Sentences with phrase «film during the credits»

in to the final super 8 film — you guys did see they played the kids film during the credits, right?

The real Jenkins voice, heard at the end of the film during the credits, isn't that bad at all.

Not exact matches

Unfortunately, during Christy Clark's tenure the government began to include tax credits to favoured groups, such as the B.C. film industry, when reporting the offsetting tax cuts in the carbon tax box of the annual Budget.

I was waiting for the end - credits to say, «All the horses were harmed during the filming of this movie.

And most Coen films revolve around a simple story line like this, but once those opening credits start to roll, it's kind of like having sex during a blizzard.

Credited to three writers, «The Fighter» was directed by David O. Russell, who reportedly rewrote the screenplay during filming, adding humor to a project originally planned for Darren Aronofsky («The Wrestler,» «Black Swan»), who isn't exactly known for his light touch.

Don't look for this film during Oscar season, as the content beats the production, but give it credit for educating us on an important discovery, something perhaps we should all know about our potential.

Credit lead Sarah Snook's gentle, sympathetic performance for holding together this atmospheric film, especially during its silly - campy third act.

For instance, a characteristic joke concludes the credits at the end of the film, stating, «No slugs were a-salt-ed during the making of this film.»

The film's apparent faithfulness is admirable, but interviews with actual survivors shown during the end credits provide more impact and resonance than the rest of the film can muster.

However, although the film loses momentum in its final half - hour, it more than redeems itself during the end credits.

While the film doesn't span decades, but instead concentrates on a moretightly prescribed patch of time in Darwin's life, it still proves true an old maxim regarding cinematic postscripts: the more you feel it necessary to say in pre-end credit crawl text, the less you've probably said during the entire rest of your movie's running time.

In addition to her work on film, Huston accumulated an impressive roster of television credits during the 1980s and»90s, including her powerful performances as frontier woman Clara Allen in the 1989 miniseries Lonesome Dove and the beleaguered mother of an autistic child in the two - part Family Pictures (1993).

While the main event of the film certainly did happen, as well as some of the scenes (some of them, excerpted from the documentary, are shown during the end credits), the film as a whole does tend to traverse familiar territory as far as feel - good sports films go, especially with the final game where all of the loose ends comfortably fall into place.

The film examines the life of Alan Turing, a codebreaker who is credited with breaking the German Enigma Code during WWII.

Except for a delightful coda during the closing credits, where Tavernier wonders whether the Lumière brothers «directed» the passersby in their first film, there's nothing about silent cinema.

No film released this year has left me more shattered during its end credits than Thomas Vinterberg's The...

We see the destruction of Metropolis from his ground - level viewpoint in a genuinely tense and engaging opening sequence (after the contractually obligated retelling of Bats» origins during the credits), that does far more to convey the true horror and damage of that fight than the previous film.

While the film doesn't span decades, but instead concentrates on a more tightly prescribed patch of time in Darwin's life, it still proves true an old maxim regarding cinematic postscripts: the more you feel it necessary to say in pre-end credit crawl text, the less you've probably said during the entire rest of your movie's running time.

Also, big fan of the soundtracks they have used — the first film had lots of good songs (but for some reason never had an official soundtrack) and I thought it was great that they used Middle Distance Runner's «The Sun and Earth» during the opening credits / flashback of Part 2 — the video is posted at

Intriguingly, Ramsay later described You Were Never Really Here as not completely finished, as she planned to weave in more music by Jonny Greenwood, and the script was a work in progress during shooting; the film press - screened without closing credits.

There's something wrong with a film which has more entertainment value in watching the flubs during the closing credits than in the 90 minutes of the actual story.

Singer / songwriter KT Tunstall performs three news songs in the film, including «Float,» «Strange Sight» and «1000 Years» with singer / songwriter Bleu, but it is not the most upbeat song played during the film's end credits.

During Flickering Myth's chat with director Scott Derrickson about Doctor Strange, up came the film's mid - and end - credits scenes (find out exactly what they were by clicking those links).

Some wag commented on Twitter during the festival that when a film is described as «soporific,» it means that the critic fell asleep during the screening, but here, we'd mean the word as a compliment; Tsai conjures up a surreal tone closest to the moments after waking where you try and work out if your dreams were real or not, and it's a feeling that lingers long after the credits roll.

