Sentences with phrase «film feel important»

Not exact matches

«I think my movie, personally, is one of the most important films that have ever been made in America... I don't know if anyone is going to see it, but I feel the film is going to take care of itself in time and be around as long as there are films.»

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

But whilst the question of how to coordinate behavioural change is important, I did come out of the film feeling that we are not really going to get anywhere quickly enough if those who are moved by the issue do not themselves take sizeable steps, as individuals.

I tend to agree here on the fact that «The Departed» has certainly is Scorsese's best film in over a decade, it works on multiple levels for not just fussy cinemagoers but general audiences as well, and unlike those aforementioned examples it never feels slow, self - important or clunky.

Though it may not be a perfect film, Truth is a powerful piece of work that clearly feels important, certainly for those in or aspiring to be in the field of journalism today.

«This year was an important year for women to feel empowered to speak out and be heard,» states EDA AWARDS and AWFJ founder and film critic Jennifer Merin.

But while «War Dogs» occupies a similar space as Adam McKay's Oscar - winning dramedy, it doesn't really have anything important to say — or rather, the important stuff feels like an afterthought compared to the dramatized events at the center of the film.

One of the most important ways this is done is through building tension — the emotional strain that the audience feels as the film builds to a particular moment.

Every other character is secondary to the hero as the film uses their struggle and pain as a way to draw more attention the who the film feels is most important, in this case, David Oyelowo's character.

Says co-producer Matt Miller: «Having audiences understand the work that went into the film's production will also reinforce the messaging of why we felt it was important to present this film only on 35 mm and only in theaters.»

Lawrence is as good as she's been in all previous films with none of the annoying «cool girl» quirks that mark her out in real life now; you believe her and you root for her and you feel for her which let's face it, is pretty important for a lead character.

They are used here as examples (feel free to substitute the Bryan Singer film of your choice), but what's important above all are the principles Jameson is outlining.

Spielberg clearly felt this was an important film to prioritize as he put off all of his other projects after reading the screenplay saying, «this was a story I felt we needed to tell today.»

The film also has incredible mood and feeling, and sometimes that's more important than anything.

The actress also noted that it was important for her to meet with the director so that they can talk about her execution of Michelle, as she feels how a female character is presented in a horror film is important.

There was heft to these films and decisions made and paths chosen felt important and could shape future films.

Where other films might feel the need to announce or explain Woodcock's (not unearned) high opinion of his dresses, «Phantom Thread» needs only to show how Woodcock comports himself to indicate his view of himself as a grand artist is as important to him as the actual work.

Perhaps the biggest question is whether the film feels «important» enough.

Get to know her name - she is going to be an important voice in film I have a feeling.

Then we have Roger Michell's Hyde Park on Hudson, a similarly historical piece on arguably just as important a president that replaces captivating political wheeling and dealing with tedious jaunts to the countryside in a film so devoid of any spark that it feels like watching someone's boring vacation videos.

Although I'm slightly embarrassed to admit this, I feel it's important to note that if, like me, you've never read Wolfe's novels, you won't be at a disadvantage; the point of the film is how much the two men needed each other in very different ways.

I felt these backstories were pretty important because they were the base of the entire film.

Seeing the mothers and daughters in these films feels so important now.

Wes Anderson's films may be weird little beasts, but each one has a simple approach to «quality control» that allows the viewer to feel somewhat smart, partially «in» on the joke, and an important part of the storytelling process.

With an approach that emphasises internal feelings and character journeys, over more obvious things like narrative structure and story arcs, this Brazilian - German film challenges audiences to explore a series of important issues in ways movies...

The cast is what helps to make it work, from Meryl Streep chewing the scenery like it's going out of fashion as the unhinged, cancer - stricken, pill - popping head of the family and the aforementioned Roberts (both of whom have received an Oscar nomination for their respective performances) to the likes of Benedict Cumberbatch, Chris Cooper and Margo Martindale who all feel very much perfectly cast when casting is so important for a film like this.

