The film did a good job of tying up the loose ends left in the film series and although some scenes require your complete attention to be understood, even a non-book reader can understand all the things that have led up to this conclusion.
This wouldn't feel so tone deaf and backwards if
the film did a better job of making Thomas feel like a living, breathing human being rather than some misguided, coming - of - age hipster creep.
In piecing together the why and how of the Templars» decline showrunner Dominic Minghella and his writing team lazily paste together a collage of conceits familiar to any sword and / or sorcery fan — and many of
those films did a better job at selling such a story.
The film does a good job of giving both men equal screen time, but the best moments are the scenes they share together.
The film does a good job at catching you up.
The film does a good job of establishing characters efficiently, which is important when juggling a cast of this size.
The film does a good job of showing the gravity of their actions.
Though
the film does a better job of capturing the spirit of the «Hitman» franchise with violent, stealth - based action sequences, it's bogged down by a cheesy and predictable script that shackles its titular character to Hannah Ware's human MacGuffin for no other reason than because Agent 47 would be an emotionally detached bore on his own.
The film does a good job of having Star Trek set the backdrop for the film without actually being about Star Trek, meaning you can enjoy it even if you don't know your Spock from your Tribble.
While the story is a bit weak,
the film does a good job of contrasting Korean - Americans who steadfastly adhere to the traditions of their homeland with South Koreans who have renounced old customs.
The whole film is something of a love letter to «Shakespeare's» work and
the film does a good job of making it seem relevant — both in terms of the story and for the audience watching.
The film does a good job of letting you get close to a couple, but others that are important you're left wondering why you should care for them.
The film does a good job of showing balance, we see Sarah through Peter's rose tinted eyes and as she really is — the cliched, vapid, Hollywood Actress who doesn't know what she wants and becomes competitive when she realizes that Peter has started hanging out with the Front Desk Clerk.
Not exact matches
And while it's true that every branch of Christianity has been racked with scandal over the years,
films like the Oscar - winning Spotlight and Netflix true crime series The Keepers
do a much
better job of creating compelling art that raises questions about faith and morality.
The Arizona Sun Devils Athletic Department have released a new
film series that
do a
good job of helping people understand...
An interesting short
film from the RSA about what really drives people and motivates them to
do good jobs.
The top 10 lies told by men are as follows: 1) having a
better job than they
do, 2) taller than they really are 3) weight is less than it really is 4) more athletic than they really are 5) have more money than they really
do 6) have more work seniority than they
do 7) are in a more interesting profession than they really are 8) know celebrities 9) have employees or an assistant and 10) work in the
film industry.
(And although Galifianakis too often falls back on his ostentatiously off - kilter shtick, the comedian fares much
better here than he
did in The Hangover and actually
does a decent
job with the
film's dramatic moments.)
The
film does a very
good job of setting the time and place - creating a mood of regular people living regular lives until something extraordinary occurs.
George Bowers
does a very
good job here creating lots of creepy atmosphere,
good lighting, with some great zoom in's, and keeping the
film at an engaging pace!
Just as Goblet of Fire
did a
good job of creating tension through infighting between Harry and his friends, so this
film manages to unsettle our feelings of safety by removing all aspects of Hogwarts we have learnt to take for granted.
Although Levy
does a great
job integrating the special effects into the story in an unobtrusive and even seamless way, he remains unable to lend a
film a discernible personality beyond what exists in the script, and at
best «Real Steel» feels like a convincing argument that he's eminently capable of handling generic mainstream blockbusters.
That being said though, I can understand why this
film had to get some things, though I wished they could have
done a
better job at selecting what to keep and what to toss.
He
does an excellent
job, and still retains the charm that served him
well, even when the
films surrounding him were less than perfect.
The
film does a great
job at capturing the cold, evil nature of Ian Mckellen's character (who is
well cast and gives a great performance) But considering that this is a
film directed by Bryan Singer, you know right from the start that this isn't his strongest directorial effort.
While EA
did a poor
job fleshing out the story, some of the sound - alikes aren't nearly as
good as the
film's cast (Snape doesn't even sound close) and a few facial animations look bizarre, but for the most part, Half - Blood Prince is one of the
best Harry Potter games we've played.
A
film that
does a
good job at showing the potential real life of a teenager, but struggles to get a
good feel for the characters.
