Sentences with phrase «film exhibition with»

Not exact matches

Mr. Jackson (also known as Sekou Molefi Baako) is an East Elmhurst resident with a long history of community service, including 36 years as Executive Director of the Queens Library's Langston Hughes Community Library and Cultural Center, a full - service, general circulation library with an extensive reference collection of materials related to African American history and culture, and a cultural arts program that offers a variety of programming of independent film video screenings, stage presentations, panel discussions, concerts, art exhibitions and more.

At this new exhibition, you are invited to step into Cameron's role as director and film scenes in 3 - D with a camera just like the ones used in the making of the movie.

An image of the house, along with a film of Fuller's 1933 Dymaxion Car — a whalelike jet - propelled vehicle that could travel in any direction, in air or on land — appears in Best of Friends, a beautifully integrated exhibition that examines the friendship between Fuller and the sculptor Isamu Noguchi.

The exhibition's heart is the Curve gallery, filled to bursting with spacecraft, alien warriors, dinosaurs, and props and film clips from Star Wars, Jurassic Park, Alien, Stargate, Interstellar and Metropolis.

Participants were treated to a multimedia event involving a photographic exhibition, short films and an audience - panel discussion with a group of stem cell scientists.

Catch an independent film, a digital art exhibition or relax in the café bar with a locally sourced wine or beer.

Filmed in some kind of archaeological museum, with huge modern windows, safety railings in staircases and exhibition rooms with unclear medieval objects.

To begin with the end: your correspondent's maiden voyage to the Venice film festival concluded with a stroll through the 14th International Architecture Exhibition, also organized by the Biennale.

The feature is being self - distributed in theaters exclusively this weekend, and Hauck has partnered with Kodak and Fotokem to spread the message that «film can be affordable and accessible to independent filmmakers as both a shooting and exhibition format.»

«They're taking different approaches to it too — Amazon is getting a lot of credit right now in the press for their commitment to the theatrical exhibition of their film, it's not just about the digital platform, where Netflix is taking a slightly different approach — although they're doing limited theatrical with stuff too — it'll be interesting to see what the long - term end result is for those two approaches and where it all ends up, but I think right now it's great for our filmmakers and our producers to make their money back and they have a chance to reach massive audiences through these digital platforms.»

Christ Church — Saint James (2011) is an intriguing avant - garde film that illustrates, among many topics, an interest in the concept of superimposition, which was the title of a recent exhibition with fellow Loop Collective member Dan Browne at IMA Gallery in Toronto.

They trace its evolution from an Australian film distribution and cinema exhibition company in the 1980s to an international conglomerate with interests in filmed entertainment, music and theme parks.

When Avatar became the top - grossing film of all time with a significant portion of its earnings coming from 3D exhibitions, there were two schools of thought on what its success would mean for the industry.

Alejandro Ramírez Magaña serves as Chief Executive Officer of Cinépolis, one of the largest film exhibition companies in the world with operations in Mexico, Brazil, Spain, India, the United States, Colombia, Chile, Argentina, Peru, Guatemala, Honduras, El Salvador, Costa Rica, and Panamá.

We started the Badlands Collective with limited experience in exhibition, and we've gone on to screen rich, vibrant prints of gorgeous films like Jonathan Glazer's Birth, Stanley Kubrick's Barry Lyndon and Terence Davies» The Long Day Closes.

The superhero blockbuster trend shows no signs of slowing down, with upcoming releases of Thor: The Dark World, Captain America: The Winter Soldier, X-Men: Days of Future Past and dozens of other planned films, including the much - anticipated sequel to Avengers Assemble, and new television series such as Agents of S.H.I.E.L.D. Superheroes are everywhere, from shirts to toys to exhibitions like the Marvel Super Heroes 4D experience at Madame Tussauds.

Through his leadership roles in film distribution and exhibition over the last 15 years, John Vanco has strived to connect great works of cinema with appreciative audiences.

Paradoxically, amid this exhibition panorama, new creative Cuban films continued emerging with filmmakers from the Film Institute (ICAIC) having turned independent.

Curiously, there is also a presentation of the art of the film, which consists of someone walking around a When Marnie Was There exhibition with a handycam.

With Joanna Hogg's third film, Exhibition, confirming her as among our best new filmmakers, we look back at some of the greatest British films by female directors.

The Native Program extends the festivities this week in Santa Fe, New Mexico, with an exhibition of feature and short films by Native American and Indigenous directors from the U.S., New Zealand, and Canada.

I'd say the lack of pricey 3D exhibitions may very well have encouraged some ticket sales, but that might be at odds with the evidently fruitful decision to open the film on IMAX screens five days before general release.

Nowadays, with technological innovation, new heavy - hitting players, like Netflix and Amazon, enter the lucrative cinema game and the classic model of production - distribution - exhibition is again tested and changed and we can ask the existential question: does a film have to also be available in theatres to be Cinema?

This exhibition of spectacular visual poetry lurking beneath an incessant dreariness at the film's core should come as no surprise to those familiar with the previous works of Wolfe and Ryan.

