the film goes back and forth between the attempts to bring him back, and the kidnappers and their captive — including a botched escape attempt as well as the infamous and rather graphic depiction of Paul's ear being cut off.

With Super 8 set to be released this weekend, Dave Morris looks back at the five best J.J. Abrams films, and one that didn't quite make the cut.

In 1996, for the film's 25th anniversary edition laserdisc, Disney went back and tried to reconstruct the film's lengthy original cut.

And the deletion from the final cut of the new song, «She'll Be Back», written expressly by Stephen Sondheim for Meryl Streep, means that Into the Woods - which has done better at the box office than many film musicals of late (Clint Eastwood's Jersey Boys, anyone?)

Directed by Creed and Fruitvale Station's Ryan Coogler, Black Panther veers from the template established by Marvel's previous 18 films by introducing a complex, charismatic villain, employing a compelling dramatic conflict, and cutting back on those pesky cameos.

This year, as Europe and the U.S. retreat from each other politically, cinephiles seem to have cut back on Hollywood fare, leaving us with a wealth of decidedly left - field film fodder that address topics such as discrimination against refugees, an adolescent Karl Marx, and all kinds of sexual diversity.

We rarely cut from scalps being pulled back, organs being removed... even having actress Olwen Kelly simply lying there, nude, for the entire film feels taboo.

The film is set in various time periods (1881, 1904, 1922, 1945, 1966 and Lillian's time) and we cut back and forth between these years to build a picture of how the brutal violence that was present in 1881 casts a shadow over everything that follows.

An odd note on the back of the case, absent from the 2000 DVD, calls this a «digital transfer of the director's cut,» but as there are no visible changes in the film itself and no follow - up notes anywhere within the packaging, I have no idea what, if anything, makes this version different from the theatrical release.

Restoring a few of these cut - scenes would put much - needed flesh back on this skeletal film, though it's worth noting that many of them still suffer from Haythe's insecure shoehorning of subtext into the dialogue, as in a moment where Frank tells a story to guests Shep and Millie they've obviously heard before, only to have April come right out and confirm it.

The filmmaker's second feature, «Taxidermia» made quite a splash at the festival back in 2006 as part of the Un Certain Regard section, and he was back at the festival with collage film «Final Cut» in 2012.

While Fargo takes advantage of its snowy location, allowing it to serve as an instrumental element of the film's themes and mood, the bleakness of Cut Bank is never explored, nor the wide expanses or back woods of Montana.

It's hard to shake off that level of creepiness when the film cuts to whimsical scenes like Newt performing a mating dance to lure an erumpent back into his suitcase.

The upcoming film functions as both a prequel and a sequel as it jumps between the present, where Sophie (Amanda Seyfried) is now pregnant with her first child, and we cut back to see a young Donna (Lily James) living it up in the past.

In keeping with Grindhouse's low - rent atmosphere, Rodriguez has deliberately degraded the print — with scratch marks, cigarette burns, and awkward cuts where the film has supposedly snapped and been spackled back together by the projectionist.

Although the film was far from a hit, not to mention it obviously wasn't a pet project for the studio (the film's release was pushed back more than once), Fox has assembled a nice DVD treatment for the film — or, rather, treatments, as the R - rated theatrical cut and a longer (by 7 minutes) unrated director's cut are available separately.