Maybe the photos were snapped during the filming of a scene that will serve as the end - credits tag of Ant - Man and the Wasp, setting the stage for the Avengers finale.

Other feature directing credits include Janeane From Des Moines, set during the 2012 presidential campaign, which premiered at the 2012 Toronto Film Festival as well as American Zombie, a personal horror film, which premiered at Slamdance and is distributed by Cinema Libre.

The opening credits feature the unsettling musical strains of «Deutschland Uber Alles,» and a title card after that informs us «The action of this film takes place during the year preceding the war, and on the night of September 3rd, 1939.»

When Reeves first arrived in Hollywood, his agent thought his first name was too exotic, so during the early days of his film career he was sometimes credited as K.C. Reeves.

The new film skips the long «origin» sequence, and instead gives us a mini-movie recap during the opening credits.

In fact Peeta, who is still something of a liability during the actual games (he does temporarily die, after all), thanks to some sensitive writing, gets to deliver some decent dialogue that suggests his independent thought processes, and makes it clear that Katniss, to her credit and that of the film, has a choice to make not between Hottie 1 and Hottie 2, but between two different young men who are defined by different things in the wider world, and not just their relationship to her.

I still have at this point only heard bits of the real Wiseau speaking, and that's during the end credits of the movie, when they show the side - by - side scenes of the original film and The Disaster Artist's version.

This is a good looking film: costumes, majestic mountain scenery (though it's mostly digital) and Pfeiffer sings a song during the end credits.

Based on the non-fiction novel by Michael Lewis «The Big Short: Inside the Doomsday Machine,» the film tells the story of the build - up of the housing and credit bubble during the 2000s that led to the discovery of mass subprime fraud and the financial crisis of 2007 - 2010.

To his credit, Spy Game could have been a very boring film without some directorial punch, and punch is definitely what Scott delivers during some well shot scenes throughout the film.

It's almost hard to describe a film that features Led Zeppelin's «Immigrant Song» during its opening credits and then ends the film with Enya's «Sail Away.»

The AFCA defines an eligible film as one that is made in Austin, or has a credited director and / or screenwriter whose primary residence is Austin during the time of filming.

But while it's a clever approach that earns some laughs (none more so than during the end credits sequence), it doesn't change the fact that the film is still a complete retread from top to bottom.

During the awards run, Serkis gained a special award for «Best Digital Performance» from the BFCA, and was credited as a nominee along with the other cast members in each of The Lord of The Rings films.

The reason part 3's «morning after» scene works so well is because it runs during the credits, sending the trilogy off with a quick reminder of the fun we had discovering the first film.

Be sure to stick around during the closing credits where actual photos from the real - life Argo exodus are placed side - by - side with images from the film.

During the credits, the title of the film appears in German first before revealing the English translation.

The bloopers reel is the exact same one which appears during the closing credits of the film.

Lest one forget who directed the film, Refn's initials («NWR») being planted on the screen during the opening credits rides a fine line between smugness and brilliance.

Offering an anorexic 80 minutes of «entertainment,» the film extends its run time by showing bloopers and outtakes during the end credits.

The film is at its best in the early going, during which the acting - technique - obsessed Arthur and Maurice attempt to con their way to free food; a wordless opening credits sequence harkens back to the best silent comedy, and one hilarious scene in a bakery is, as it turns out, the film's premature highlight.

This time round his alter - ego Wade Wilson finds himself on the cusp of parenthood, only to have the chance tragically wrenched away during the film's unexpected opening scenes (a surprise neatly reflected in the James Bond - style titles sequence featuring credits such as: «Written By: the real villains of this film» and «Starring: someone who clearly doesn't like sharing the limelight»).

Though the 1.85:1 anamorphic widescreen transfer of the film (full - frame version sold separately) starts out looking scuffed, the speckles clear up after the opening credits — but then edge - enhancement intrudes, and there's a bizarre lapse in quality during chapter 6, when intermittent shots lose so much definition as to suggest second - generation VHS.

There is some controversy over whether the Bollywood number during the credits was necessary, but I vote that it added more flavor and ultimately made the film more memorable to me.

After its opening - credit sequence, during which Roger Pratt's camera roams around what is eventually revealed to be a metal Bat - Signal, Burton establishes his vision of Gotham City: an unabashedly surreal environment that owes more to the dystopian sci - fi visions of Metropolis and Blade Runner than to any of the notions of noir - ish realism that underpins Nolan's films.