Sentences with phrase «film director david»

In a discussion with his good friend, film director David MacKenzie, the Scot complained that it was too late for people to critique and complain about his films after they were finished.
On paper, the marriage of cult film director David Cronenberg and cult novelist Don DeLillo is no doubt an ideal one, but movies require bringing dozens or even hundreds of other random factors into the mix, and it's the director's job to bring all of it together into one cohesive vision.
This comes after a long search for a director, with original film director David Ayer apparently still working on Gotham City Sirens, a spin - off starring Harley Quinn, Poison Ivy, Catwoman and other DC villainesses.
Short film director David Brooks will make his feature directorial debut when the film goes into production this Fall.
For Academy Award - nominated film director David O. Russell, even mental illness has a silver lining.
It was inspired by a gig she performed at film director David Lynch's Paris nightclub, Silencio, in October 2015.
The Social Network Star is currently filming Director David Fincher's take on the crime thriller trilogy that you totally borrowed from a friend because you didn't want to be seen buying that book that everyone was reading.
The Social Network Star is currently filming Director David Fincher's take on the crime thriller trilogy that you totally -LSB-...]

Not exact matches

There is no official release date for the second Bright film, but stars Will Smith and Joel Edgerton will reportedly return, along with director David Ayer (Fury, Suicide Squad).
Well, a former SNL director — who also happens to be lead writer of the David Spade comedy «Joe Dirt» — was behind it, and Stewart was recruited only after the first actress suffered a «nervous breakdown» right before filming.
Also, David Guggenheim, the film director behind An Inconvenient Truth and Waiting for «Superman,» has been brought on to tell Malala's story in a documentary.
The film's director told the NYO's David Freedlander:
The music video for «Gringo», a new single off the upcoming «Reign» album has been captured in a short film, directed by internationally - recognized video director, Sesan, for Film Factory and produced by David Nguyen.
When the script of Lawrence of Arabia called for wrecking a train, director David Lean found it easiest to go ahead and wreck a train, orchestrating and filming it with expert precision.
Although best known as the director of the cult classic films Blue Velvet, Mulholland Drive and the television series Twin Peaks, David Lynch is also a painter and designer.
One day, David is mistaken for a well - known film director, and discovers people, especially women, seem a great deal more friendly toward him when they think he works in the movies.
Director David Fincher («Alien3») and first - time screenwriter Andrew Kevin Walker generally handle the material quite well, but so much of the film is so distasteful that it is difficult to recommend.
As schematic as a popular entertainment needs to be yet refreshingly devoid of significant lulls in the action — for exposition, weapon reloading, lovemaking and the like — the film is fast, smart and single - minded, providing not only a satisfying bang for the ever - beleaguered moviegoing buck but memorable debuts for first - time feature director Mimi Leder and fledgling film studio DreamWorks SKG (Steven Spielberg, Jeffrey Katzenberg and David Geffen)-- as well as ringing confirmation that George Clooney is indeed a movie star.
Director David Yates, who has helmed the last four films, isn't afraid to accommodate quiet — long stretches of the film play sans score (the better to hear the audience sniffle?)
Director David O. Russell (Three Kings) brings this blue collar Boston town to life, it becomes it's own unique character in the film.
Written and directed by Peter Berg; director of photography, David Hennings; edited by Dan Lebental; music by Stewart Copeland; production designer, Dina Lipton; produced by Michael Schiffer, Diane Nabatoff and Cindy Cowan; executive producers, Ted Field, Scott Kroopf, Michael Helfant and Christian Slater; released by Polygram Filmed Entertainment.
While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.
But the second part also created another possibility — simply that director David Yates wanted to put all the boring and meandering moments of the book into the first film and then deliver a thrill ride giving the franchise the fitting finale it deserves.
Paramount has chosen quality over quantity for the Blu - ray release of «The Fighter,» with a strong collection of bonus material headlined by an audio commentary with director David O. Russell where he discusses the filming of the movie and how it compares to its real - life subjects.
Commentary 3 — The Picture - Director of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher talk about the look of the film itself, the color processes used on the print, the locations scouted for the various shots, the detail used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute black Fincher always wanted in Alien 3 but could achieve until now and more.
In Harry Potter and the Deathly Hallows: Part 2, the final bow of the boy wizard, his boon friends, and his formidable enemies, director David Yates (who helmed films five through eight) chooses to touch audiences rather than wow them.