I felt it was important that be a part of the film.»

But the film was wonderful, lacking some of the specific narrative details of the book but so rich with what was really important: the feeling, the atmosphere, the intangibility.

Boyhood raised the bar a bit on independent and original film - making so this feels like Linklater taking a break from something important, getting back to his roots.

Keira said that she felt proud to see The Imitation Game launching the festival: «All of the cast are London born and it's a very British film about a very important part of British history so it feels lovely to be here.»

This all works in the film's favor because it gives the story a surprising amount of heart and proves that Batman is capable of feeling emotion and understands that family is important to him after all.

Though the late - 19th century setting of Jules Verne's Around the World in 80 Days is an important character (and perhaps the most important one), the book has a kind of timeless, universal appeal that made a film version in the»50s relevant and entertaining and could make a new adaptation feel the same.

We wish there was more information about any of these projects but, Paramount just felt it was important enough to tell exhibitors that these films are being developed.

With this focus however, the film feels way too self - important for what is essentially a fun piece of fluff.

As movies go, Goodbye Christopher Robin seems set to be a proper family film; heartwarming and feel - good with plenty of tear - jerking scenes plus all the locations that inspired Milne's writings and the all important characters of Eeyore, Piglet, and Winnie the Pooh, of course.

«The film wants to feel important, and it flirts with being a procedural — but it would have done better to stick with celebrating the slippery interface between facts and the human truths we construct from them.»

It doesn't take much to notice that all shades of the color green play an important role in the film (apparently to some extent coinciding with Mirabelle's feeling of loneliness), as well as the less frequent splattering of red (passion).

Like the characters in the film, it feels it's important to get all those things we keep hidden out in the open for our perusal and judgment.

But that doesn't matter at all, since the feeling that the film works over the audience is what's important.

It's no wonder, then, that science fiction and fantasy films often felt more resonant and important than so - called «realistic» fiction.

There are so many characters in these films, it's difficult to make them all feel important, and we're at the stage now where even major characters are effectively sidelined into cameos and supporting roles, although that is not fundamentally a problem if the script is strong, as it generally is here.

It is not the fault of black movies and black actors that their success and failure can feel so collectively important — but I am wondering if, in cases like Proud Mary, it might serve the movie best to measure it against the kind of goals that white action films have been aiming at for years: that is, a genre where even a bad one can be good if it manages to be entertaining.

It is also recommended for those who enjoy offbeat films, and even if the meanings of the films aren't always clear, the fact that you're watching something that feels important and refreshing will probably keep you engaged, despite the perplexing nature of what it's all supposed to mean.

While I do feel that Scorsese's film is, in some important respects, better overall than Infernal Affairs due to its emphasis on character development, richer themes, and more fleshed out motivations, there are at least two reasons why I think that it will never make Infernal Affairs obsolete.

JONES: The music I write almost feels like a - not a sideshow, but it feels like it was wanting just to create some space around the intensity and beauty and focus of this classical music which is just so important and written into the film.

The script, cowritten by Iannucci with David Schneider, Ian Martin and Peter Fellows, doesn't so much joke about dictatorship as find the very existence of authoritarianism to be one of humanity's sickest, saddest, oldest jokes — a fine distinction, but an important one, because it prevents the film from feeling exploitative, instead lending it the feeling of a lament in which the storyteller laughs so that he won't cry.

Transpecos feels like the most important film I have seen at SXSW.

After reading the script, I was blown away by the possibilities of this film: its honesty and humor, and how tragic these real life characters were — it felt like an important story to tell.

One of the most important filmmakers of the last quarter - century, Haneke feels like an auteur tailormade for Criterion's deep analysis, although I've always felt like he was a filmmaker who believed the work speaks for itself, refusing to answer questions about films open to interpretation like «Cache» or «The White Ribbon.»

As a jury we feel it is important to recognize a film that because of the close collaboration between the filmmaker and their subjects lets the audience examine that crisis.