Doors open at 20:30, when guests can get in the mood with a private pre-screening exhibition of film stills, before picking up their complimentary popcorn and drinks.

It includes short films linked to the new Europe 1600 - 1815 galleries, interviews with architects about John Madejski Garden commissions, the Sackler Centre for Arts Education, and a consultation project with students on changes to Exhibition Road in 2010.

The first Open Doors evening took place in March 2011 and included the performance of a play by the children of Bond primary school in Mitcham and our pupils, short films made by our pupils about the art and poetry created by students at Perseid and Cricket Green special schools with our pupils» support, a performance by a primary school choir coached by sixth - formers, and an exhibition of art made at the two special schools.

With the Super Bowl in New York City where the Puppy Bowl is filmed, Animal Planet established a «Puppy Bowl Experience» at the Discovery Times Square exhibition space.

With 10,000 square feet of exhibition space, the museum will host shows, films, lectures, and more for both students and the public.

Educational programs for hotel guests, as well as visitors of all ages, will accompany these exhibitions with artist talks, curatorial lectures, film screenings, and an insider's look at the creative process of CAF artists featured on in - room TV hospitality channels.

The exhibition «Margot, sister of Anne» sketches an image of Margot Frank with the use of personal film testimony and other historical evidence, photos, letters and artefacts.

Set up in 1984 with the aim of fostering the study and knowledge of modern and contemporary art, the Fundació Antoni Tàpies showcases one of the biggest collections of his art works but also hosts many temporary exhibitions by contemporary artists, various art symposiums, lectures and film sessions, and also produces publications which all complement the main activities and exhibitions devoted solely to Antoni Tàpies.

It was given a new lease of life with a # 15.2 million redevelopment before reopening in 2010 and now offers an eclectic programme of arts, film and entertainment throughout the year, including exhibitions, children's theatre, craft workshops and open air concerts.

Other portfolio highlights include his Postr Club work created with Spin, which was on show as part of the group exhibition at Twenty Twenty Two in Manchester around this time last year and a brilliant little film publication which demonstrates a deft way with layout and using found imagery.

Coinciding with the World Illustration Awards exhibition at Somerset House, running from 31 July until 28 August 2017, will be the Summer Screen Prints show with Print Club London, which will showcase original screen - prints depicting films from this year's Film4 Summer Screen at Somerset House season.

Among the works presented in the exhibition are Gestures (1999), Crossfire (2007), Mixed Reviews (1999 — 2001) and the centerpiece of the exhibition Video Quartet (2002), a large, four - screen projection featuring hundreds of clips from old Hollywood films, with actors and musicians making sound or playing instruments.

Two films by Akosua Adoma Owusu accompany the exhibition which is being presented in conjunction with «Hammer Projects: Njideka Akunyili - Crosby» at the Hammer Museum.

In an exhibition clouded by Dana Schutz's controversial painting of Emmett Till, some thought Wolfson's virtual reality film of himself savagely beating an anonymous hostage with a baseball bat deserved even more attention.

MÜNCHENSTEIN, SWITZERLAND — Cauleen Smith and Joshua Mosley have been selected for the «Artist's Choice» film series in conjunction with the Schaulager's current Paul Chan exhibition.

Featuring nearly one hundred drawings spanning the artist's career to date, the exhibition will include Barney's earliest drawings made in the late 1980s, drawings created in conjunction with the CREMASTER film cycle (1994 — 2002), and those related to his current project RIVER OF FUNDAMENT.

Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.

In his third solo exhibition with Marianne Boesky Gallery, Hans Op de Beeck will present «The Girl,» the first public presentation of his animated film.

Dan Colen produces new work for the exhibition that continues his exploration of spirituality and mortality with a triptych of large skyscapes based on stills from the 1940 Walt Disney film Fantasia.

Time Frame takes its departure from Robert Smithson's sculptural refractions of the late 1960s, and the artist is represented in the exhibition by the 16 mm film Swamp (1971), made in collaboration with Nancy Holt, dealing with the limitations of perception.

His film Pacific Sun is on view at the Los Angeles County Museum of Art through April 2015 and will run concurrently with a solo exhibition of new work opening in January at Matthew Marks Gallery, Los Angeles.

The exhibition is accompanied by a catalogue edited by Klaus Biesenbach, with essays by Susan Sontag and Rainer Werner Fassbinder as well as 570 color film stills, the complete screenplay, biography, bibliography, and filmography.

Now home to a vibrant array of plant and animal life, Hartt returns to Habitat Puerto Rico nearly 50 years after the initial project with a series of sculptures, photographs and a captivating 20 - minute film that is the centre point of the exhibition.

FILM Rising art stars Bradford Young (cinematographer, whose work was featured in Black Radical Brooklyn exhibition over the summer) and Jason Moran (composer, who collaborates with visual artists and joined Luhring Augustine this year) add the much - anticipated «Selma» to their resumes.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

In this show, the artist's first one - person exhibition in the United States since his «Possibilities» show at the P.S. 1 Museum in June 1989, FRANZ WEST will exhibit a series of new sculptures and an installation which includes a video made in collaboration with the Austrian film - maker BERNARD RIFF.