Sentences with phrase «film editing at»

Since 1951, American Cinema Editors has celebrated the best in television and feature film editing at the annual ACE Eddie Awards gala.

Not exact matches

One more thing Netflix has over traditional studios: It is so good at cloud computing that it has put its «studio in the cloud,» Hunt says, and uses cloud computing to do everything from managing logistics (like union drivers delivering cameras to a location) to film editing (uploading the footage to be edited immediately in another country).

She was the editor on the director's 1967 feature debut, «Who's That Knocking at My Door,» and has edited all of his films since «Raging Bull» in 1980.

Overall Event Summary Power Series Racing with Jim Burke - sub $ 1000 autonomous vehicle competition Comma.AI with George Hotz - company developing autonomous vehicles Swift Navigation with Dennis Zollo - centimeter accurate GPS PolySync with Josh Hartung - vehicle software platform Renovo with Chris Heiser - high end electric vehicle platform AutonomouStuff with Bobby Hambrick - autonomous development platform Plus a bonus video, The Race to Autonomous Driving, produced by our friends at Velodyne Thanks to Matt Cross at Frame44 for filming, editing, and producing these videos!

Before The New Yorker, Nick was a senior editor at Wired, where he assigned and edited the feature story that was the basis for the Oscar - winning film Argo.

Those 10 years were laced with so many failures: quitting many times over, re-writing the edits of my re-write, working back in a cubicle, working back at the dream, trying to live in a retirement home to film a documentary, relationship debacles, a fire that almost burnt down my house and every other twist and turn of «God, where are you in this?»

generates a «sour» review they could (in theory) change the end of that very show as soon as they read it... the Story NXT tells is set on film (digital file) 4 days to 4 weeks before the Audience sees it, to adjust their sails for that would require back stage re-shoots and post production edits (look at Impact scrambling to re-write their Pre-tape to cover for ADR's release)... easier to let it ride, see if the opinions stay sour, and then IF Needed adjust the angle for the next taping, at which time they'll have a better idea for the correction and can make it look more organic

FOM can use the footage to customise and edit replays, using the cameras to focus on whatever action is happening at the time and missing far less, because every car will be filming everything that's happening around it, all the time.

The birth of baby Luna at Boca Raton Regional Hospital in Boca Raton, FL with midwives Courtney McMillian and Polina Goldenberg of Boca Midwifery, who work with Dr. David Lubetkin, filmed and edited by Paulina Splechta of Paulina Splechta Photography, birth photographer and film maker based out of Boca Raton, FL..

But the most explosive part of the fly - on - the - wall film about the inner workings of Parliament was yesterday dramatically edited out amid claims it showed a Tory minister shout an obscenity at Ed Miliband.

Please note I am not a pro at filming / editing but I really hope it helps you decide what to do this season when it comes to all things beauty!

I'm so eager though to share the beauty tips and tricks I have picked up over the years, that in end I thought oh, what the hell, filmed myself by a window with my ipad and didn't edit at all!

I filmed these short «outfits for work» clips, just before heading to work, and, at the end of a busy working weekend, I had enough material to edit a fashion video!

Kids were at school while I was at home filming videos (one makeup video and one hair video to be posted as soon as their edited) and then afterschool activities.

Admittedly I got my March essential rewards order back at the beginning of the month and filmed my unboxing and then totally forgot to edit and upload it.

Im also a film major at Fairleigh Dickinson University for editing film.

Night of the Living Dead is a 1968 American independent horror film directed, shot and edited by George A. Romero, co-written by Romero and John Russo, and Bobby Lee LIVE from MADtv, Chelsea Lately and Harold & Kumar Go to White Castle at Arlington Drafthouse.

Free XXX Porn Tube at Night of the Living Dead is a 1968 American independent horror film directed, shot and edited by George A. Romero, co-written by Romero and John Russo, and

Filming started at the end of May and wrapped by late July, at which point Spielberg had just three weeks to get an edited version to composer John Williams.

He's an intruder in the film, but I guess that goes along with the rest of the movie, as his inclusion at the end is just as disjointed as the editing at the beginning.

Forster's manic editing style — at its worst in The Quantum of Solace (2008)- does turn that opening street rampage into a blithering mess of shakycam shots, reverse - swish - swoop pans and psycho - edits, but the film soon calms down, and there are several strong performances in the quiet scenes that buffer Lane's ongoing question for answers.

While the choreography is generally fairly minimal (at least for this sort of mega-production), first time film director Phyllida Lloyd (who helmed the original stage version) has woven together a tightly edited and exceedingly well shot film that capitalizes on the music wonderfully while never worrying too much about such nettlesome items as character or motivation, providing enough other movement that one ultimately doesn't miss huge dance numbers a la Robbins or Fosse that much in the long run.

If you were to edit this film to, at the most, 100 minutes, I think you still might not have a good film, but it's a better version of the story they wanted to tell.

Carpenter may claim that the script came together fast, but even at 90 minutes the film could use another edit.

