Sentences with phrase «film explored a little»

I do wish the film explored a little more of him personally, rather than his sons family, but that is me just being nit - picky.

Not exact matches

Whereas the latter film explored heavy emotions like loss evenly and with purpose, Love Liza's interest seems to be dragging you through the mud for an hour and a half with little to offer for it.

Their relationship is not explored enough in my opinion, leaving little to no impact on me for the future setting of this film.

However, having seen the show first, it allowed me to appreciated what the film was better at - that is a slower, more sensitive and more deeply explored story, where each character was able to shine a little bit in their own right.

From Little Shop of Horrors to Rock and Roll High School, the documentary explores the wide variety of films that encompass Corman's prolific and enduring career.

It's a mesmerizing little film that explores time, loneliness, and love, bending our minds in the process.

There is little in the film you haven't seen first in the video game, but the creators of the film do add an interesting twist to the story that the games haven't explored (I won't use spoilers here).

As much as I love Insidious, I must admit that the third act of the film isn't as tight as it could be, which, on the bright side, does leave a little more to be explored in a sequel.

While the story of the successful man hitting his low point and having to turn his life around isn't original, the film is able to avoid cliche by making some interesting choices in how those themes are explored, which help them feel a little more unique.

We finally saw our much - beloved character getting in touch with his berserker side (without the confines of a more family - friendly rating), as well as exploring his humanity within different relationship dynamics, which are as textured as films like LITTLE MISS SUNSHINE, CHILDREN OF MEN and SHANE.

If the film's goal was to make Lara a more interesting character by exploring her early life, it fails quite miserably, despite a generally good performance by Vikander in a role that gives her precious little with which to work.

Based on a poem by US author Ron Koertge, the film is dryly funny, as it explores the little and special moments of communication between a father and child and shows how seemingly insignificant things can actually carry great importance.

Future stars (of varying degree) James Marsden, Christine Taylor, Christopher Masterson, Amy Smart, Ron Livingstone and Jacinda Barrett star in this impressive, genuinely scary little film, about teens stranded in the woods by a car accident who occupy their time telling each other scary stories that explore some familiar urban legends with interesting twists.

It's perhaps a little predictable, but it nevertheless fills a gap that may otherwise not be explored in subsequent films.

So with Jackson returning to the director's chair for his first film in well over a decade, Denial does have the makings of a conventional courtroom drama that feels a little dated — and yet is one saved by the sheer pertinence of the themes being explored.

Again, I would have preferred a little more of the hypocrisy inherent with the mega-churches to have been explored and perhaps it would have been a more enjoyable film.

Perhaps this speaks to the problem the film's trying to explore than its actual cinematic structure, but a little bit more information would've helped.

Considering that, let's explore some film techniques and their purpose and effect to find out a little more about how the film changes our understanding of Owen's reasons for being homeless.

The California African American Museum is unveiling a pair of shows that explore a little - known genre of cinema — race films of the silent era.

The show explored Zina's fascination with an industry whose films displays little in the way of normative artistry but emit an extraordinary power and energy.

The film, directed by Morgan Neville, explores the stories of little - known backup singers behind famous figures in music history.

In particular, the film explores the commercialisation of childhood, and a corresponding tendency to infantile behaviour in adulthood, bringing to life the «little monsters» created by consumerist desire.

Divers explored the reef while listening to ocean - themed songs such as The Beatles» «Octopus's Garden» and music from films including Jaws and The Little Mermaid.

This Paris Review essay explores Disney's lore - laundromat through the career of an ill - fated illustrator, Kay Nielsen, whose gorgeous, rejected concept sketches for films like The Little Mermaid depict a hauntingly beautiful fantasy world that might have been.