Sentences with phrase «film features a view»

Through it all, the film features a view of 1980's teen fashion with a cool New Wave soundtrack.

Not exact matches

The X-Star Premium features a 108 - degree field of view camera which offers a whopping four video settings that are designed for specific filming purposes.

Phil Dorcas, ELNA president, says that every year some attendees insist on viewing the 1965 cult horror film Incubus, which features continuous Esperanto dialogue — and William Shatner.

This would allow it to expand its lucrative pay - per - view feature film service called Near Video on Demand.

Unprecedented in the setup was that the test subjects freely viewed a feature - length, 105 - minute film in its entirety in the brain scanner.

Filmed on three continents — and at altitudes ranging from sea level to 16,500 feet — the film features breathtaking views of Chile's remote Atacama Desert, and demonstrates the lengths to which humans will go to understand the universe they call home.

Viewers can click to view and purchase the pieces featured in the film — from labels like Louis Vuitton, Kenzo, La Perla and Maison Martin Margiela — though the YouTube version of the film is, sadly, not shoppable.

Deniz Gamze Ergüven, who makes her feature debut as writer - director after a couple of short films, tells the story exclusively from the girls» point of view — both emotionally, as they have all our sympathy, and physically, as almost nothing happens that one of them could not be seeing.

It becomes very clear through viewing the film and selected extra features later on that Fincher had a very specific vision with this film, and it seems he's taken the opportunity given by this special re-release to go back and right the wrongs of the past.

Example: «this year for Distinguished Feature and Short Documentary — will be selected by IDA's members through a process in which members who wish to participate will view all of the nominated films in these categories through a secure, password - protected online system.

Featuring interviews with the band and never - before seen footage, the film features behind - the - scenes views of historic moments from the perspective of the band, their fans, crew and management throughout their sold - out 40th anniversary tour.

In a tradition going back almost to the birth of cinema, the Hong Kong film industry in particular has always had a major subgenre devoted to female action heroes, and now, thanks to various streaming services, there's a good cross-section of films featuring sword - wielding or gun - toting, kick - ass women available for American fans» viewing pleasure.

Spaghetti Westerns often feature similarly descriptive themes — from the iconic (Luis Bacalov's Django theme) to the bizarre (Sybil & Guy's «Keoma»)-- and viewed through the lens of Italian exploitation films, Bone Tomahawk starts to make sense.

She said at the festival where the film premiered in May that she views her feature as the flip - side of the original, telling the story from the standpoint of the women.

Oh, and I almost forgot Fangoria writer Michael Gringold's loving 40 - page commemorative book that also comes with this set, featuring an efficient history of the franchise and dozens of incredible, rare behind the scenes images, many of which can also be viewed within the still galleries included on the various discs for each film.

Green's feature debut is an expansion of his 2015 short Stop, but the film is told through differing views: the bystander who filmed the act, a black police officer, and a high - school baseball phenom inspired to take a stand.

Nicolas Pesce's debut feature The Eyes Of My Mother views its deeply disturbed heroine through the lens of hardy, immigrant - born midcentury stoicism, and Pesce chose a similarly controlled - yet - disturbing film for our marathon: The Night Of The Hunter, Charles Laughton's classic thriller starring Robert Mitchum as a killer who disguises himself as a preacher.

Pete Travis's film presents an assassination attempt on a US President from eight different points of view, and the impressive cast features reliable figures like Dennis Quaid, Forest Whitaker, Sigourney Weaver and William Hurt.

While both films were produced at the Pendleton Correctional Facility in Indiana, Sackler sees them as complimentary films which can be viewed on their own or as an enlightening double feature.

A heartrending love story tops our list of the year's best films, which also features a kids» - eye view of Florida, political horror, erotic thrills, sci - fi noir, ghosts, grief and communism

It was released theatrically in North America as part of a double feature with Quentin Tarantino's Death Proof under the title Grindhouse, to emulate the experience of viewing exploitation films in a «grindhouse» theater.

There has yet to be a Kevin Smith film that wasn't totally tricked out with oodles of special features, but the 15th anniversary edition of «Clerks» has so much extra stuff that even fans will find it an exhausting viewing experience.

While Thomas W. Kiennast's black - and - white cinematography is quite beautiful to behold (Gröning's film certainly features some excellent cinematographic moments as well), Atef's film never manages to convey why we should care, today, about this brief moment in Schneider's well - documented life, including her never - ending struggle with the German press, her inability to escape the role of Sissi that made her instantly famous as a teenager, and the various tragedies that befell her, including the suicide of her ex - husband.7 The film is not a biopic per se (and Atef declared that she did not intend to make one): thus, audiences who are not already familiar with Schneider certainly will not come away from viewing the film with much of a sense of her life's story); yet, given it is not a biopic, one wonders what the film is, or what it tries to accomplish.

Just as these three films were eye - opening because of how they allow viewers, 50 years later, to witness the emerging student movement and its rapid radicalisation, so a feature - length fiction film from the same year, Tätowierung (Tattoo, Johannes Schaaf, 1967), proved to be a real discovery and, in my view, one of the festival's true gems.

Told in close - ups viewed through the grainy filter of Super 16 film stock, Alex Ross Perry's third feature takes its influences from the best of Seventies cinema, marrying the wit and navel - gazing of Woody Allen with the laid - back cool of Robert Altman (circa The Long Goodbye), while the film evokes John Cassavetes in its intimate portrayal of a relationship in tatters.