And despite us knowing for the most part where the story will go, the film is still very loosely edited; it doesn't have the raw, breakneck intensity that made La Haine so good, and there's only so much we can look at a run - down street before we start to lose interest.

Welles original edit of the film has been lost and bastardized through the years, and the film's final tone of forgiveness rings somewhat at odds with the rest of the film's general feel.

Although the film moves at a rather slow pace and is unevenly edited, it nevertheless serves as a vehicle for Mr. Hawke who gives an extraordinary performance as the ill fated musician.

The narrative disjointedness is not at all relieved by confusing editing, an uncertain tone, and a dragging pace that makes the film a progressively dreary experience.

And even if Stone's rapid - fire style of editing and filming the many football scenes don't appeal to you, there's got to be at least one or two actors in this cast that'll float your boat.

It's an insightful look at how Wheatley wrote, directed, and edited the film as they were filming.

And despite the film's meticulous editing and strong performances — especially from Cate Blanchett — this voyeuristic look at one woman's tragedy may leave even some adults feeling let down.

It's a tribute to stars Benson and Moorhead, who combined to direct, write, edit and shoot the film, that their micro-budget project comes off more haunting than many big - studio productions with 100 times (at least) the budget.

After a slew of negative reviews out of Fantastic Fest, the filmmakers behind Applecart took their film back to the editing bay to retool it for a fresh premiere at last year's Cinepocalypse in Chicago.

The film didn't really get that warm of a reception at Cannes back in May, and the trailer is edited in a rather peculiar way.

Drawing liberally from an onstage interview at the Austin Film Society, clips from the two directors» films, and visits to Linklater's editing room (where Boyhood is up on the console), Klinger creates a conversational structure for the film, making Benning's visit with Linklater the throughline of the film.

Warren Buckland, by contrast, picks up exactly these aspects which do not fit and argues that these films do indeed represent something new, something that is not classical at all; his edited collection, Puzzle Films: Complex Storytelling in Contemporary Cinema, offers a number of interesting perspectives on just what is new about these films (2).

The second Blu - ray disc includes an in - depth look at the film with «A Filmmaking Journey» with Steven Spielberg, «Editing and Scoring» featuring Spielberg's long - time collaborators Michael Kahn and John Williams, «The Sounds of War Horse» about the sound design and «Through the Producer's Lens» which takes a look at the photographic journey of producer Kathleen Kennedy.

Look at the camera angles, the editing choices, the use of music — «The Knick» is our most film - like show on television.

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much morAt various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much morat Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

He provides a running, screen - specific look at the original film and its adaptation, cast and performances, influences, story and characters, sets and locations, cinematography, editing, music and related areas.

Winner of the 2015 Grand Jury Documentary prize at Sundance this past January, this film — produced and edited by women, and with a mostly - female crew — tells the story of the six young Angulo brothers, who were raised in New York City with little to no contact with the outside world.

«I've never worked on a film, ever, where the order of scenes didn't get change and things from the back half didn't end up at the front half,» he says of editing.

Nominated for Best Feature, Best Director, Best Cinematography and Best Editing at the 2018 Independent Spirit Wards, Ms. Zhao is following up her highly - lauded 2015 film debut «Songs My Brother Taught Me» with another important story, once again centered on the Pine Ridge Indian Reservation inSouth Dakota.

The Sally Menke Editing Fellowship is designed to support an emerging narrative editor who has edited at least one narrative film (no more than four), and any number of shorts, documentary films, industrial films, or webisodes.

Six Catalyst films made waves at the 2017 Sundance Film Festival: Beach Rats (U.S. Dramatic Directing Award), Chasing Coral (U.S. Documentary Audience Award), The Force (U.S. Documentary Directing Award), Patti Cake $, Unrest (Special Jury Award for Editing) and Strong Island (Special Jury Award for Storytelling), which is also nominated for an Academy Award.

The first film to accomplish the very rare feat of sweeping all five major Oscar categories (best picture, best actor, best actress, best director, and best screenplay), It Happened One Night is among the most gracefully constructed and edited films of the early sound era, packed with clever situations and gags that have entered the Hollywood comedy pantheon and featuring two actors at the top of their game, sparking with a chemistry that has never been bettered.

At once a story of childhood and discovery, this film achieves universal appeal though its caustic wit, deft editing, and commitment to thematic elements.

Her appearance, to look down her nose at an investigating Lois Lane, feels like a moment that was debated in the editing room, but other reinserted pieces have the extraneous aura of being planned for a Blu - ray long before the film even hit theaters.

But every time your eyes are about to roll back into your head at the film's slovenly direction and editing, it'll throw in moments of pathos or images of eerie beauty (everything involving gold or water is aces).

The only major awards nominations «All the Money» has a chance at are the BAFTAs (noms out Jan. 9) and The Oscars (noms announced Jan. 23)-- if Scott, Plummer and crew can get filming and editing done in time.