Sentences with phrase «film excerpts with»

The Contemporary Arts Museum Houston is alive with the dazzlingly chaotic hum of the late Stan VanDerBeek's category - defying, utopian hybrids of film, technology and performance, including one of his «movie murals,» which combine film excerpts with slide and acetate projections on an epic scale.

The coverage on BBC One also featured a variety of film excerpts with swearing, including The Riot Club, The Death of Stalin and The Florida Project.

Not exact matches

In excerpts released from the book, Princess Caroline (his older sister) was candid about her relationship with her parents, specifically her mother who was film - star - turned - princess Grace Kelly.

Fellini: I'm a Born Liar is a documentary on Federico Fellini's life and work by filmmaker Damian Pettigrew, who combines vintage interview footage of Fellini, new conversations with those who worked with him (including actors Donald Sutherland and Terence Stamp), and excerpts from Fellini's films (some of them previously unseen outtakes) to create an insightful portrait of a remarkable creative mind.

Using archival photos and film, including performances by Simone over a period of more than three decades, excerpts from the singer's diaries, and interviews with family members, friends and musical colleagues, What Happened, Miss Simone?

The film uses excerpts from Italian B movies, rare performance footage and candid interviews with Baker, musicians, friends, battling ex-wives and his children in what turned out to be the last year of his life.

An excerpt from Magnolia's description of the film says: «Following a long fascination with [Scientology] and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Louis Theroux won't take no for an answer when his quest to enter the Church's headquarters is turned down.

While the main event of the film certainly did happen, as well as some of the scenes (some of them, excerpted from the documentary, are shown during the end credits), the film as a whole does tend to traverse familiar territory as far as feel - good sports films go, especially with the final game where all of the loose ends comfortably fall into place.

In this excerpt from his introduction to the Criterion release of Bresson's Pickpocket, Schrader calls the movie «the most influential film in my creative life» and explains how his obsession with the ethereal crime tale led to his writing Taxi Driver.

The non-animated menus incorporate Diego Velázquez's The Rokeby Venus (which figures in the film), watercolor - ish artwork, and photography from the film, along with excerpts of Corrine Bailey Rae's score.

Filmmaker Samantha Fuller pays tribute to her late father, American film and literary icon Sam Fuller, with this film featuring excerpts from his memoirs read by fans, friends, and followers.

Blu - ray and DVD, with plenty of supplements: new interviews with Otto Preminger biographer Foster Hirsch and music critic Gary Giddins, a featurette on graphic designer Saul Bass and his long collaborative relationship with Preminger, excerpts from a 1967 episode of «Firing Line» featuring Preminger, newsreel footage from the set, and excerpts from a work - in - progress documentary on the making of the film, plus stills, a trailer and booklet with a new essay and an archival article.

Home Video Notes: The Breakfast Club Release Date: 2 January 2018 Criterion releases The Breakfast Club on home video (Blu - ray) with the following extras: - Audio commentary from 2015 featuring actors Anthony Michael Hall and Judd Nelson - New interviews with actors Molly Ringwald and Ally Sheedy - New video essay featuring director John Hughes's production notes, read by Nelson - Documentary from 2015 featuring interviews with cast and crew - 50 minutes of never - before - seen deleted and extended scenes - Rare promotional and archival interviews and footage - Excerpts from a 1985 American Film Institute seminar with Hughes 1999 radio interview with Hughes - Segment from a 1985 episode of NBC's Today show featuring the film's cast - Audio interview with Molly Ringwald from a 2014 episode of This American Life - Trailer - PLUS: An essay by critic David Kamp

Special Features Andrei Tarkovsky's short film adaptation of Ernest Hemingway's «The Killers,» made when he was a student in 1956 Interview from 2002 with writer Stuart M. Kaminsky about both films Piece from 2002 in which actor Stacy Keach reads Hemingway's short story «Screen Directors»» Playhouse radio adaptation from 1949 of the 1946 film, starring Burt Lancaster and Shelley Winters Interview from 2002 with actor Clu Gulager Audio excerpt from director Don Siegel's autobiography, «A Siegel Film,» read by actor and director Hampton Fancher Trailers PLUS: Essays by novelist Jonathan Lethem and critic Geoffrey O'Brien

Informative and thorough, the piece opens with background on creators Stéphane Aubier and Vincent Patar, with excerpts of their student short films and the «A Town Called Panic» TV show

It's the first film to be partially shot with a 120 frame per second rate (most films are shot with at 24 fps) and excerpts were recently shown at the National Association of Broadcasters Show in Las Vegas last month who were reportedly blown away.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