The Blu - ray's extensive supply of bonus features (standard definition unless otherwise noted, and mostly letterboxed and produced in 2005) starts with a Leonard Maltin introduction (2:39) you can choose to view in front of playback of the film.

The film that follows is one of the stranger viewing experiences of Fantasia 2016, as director Craig Anderson, jumping into feature filmmaking from a career of Australian TV comedy, delivers on the insane promise of his story solely by dint of failing to deliver a coherent movie.

With a nice feature presentation and a decent collection of bonus features, Anchor Bay's DVD serves the film well, but the textbook movie won't likely lend itself to repeat viewings.

Empire has debuted two new posters from director Justin Kurzel's adaptation of William Shakespeare's Macbeth, both of which you can view right here... SEE ALSO: Michael Fassbender and Paddy Considine featured in new images from Macbeth Michael Fassbender (Shame) and Marion Cotillard (Two Days, One Night) star in the film, with Paddy Considine (Dead Man's -LSB-...]

After an initial viewing of Tarzan II, I returned to the original Tarzan, a film which Disney Feature Animation has not since topped financially or in my opinion, creatively.

Interestingly, the first menu screen to appear on the DVD isn't for the film, but a prompt to select which language to view the movie and bonus features in.

Here in England, when it comes to film, the national sporting pastime of football (soccer) has been pretty much regulated to cheap, violent hooliganism feature so the unorthodox blend of India and Australia and use of cricket is a refreshing point of view (I also write this before the onslaught of U.S cities being destroyed truly takes hold of summer).

Disc 1, whose menu screens hilariously evoke those of the Star Wars DVDs, additionally features a semi-forced trailer for The Pink Panther (the Steve Martin incarnation), an option to view Spaceballs at «ludicrous speed,» and an eminently skippable film - length commentary from Brooks and a silent Ronny Graham.

The distributor said it had been tracking the feature while it was still in development and jumped to board the film after the sales company made it available to view.

In place of those features, the DVD here contains redeemable digital copies of the film in three formats (Windows Media and iTunes for computer viewing, and a lower - res WMV file for portable devices).

Viewed solely as two family friendly films, the double feature works because of the intelligence behind both and the similarity of the approaches regardless of the medium employed to bring it life.

Fox's DVD delivers a fine feature presentation, a lousy collection of deleted scenes worth viewing only to see the recognizable actors cut from the film, and the trailer.

I initially loathed this film, but after a recent viewing of it, I don't think it does more harm to the franchise than any other of the installments and features some of the best cinematography out of any of the films.

Incredibly moving and powerful, it marks an impressive feature film debut from Shane and Wilson, and should pretty much be required viewing for anyone on either side of the abortion debate.

Featuring a predominantly male ensemble that amounts to McDonagh's ad hoc repertory troupe, the film is cheerfully violent on all manner of topics including the nature of movie - making itself, and its «meta» quality is sure to divide audiences, who will either be entranced or irked by what's on view.

Extras — There are two special features on the DVD: Behind the Scenes of Meadowland is a 22 - minute featurette on the making of the film and there is also a theatrical trailer available to view.

In total, 1,906 feature films were viewed by the various selection committees.

The Blu - ray edition looks stunning (I did not view the DVD, which features no supplements) and includes the 30 - minute making - of documentary «Hard - Wires Humanity: Making Ghost in the Shell,» which covers the production with lots of behind - the - scenes footage, and the shorter featurettes «Section 9: Cyber Defenders» (11 mins) and «Man & Machine: The Ghost Philosophy» (10 mins), plus bonus DVD and Ultraviolet Digital HD copies of the film.

A feature called «The Scrolls of Knowledge,» which is available on both versions of the film, gives you the option of clicking on an on - screen scroll and then viewing a supplementary piece related to that scene.

The anamorphic widescreen transfer of the feature film on disc one isn't quite so lovely as the packaging; the print exhibits some scratches and the subtitles (which, thankfully, are on the bottom black bar, so as to get a clearer view of the picture) have a strange tendency to sport quotation marks at random, but the flaws won't ruin one's enjoyment of the film.

This restored edition features a relatively new video transfer, along with several new audio transfers to ideally bring viewers the best viewing experience possible for this landmark film utilizing some of the earliest of visual effects for the sake of an imaginative feature.

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Bourne Dossier, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and other «top secret training material»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

Blu - ray exclusives will be familiar to loyal Universal customers, beginning with three core U-Control features: a Picture in Picture option that includes cast and crew interviews, set footage, and pre-production art (like storyboards); the Blackbriar Files, which give access to high - tech superspy information technology (like pop - up Agent Status, Character Dossiers, Field Reports with «GPS - enhanced satellite views of the locations,» and «the technology behind the spy gadgets through visuals and 3D animations»); and Bourne Orientation, which jumps out of the film to provide literal orientation (globally speaking) and figurative orientation: information about what's driving Bourne at key junctures in the story (answering that eternal actor's question: «What's my motivation?»).

The Films4Families jury was comprised of five elementary and middle school students that viewed seven Films4Families films to award the Youth Jury Award for Best Films4Families Feature.

At this point in the history of film criticism, the auteur theory has become passé as a totalizing framework for understanding moviemaking as art, but Martel's three features (and this one in particular), in their distinctive, shared point - of - view and unique approach to mise - en - scène and sound, provide irrefutable evidence that international art cinema still serves as a showcase for singular directorial talents who are, indeed, the principal creative forces behind their films.