Sentences with phrase «film deals mostly»

But after that, Clio Barnard's third film deals mostly in mud, rain, silence and...

Not exact matches

The 4 - year - old company emerged as the successor to News Corporation and deals mostly with film and television.

WFF, is a significant player within the Canadian film fest circuit, i known for its intimate, casual environment, set by Mishaw's loyal and tireless admin team, consisting mostly of women, most of whom have been with the festival for years, setting the stage for high - quality film - centric hospitality through which filmmakers and industry honchos mingle, and deals are made not only via scheduled one - on - one meetings, but also in the hot tub or on the ski slopes.

His new film, Free Fire, is built around a premise that is simultaneously old school and high concept: two groups of criminals in 1970s Boston arrange an arms deal in an old warehouse, things go south, guns are drawn... and they proceed to engage in a gun battle that plays out over the course of the entire movie, mostly in real time.

Tense to an almost Hitchcockian degree, funny without sacrificing the stakes, gorgeously atmospheric, and lean enough to never outstay its welcome, the film suggests that Saulnier is the real deal in a way that «Murder Party» never suggested, and the film's success must be especially gratifying given that he financed it mostly with his savings.

«Star Wars» alum Hayden Christensen has inked a two - film deal with Emmett / Furla / Oasis, the [mostly] direct - to - vid action label that's also managed to coax Bruce Willis, Al Pacino, Robert De Niro and John Cusack to it's product listing in recent years.

Rebecca Miller, daughter of Arthur and a future director herself, gets the leanest role of the film as the trophy wife, which is probably why she comes out of the deal mostly unscathed — the less one has to say in this film, the more intelligent they seem to be.

Unfortunately this means that there's only fifteen minutes or so at the end to deal with the forty - odd year career in film, which means that masterpieces like «Shock Corridor» and «The Naked Kiss» are mostly passed over, with only his opus «The Big Red One» getting a fair shake.

Funny thing is, I actually prefer the scenes that don't deal with the contrived and mostly unfunny plot, so I'm willing to allow some indulgences, as they provide the only amusing moments of this otherwise throwaway film.

The first third of the French film «120 BPM» (Beats Per Minute) deals mostly with the comings and goings of ACT UP Paris in the early 1990s — their actions, stridency, the internecine battles between various players.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

The angle that has Dan on the verge of a possible syndication deal with his advice column on parenting is supposed to make certain elements of the film ironic, but it is mostly needless and bears little thematic or comedic fruit.

There is a continuation of themes here, but mostly this film feels like he's exploring a great deal of ground already covered, especially when you see the strange men who are quite different than human.

Whether getting a film deal or an «option» is really that lucrative, or if it's mostly marketing to help an author sell more books.