But in between, without losing momentum, fourth - time series director David Yates and writer Steve Kloves (who scripted seven of the eight films) insert key pieces of the pasts of Prof. Albus Dumbledore (Michael Gambon) and the ever - fascinating, poetically tragic Prof. Severus Snape (the ever - fascinating Alan Rickman).
Director David Fincher («Alien 3,» Madonna's «Vogue» and «Express Yourself» videos) used a film - processing technique that deepens tonal qualities, making whites harsher and casting lots of shadows, as if the city were blanketed by a sinister shroud.
Director David Yates and production designer Stuart Craig give us a spectacular goblin - run institution that owes as much to Charles Dickens as the last film's Ministry of Magic owed to the Third Reich.
Director David Fincher («Alien 3,» Madonna's «Vogue» and «Express Yourself» videos) used a film - processing technique that deepens tonal qualities and makes whites harsher and brighter.
Director David Yates, who did the last four «Harry Potter» films, delivers both big thrills at the climax and small, spooky ones when Tarzan and the others move through a world of beauty, terror and mystery.
As many of you know, I loathe Part 1, as a fan of the books I was looking forward to seeing how this all ends but Director David Yates is a putz who ruined the film franchise and disappointed me every single time.
It's with great pleasure, then, to see that director David Yates has handled all of the pressure in such fantastic fashion, delivering an unbelievably satisfying bookend that is not only Yates» finest entry yet, but one of the best films in the series.
The action is brutally edited and mostly undistinguished — a surprise, given that the stuntman turned director, David Leitch, devised amazing, close - in, faux - single - shot fights in his last film, Atomic Blonde.
The film also reunites Cuarón with his Harry Potter and the Prisoner of Azkaban producer David Heyman and was co-written by Cuarón, his son Jonás Cuarón, and writer / director Rodrigo García (Albert Nobbs).
This film from stuntman turned director David Leitch (who debuted behind the camera with «John Wick») starts with a literal bang, with our mysteriously depressed hero immolating himself atop a deathbed of explosive fuel canisters, then works its way backwards to detail the trauma that made him sad enough to kill himself.
Throw in Joss Whedon tackling The Avengers, the first of two Hobbit movies, James Bond's next adventure, the opening chapter of The Hunger Games, new films from Wes Anderson, David O. Russell, Judd Apatow, P.T. Anderson, Alfonso Cuarón, Whit Stillman, the Coen brothers (maybe), and more of our favorite directors, and we can't imagine a better year for movies.
Synopsis: A sexually transmitted haunting plagues a Detroit teenager in this stylized horror film from director David Robert Mitchell (The Myth of the Americ... [MORE]
Coming off the success of the horror film It Follows, writer - director David Robert Mitchell shifts into noir with his latest feature, but the results appear to be much less favorable.
Keith David, Daniel Roebuck, and Cynthia Stevenson all return from the first film, while British filmmaker Kevin Allen takes over as director.
Writer - director David Seltzer times Punchline like a good joke; he continually sets up for the expected, then pulls a last - minute fast one, keeping the film lively and unpredictable throughout.
Making his shift from stage theater and TV to film, debuting director Rupert Goold, who wrote the screenplay with David Kajganich, makes it clear that he trusts the facts and implications of the story he's telling.
It's certainly unique to hear Angelina Jolie sharing a scene with Seth Rogen, or Jackie Chan acting opposite David Cross, and it would be easy for the film to coast on its marquee names, but first - time director Jennifer Yuh effortlessly pulls off a tricky ensemble juggling act that gives everyone a slice of the spotlight.
Unlike Ferrell, Wahlberg has a few especially strong films on his resume — a result of working with directors like Martin Scorsese, Paul Thomas Anderson, and David O. Russell — but both stars have appeared in far too many middling films, as you can see below.
Funny satire that looks at the film industry through the eyes of a terrible B - Horror movie director played by David Naughton (An American Werewolf in London).
David Nelson worked steadily but unspectacularly as a producer / director in the years to follow: in the early»80s he directed three theatrical films, the most prominent of which was the 1981 George Kennedy starrer The Rare Breed.
Even what's supposed to pass as dark comedy rarely works because the script (written by the film's first - time director David Veloz) never manages to capture the banalities of this industry town.
Writer / director David Caesar ladles on the local flavour with a hugely enjoyable film about changing times, clashing cultures and the pleasures of a well - made pizza.
Poor Jannie... I do nt know if the David Self script simply blew or the horror - terror - scare beats were simply missed by inferior directing, but this flat film really only has a audience comprised of architecture students, and art directors.
Following director Tim Miller's departure — and subsequent replacement with David Leitch — Fox is keen on keeping the creative team from the first film intact.
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