PLUS: A booklet featuring a new essay by film scholar Peter Matthews, excerpts from Algeria's National Liberation Front leader Saadi Yacef's original account of his arrest, excerpts from the film's screenplay, a reprinted interview with cowriter Franco Solinas, and biographical sketches of key figures in the French - Algerian War

New to this edition are the 2000 documentary «Hitchcock: The Early Years,» archival interview footage with Alfred Hitchcock from Mike Scott's 1966 television interview, excerpts from François Truffaut's 1962 audio interview with Hitchcock, a visual essay by Hitchcock scholar Leonard Leff, original production design drawings, and a booklet featuring an essay by film critic David Cairns.

The following is excerpted from a 1972 interview that film scholar Joan Mellen conducted with director Kaneto Shindo.

Mills pays homage to the books, music, and films that shaped him with title and year - crediting text accompanying excerpts from the likes of Godfrey Reggio's Koyaanisqatsi to Judy Blume's Forever.

Both consider Battle as the end not just of The Hobbit trilogy but the film saga that began with Lord of the Rings, a series liberally excerpted here in both clips and behind - the - scenes.

To give you an idea of the treasures you will discover, Rob has kindly agreed to let me run an excerpt of the chapter in which he discusses «Murder by Contract» (a taut and chilling film noir) with director Antonio Campos.

Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.

Extras: New program on the film's cinematography featuring a conversation between Lassally and critic Peter Cowie; excerpt from a 1982 episode of «The Dick Cavett Show» featuring Finney; new interview with actor Vanessa Redgrave on director Tony Richardson, to whom she was married from 1962 to 1967; new interview with film scholar Duncan Petrie on the movie's impact on British cinema; illustrated archival audio interview with composer John Addison on his Oscar - winning score for the film; new interview with the director's - cut editor, Robert Lambert; an essay by scholar Neil Sinyard.

A sharp piece that provides valuable Hammer film excerpts and interviews with a variety of authorities (including Stacy Keach, numerous mystery authors, and Spillane himself, who passed away in 2006), this is a most fitting inclusion.

Because review excerpts are boring, along with my quick ratings, I have written haikus for all the films I've seen so far.

Unsurprisingly, much of «Life Itself» is given over to Ebert's democratizing and popularizing impact on the world of film criticism, with judiciously chosen clips («Bonnie and Clyde,» «Cries and Whispers,» «Raging Bull») and excerpts from those same films» respective reviews used to show how Ebert combined his encyclopedic knowledge of cinema with an accessible, plainspoken writing style that could be understood by anybody.

The rest of the supplements are bite - sized pieces: «Welcome to New Penzance» features footage of the locations, «Set Tour with Bill Murray» is a quick 3 minutes, Bob Balaban introduces short segments of actress Kara Hayward (Suzy) reading excerpts from the (fictional) books featured in the film, and «Cousin Ben» features additional footage of Jason Schwartzman as Cousin Ben.

Along with the wonderful and timeless music from the film, this also includes Mary Poppins Lost chords and excerpts from the P.L. Travers Story Meetings with Don DaGradi and The Sherman Brothers.

Special Features Audio commentary from 2002 featuring director Robert Altman and producer David Foster New making - of documentary, featuring members of the Cast and Crew New conversation about the film and Altman's career between film historians Cari Beauchamp and Rick Jewell Featurette from the film's 1970 production Art Directors Guild Film Society Q&A from 1999 with production designer Leon Ericksen Excerpts from archival interviews with cinematographer Vilmos Zsigmond Gallery of stills from the set by photographer Steve Schapiro Excerpts from two 1971 episodes of The Dick Cavett Show featuring Altman and film critic Pauline Kael Trailer PLUS: An essay by novelist and critic Nathaniel Rich

They feature colorful imagery from the film and excerpts from Joe Hisaishi's score, with the most memorable piece of music accompanying the Main and Scene Selection pages.

The Blu - ray and DVD editions both feature a new interview with film critic David Thomson, who offers a crash course introduction to the art and themes of Hawks (it runs about 17 minutes), the new 20 - minute program «Howard Hawks and His Aviation Movies» with film scholars Craig Barron and Ben Burtt, and excerpts from Peter Bogdanovich's 1972 interviews with Howard Hawks (audio only, about 19 minutes), plus the 1939 «Lux radio Theatre» adaptation of the film with stars Cary Grant, Jean Arthur, Rita Hayworth, Richard Barthelmess, and Thomas Mitchell all reprising their roles, and the trailer.