The message here, while being a bit heavy handed, needs to be said, and the
film does a very
good job of delving into the consequences of a political system that simply bulldozes people for government funding, not caring what happens to those they trample.
Kerry Washington's Broomhilda has less to
do and subsequently has a hard
job to stand out amongst everyone else, but her scene with Waltz as they converse in German is one of the
best moments of the
film.
Here's why not: When you make something, whether a highbrow literary novel or a shoot - em - up video game or a
film comedy, you should try to
do as
good a
job as possible.
It is also an interesting political take on the chain of command in the military, lampooning the superior officers as incompetent fools, despite having their hearts in the right place, the
film manages to successfully create sympathy for Col. Berman (Ed Harris) in that despite his general inability to
do the
job, he is actually
well liked.
By contrast, Zemeckis's
film, co-scripted by Christopher Browne from Petit's memoir «To Reach the Clouds,» doesn't
do an especially
good job of examining Petit's monomaniacal desire to be a high - wire walker.
How can critics consistently
do their
jobs well actually analyzing the content of the
films they're reviewing if they have to worry about aggravating the spoiler police?
The entire cast
did a
good job in their respective roles and the
film was
well directed.
Everyone knows about different acting methods and a lot of people knew about what Carrey
did on the set of Man on the Moon but obviously we never saw it, but that's what this documentary is and although it's not spectacular or anything, it gives another look at the work of the actor and it becomes an excellent companion to the
film and especially serves as a testament of one of Jim Carrey's
best acting
jobs.
The site features the standard promotional bumf, but
does a
good job of showing off the
film's lavish technical credits, particularly Consolata Boyle's costumes and Alexandre Desplat's lovely score, which is actually more delicate than the selected excerpt here suggests.
, but Edwards»
film does a pretty
good job of making us believe such a ridiculous conspiracy.
Though the
film isn't as kid - friendly as most animated movies due to Laika's typical gothic leanings, director Travis Knight
does such a
good job of balancing the darker elements with humor that they're not as frightening as they could be.
His Charlie Fineman is colourless for much of the
film, but on the occasion that he
does finally let his emotions show, Sandler
does a
better than adequate
job of the performance.
Bassett, a former electronic press kit creator most recently found directing cable television's «Strike Back» and «Da Vinci's Demons», has only made four
films in a decade and
does not seem to be looking to expand his dance card or impress his way into
better or
better - paying
jobs.
Visually, the teaser looks a bit odd, almost like it could be a fan - made video, but it
does do a
good job of getting across the idea of the
film being a portrait of a brilliant yet controversial kid.
If you're craving an air - tight, claustrophobic sci - fi which satisfyingly ties into the Cloververse, you'll be left wanting — and hoping that the franchise's fourth
film due out in October, Overlord, is a
good sight
better — but if you can settle for
well - acted, glossy, fitfully riotous junk food with some questionably lapses in logic, The Cloverfield Paradox
does the
job well enough.
Rupert Wyatt (Rise of the Planet of the Apes)
does a
good job directing a gifted cast of talents young and old, and moody cinematography by Greig Fraser gives the
film a stylish visual signature, but it's in the script by William Monahan where the
film comes up short.
Jackman has
done a wonderful
job in the role, widening the character's popularity from a comicbook fans to the general cinema - going public: It is only
well - earned audience affection that allowed him to survive the execrable X-Men Origins: Wolverine, as idiotic a
film as has ever had the misfortune to be screened publicly.
That's the only way to explain why the streaming giant has
done such a terrible
job promoting their other,
better films.
I'm actually a big fan of the first two SCREAM
films as they
did a great
job of deconstructing the American horror genre as
well as scaring the pants off of me.
The Solution: The trailer
does such a
good job of setting up Carrie's prom stuff, you almost feel like it's the main climactic event of the whole
film.
The 300 - plus member Broadcast
Film Critics Association (BFCA) of television, radio, and online
film critics voted on the awards and they usually
do a
better job than the Hollywood Foreign Press Association in my opinion.
But there's absolutely nothing here so strange that it impedes the viewer's enjoyment; Shyamalan
does a superb
job of establishing this world and its inhabitants, as
well as the rules that clearly govern their actions (eg nobody is terribly surprised by Story's presence, which
does make sense within the context of the
film).
Does the
film community
do a
better job than the larger American community at respecting its elder statesmen?