Sentences with phrase «film editing techniques»

The French New Wave directors were responsible for taking a lot of rather experimental film editing techniques, and using them in otherwise traditional stories.

Not exact matches

A similar technique could help a film editor work out how effective different edits are for an audience's understanding of a film.

I love the editing technique employed here... the film feels like a silent short from the 1920s but also very contemporary.

Gance uses techniques not much associated with silent film, like a hand - held camera, multiple superimpositions, split split screen, rapid - fire editing and flashbacks to rivet the audience's attention and bring history to vivid life.

The style, which features speed changes, a mix of editing techniques, and 5 acts (instead of 3), perfectly captures both the influence of who is behind the film, and the target audience (which happen to be connected one another).

Vacation reboot directors John Francis Daley and Jonathan Goldstein take Mark Perez «s script and fully commit, from the sharpened camera shots and snazzy editing techniques, to the full - on teasing and mocking of the cat - and - mouse Michael Douglas film The Game.

The film uses unique editing techniques to help build tension for a topic that only appeals to a very niche audience.

Well probably the only thing for this reviewer were the fight scenes which crackle with realism, vigour and fluidity meaning there is none of the fast editing / shakycam technique that has become the signature style of Hollywood action films since the success of the Bourne franchise.

There is a step by step look into the film processing technique used to achieve the sun - blasted look of the Mexican scenes; a demonstration of the editing choices and process of three scenes narrated by editor Stephen Mirrione (watching each scene become subtly sharpened and focused through each successive cut is a real education in the art of editing); and an instructional look at the art and technique of sound editing, hosted by sound editor Larry Blake.

Designed to resemble a film shot with one continuous take, voters recognized the skill of the film's innovative editing tricks and techniques, naming it the winner of Best Film Eediting tricks and techniques, naming it the winner of Best Film EditingEditing.

The don't make movies like this anymore and that's a shame, because even though it's a film essentially about «sport killing»; there is a poetry to it that I think is lacking in modern films; mainly because of current editing techniques.

Using exceptional editing techniques, dramatization and reality pull together seamlessly, to the point where this film raises a further question about media: How accurate is Clooney and Strathairn's interpretation of Murrow and other CBS figures?

The injudicious use of the zoom lens, impressionistic editing techniques, and an ill - advised sound mix featuring mainly Donald Sutherland's moaning all contribute to a film that feels very much of its era.

Editing may not be the film's primary showcase, but its fluidly breathless compositional sense is as much a credit to Alfonso Cuarón and Mark Sanger's intuitive splicing techniques as any anything else.

What attracted critical minds like Jacques Rivette, Eric Rohmer, and others to Nicholas Ray and his oeuvre — bored stiff as they were by the risk - averse, respectable, and ultimately neutered «cinema of quality» — was the stamp of the personal and the element of danger they discerned in his films, whether that meant the improvisatory handling of actors with a touch deft enough to coax remarkable performances out of even non-professionals; the «superior clumsiness,» cited by Rivette in «Notes on a Revolution,» resulting in «a discontinuous, abrupt technique that refuses the conventions of classical editing and continuity»; or the purely visual flourishes Ray relished — ranging from the sweeping, vertiginous helicopter - mounted shots in They Live By Night to disorienting, subjective POV compositions like the «rolling camera» during a car crash halfway through On Dangerous Ground, its very title indicating the source of Ray's critical appeal.

Controversy over the depiction of water - boarding torture techniques during interrogations defused most of its Academy chances save for a tie with the James Bond film «Skyfall» for Best Sound Editing.

He's aided immeasurably by Thelma Schoonmaker's sharp editing technique and Michael Chapman's sublime, monochrome, cinematography which serves the film as a whole in it's mood and noir - ish atmosphere.

What we get, instead, are three very strong (and relatively well - known) actors — Mary Elizabeth Winstead (Faults), John Goodman (Inside Llewyn Davis) and John Gallagher, Jr. (Short Term 12)-- plus a super-smart script and some superb lighting and editing techniques worthy of the best horror films.

Besides using an ill - advised flashback story structure that gives away the movie's ending, some of his editing and film techniques just kill the action dead in its tracks.

Throughout this process, they learn film, sound and editing techniques.

Unlike traditional games and film previsualisation methods that only provide crude character representations, the techniques revealed during SIGGRAPH empower creatives to capture, edit, playback, and export to offline 3D applications and output to video at any resolution.

Citizen Kane's lasting influence on decades of film - making, from narrative structure to optical techniques to editing to sound, is undeniable.

Drawing on the use of elliptical conversations in the 1961 film Last Year at Marienbad by Alain Resnais as a point of departure, the exhibition features works of art that utilize various cinematic conventions, such as editing, character development, narrative, mise - en - scène and montage, to reveal how our understanding of reality is often mediated by those very cinematic techniques.

Deceptively simple, the film is an exploration of the Kuleshov effect, an editing technique by which the viewer creates a connection between two seemingly unrelated scenes.

The film Under the Bridge - the first part of the Shanghai Redux project launched by Shi Qing + Radical Space, and Ming Wong's newly - editing version of Next Year / L'Année Prochaine / 明年 will be presented for the first time in Shanghai; the two works are similar to each other for their recreations of classical movies, shifting between reality and memory through different montages and artistic techniques, reflecting on the turn of the wheel through the cross of time and space.