Sentences with phrase «film day depicted»

Not exact matches

It consumes me every day,» an abuser identified as «Kevin Langham» wrote in a 2014 tweet depicted in the film.

Pictures and magazine covers depict Kelly starring in films alongside the top leading men of the day like Cary Grant, Bing Crosby or Clark Gable, and winning an academy award and floating up the red carpet.

Certainly the 1924 Olympics as depicted in the film bear very little resemblance to the modern - day Games; you won't find athletes in 2012 using trowels to dig out their starting marks, or passing each other notes of encouragement.

In an interview, Singer said that The Post script had foreseen some present - day parallels under Donald Trump to the era depicted in their film.

And, of course, it's interesting that the film's subject, Robert Durst, was never convicted of any of the misdeeds depicted (A free man to this day, he reportedly attended a private screening and gave the movie a thumbs up).

Screenwriting duo Scott Neustadter and Michael H. Weber -LRB-(500) Days of Summer and The Spectacular Now) deliver an insightful script that depicts one of the most disastrous film productions in history.

It's not every director who can show three kids (including an infant wrapped in swaddling clothes) perforated by bullets without so much as flinching, but that's Cooper's M.O., refined over the three films since his relatively marshmallowy «Crazy Heart»: As in «Black Mass» before this, violence packs more punch if depicted matter - of - factly, which somehow registers as «realistic» these days (although one suspects that it would be far more horrifying if his victims suffered slow, agonizing deaths after being shot).

Having served in the Army during Vietnam, I'm still amazed by the film's attention to detail in depicting the Army grunt's day - to - day soldiering and partying.

Stronger was a film I initially had no interest in seeing (the subject matter seemed too gruesome and intense) that stunned me with how uniquely it approached the semiotics of pain, therapy, and healing, processes that cinema has tried to depict since the earliest days of the form.

The film depicts the real - life story of Rais Bhuiyan, a Bangladeshi immigrant who survived a hate crime attack in the days after 9/11.

The film depicts their 500 - day romance.

Likewise, LaBute's direction never rises above «competent,» and the noticeable lack of art direction makes the movie look cheap (it was clearly filmed in ordinary locations around Albuquerque, and one imagines the city rues the day it gave LaBute whatever tax breaks convinced him to shoot there, since he depicts the locals, almost without exception, as rubes).

The film depicts the dying days of the wealthy Elizabeth Hunter (Rampling), a domineering and charming matriarch, who has summoned her expatriate children, Sir Basil Hunter (Rush) and Dorothy de Lascabanes (Davis), to her bedside in a lavish mansion in Sydney.

Chronicling a week in the life of Paterson (Adam Driver), a bus driver and amateur poet whose home happens to be Paterson, New Jersey — also home to William Carlos Williams, Allen Ginsberg and Lou Costello — the film depicts, day by day, his banal but unexpectedly engrossing routine.

Even without taking under account the evident, constant battle between both characters» «little angels and demons,» there are indeed several religious images throughout «Changing Lanes» and my guess is that Michell tried to make a not so subtle parallel between both characters escalating wrong - doings and Christ's dying for our transgressions, not unlike the ones depicted here, only for them to end the film by actually achieving a redemption of sorts similar to Christ's resurrection, which for both characters in the film seemed so elusive throughout this day, even in moments such as the one when the movie manages to casually place the character played by Affleck (a non-Catholic, I think) inside a confessional with a priest, no less.

Released nearly a decade after the first of Peter Jackson's film depicting the troublesome ring that was tossed into the fiery pit, Tolkien aficionados have had their eye firmly set on the day the acclaimed author's junior companion novel would be put to film.

Both films are absolutely some of the best of this year in their respective genres, and both depict a moment of a conflict that began long before the Detroit riots and continues through to the present day.

The film was made in 16 days, and yet it never feels rushed or slapdash, in no small part because it doesn't depict too much more than a month of life for its characters.

He will also bring the reader inside the hotel for those one hundred terrible days depicted in the film, relating the anguish of those who watched as their loved ones were hacked to pieces and the betrayal that he felt as a result of the UN's refusal to help at this time of crisis.

Kim Fischer of ABC's Good4Utah, graciously joined us to emcee the evening's events, which included the debut of our new film, depicting the average day in the life of the pets in our care, from the time we take them from the shelter, to the moment we deliver them into the lives of their loving forever families.

Hubbard / Birchler introduce this decaying, skeletal, three - sided facade as a main character in their story, which also depicts a film crew documenting its current - day condition alongside images of a 1955 Warner Brothers secretary as she types the location contract for the yet - to - be-created, soon - to - be-iconic Hollywood motion picture.

One of the more mesmerizing temporary sights in town is this 360 - degree «cinema in the round» film, depicting one day's view from the rooftop of Wilcox's Union Square studio.