At first glance, the film, with its lovingly appointed interiors and its excerpts of poetry on the soundtrack, might strike you as a dull and dutiful enshrinement of Dickinson's brilliance, another ordinary film about an extraordinary artist.

Special Features New 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunning

This footage, which is longer than the film itself, includes excerpts from interviews with presidential adviser George Ball, broadcast journalist David Brinkley, French journalist and historian Philippe Devillers, and political activist Tony Russo; additional excerpts from General William Westmoreland's interview; additional audio excerpts from presidential adviser Walt Rostow's interview; and scenes from a funeral and a military hospital in South Vietnam.

Darlings, it is my wholehearted honour to present the excerpts of our wonderful visit with the cast and director of the film Youth Without Youth.

He looked like Seann William Scott crossed with a refrigerator, but the pensive atheist read Emerson and Chomsky, refused all media interviews during his service, and seems to have been a Democrat, a possibility greeted with pop - eyed disbelief by Ann Coulter on one of the wretched shows excerpted for the film.

For the former, we find an essay about the film along with excerpts from newspaper articles.

Blu - ray extras include a pair of audio commentaries by film historians David Del Valle, Steven Peros, Paul Scrabo, Lee Pfeiffer and Hank Reineke; an interview with Lee; Lee reading excerpts from Doyle's story; and an isolated track of James Bernard's score.

Very Good (3 stars) Unrated In Spanish with subtitles Running time: 97 minutes Distributor: Music Box Films DVD Extras: Commentary by co-stars Alfredo Castro and Antonia Zegers; interviews with Antonia Zegers and director Pablo Larrain; Berlinale press conference excerpt; and a collector's booklet featuring cast and crews interviews and an essay by film critic Jessica Kiang.

In this excerpt from an interview on our new release of the film, Ballhaus talks about the influence of Douglas Sirk on its compositions and his occasionally combative on - set relationship with Fassbinder.

One final note: Spielberg begins the film with excerpts from ABC's original live coverage of the Munich slayings.

Also included are relevant excerpts from the famed 1967 interviews with auteur and film geek par excellance, François Truffaut, and an episode of «Alfred Hitchcock Presents,» «Mr. Blanchard's Secret», directed by Hitchcock.

With the screenplay excerpt, you can read the original screenplay while selecting the corresponding film clip at any time.

Special Features Restored 4K digital transfer, with 7.1 surround DTS - HD Master Audio soundtrack on the Blu - ray, both supervised by director David Lynch 7.1 surround DTS - HD Master Audio soundtrack on the Blu - ray, supervised by Lynch Alternate original 2.0 surround soundtrack, presented in DTS - HD Master Audio on the Blu - ray The Missing Pieces, ninety minutes of deleted and alternate takes from the film, assembled by Lynch Interview from 2014 by Lynch with actors Sheryl Lee, Ray Wise, and Grace Zabriskie New interviews with Lee and composer Angelo Badalamenti Trailers PLUS: Excerpts from an interview with Lynch from Lynch on Lynch, a 1997 book edited by filmmaker and writer Chris Rodley

Hornaday, a former film choreographer whose resume dates back to Flashdance and ABC Afterschool Specials, knows enough to pay tribute to Ferris Bueller's Day Off with a nearly shot - for - shot scene recreation and to Disney's Flight of the Navigator, a wonderfully random screening subject (sadly not excerpted) upon which Dylan and Josh begin building their friendship.

Special Features New, restored 4K digital transfer, supervised by cinematographer Caleb Deschanel, with uncompressed monaural soundtrack on the Blu - ray New documentary on the making of the film, featuring interviews with members of the production team Excerpts from a 1980 American Film Institute seminar with director Hal Ashby Author Jerzy Kosinski in a 1979 appearance on «The Dick Cavett Show» Appearances from 1980 by actor Peter Sellers on NBC's «Today» and on «The Don Lane Show» Promo reel featuring Sellers and Ashby Trailer and TV spots Deleted scene, outtakes, and alternate ending PLUS: An essay by critic Mark Harris

I've yet to see Paul Thomas Anderson's latest, Phantom Thread, but over our holiday break, I found myself obsessed with a short musical excerpt from the film's score that Nonesuch Records published ahead of tomorrow's full digital release.

Also there, «Hollywood on the Hudson» (4:18) is an excerpt of a 1965 WNBC news segment on Seconds» filming in Scarsdale, New York with a focus on Rock Hudson.