Sentences with phrase «film focuses on relationship»

Shot in a refugee camp on the island of Lesvos in Greece, the film focuses on the relationship between faith and a global crisis, raising themes such as humanitarian duty and the presence of God in a time of need.

The film focuses on their relationship, with her seeing him as a sort of uncle and him interested in a bit more than that, until he figures out she and his young apprentice have formed an attraction for each other.

The film focuses on the relationship between Wiseau and actor Greg Sestero (played by James» brother, Dave Franco), spanning from their first meeting to The Room's climactic premiere.

The film focuses on the relationship between a young single father and the shady real estate broker who evicts him from his home.

These three possibilities are somewhat at odds with one another: the interpersonal relationships of Walsh's truckers on the Warners back lot are far from the closeted group dynamics of Hawks's aviators within a metaphysical void conjured out of hokey sets at Columbia, while Kubrick's film focuses on the relationship between humans and their artifacts.

Instead, the film focuses on the relationship between Dorsa and Shideh, as well as a few other residents in the building.

Set at Guantanamo Bay, the film focuses on the relationship between a guard (Stewart) and a detainee (Payman Maadi).

If the deal happens, Marsh will still need an actress to play Hawking's wife; the film focuses on their relationship.

Instead, this economic film focuses on relationship issues, as each couple has its problems and all of them are more interested in the problems of others.

Some viewers will hate that the film focuses on his relationship, but I felt it was refreshing since Eggsy was growing up.

«Shepard & Dark»: Documentary film focused on the relationship between playwright and actor Sam Shepard and his long - time friend Johnny Dark.

The film wants us to see how he follows his dreams of writing, which were pushed down in the past, but too much of the film focuses on his relationships with women; one his father's mistress, the other a young woman he wants to impress.

Not exact matches

Not knowing that this film would spend so much time focussing on the relationship of Edward and his girlfriend Lindsay (Shailene Woodley), I was pleasantly surprised to see such great chemistry from these two unlikely performances.

The old Spielbergian focus on the father / son relationship is just as apparent as it was in J.J. Abrams» film, and is equally successful.

The episodic bent of the film's first half - much of the narrative seems to follow the central characters as they fight one fire after another - does test the viewer's patience to a fairly demonstrable degree, and it's clear that Backdraft, by and large, works best when focused on the rivalry and relationship between the central figures (and how it ultimately affects their respective work).

Focusing on the last nine months of Hall's life, when he's a well - established bushranger along with his accomplices, the film explores the relationships within the gang, their robberies and the details surrounding Hall's betrayal and controversial death at the hands of the police on May 5th, 1865.

The film focuses in particular on the playwright's troubled relationship with her daughter Lorraine who was just 10 when her mother died.

Two, as the film wore on we focussed far more on Marjane and her relationship problems with friends, family, boys and the world at large.

From there the Spanish director Nacho Vigalondo turns the film into a dark romantic comedy that focuses on human relationships and human flaws.

Because we already know its impact will far surpass the majority of its Marvel predecessor films, I'm choosing to focus on the particularly sensitive examination of the relationship between African - Americans and Africans.

One of my biggest issues is that the last film forgot to focus on character development / relationships and these are some very cool comic book characters in the Lantern Corps., we just didn't get a chance to see this properly explored.

A lot of focus on his personal life without actually telling you anything, in my opinion let the film down, especially as there was a lot more that could have been included as far as his relationship with Winnie was concerned.

The story focuses on his relationship with actress Anne Wiazemsky, who first starred in his 1967 film La Chinoise before dating him for several years.

Bennett Miller's slow burn film focuses on a bizarre millionaire and his relationship with two brothers who were Olympic wrestlers that led to tragedy.

The film has some solid observations about why relationships sometimes don't work, and how it's easier to focus on another person's faults than on one's own.

This is a film that balances humor, warmth, and sadness by focusing on a teenaged Lady Bird's (Saoirse Ronan) complex relationship with her hardened mother (Laurie Metcalf).

I found the first two films repetitive with too much focus on Thor and Jane's relationship.

The rest of the film focuses on the two love - struck teens as they try to figure out how love can be expressed in their mixed - up relationship.

6) Valerian and the City of a Thousand Planets — The great Luc Besson kills all potential in his latest film by focusing on the protagonists» awkward relationship.

The film stars Kevin Kline as silver screen legend Errol Flynn, focusing on his later years when he struck up a relationship with 15 - year - old aspiring actress Beverly Aadland (Dakota Fanning), threatening his image in the press.

First time director, Sam Esmail, may not have picked especially uncharted territory for his directorial debut Comet, which focuses on the rocky relationship of an oddly paired couple, but his storytelling technique reflects the perspective of an enlightened and astute new addition to the film scene.

Refn focuses the film on Julian's Oedipal relationship to his mother (she mentions that he killed his own father to protect her) and police captain Chang's sadistic stranglehold on Bangkok's underworld.

The final film focuses on newlyweds Christian and Anastasia as they try and move on from their past, however, as Anastasia steps into her role as Mrs. Grey, Christian relaxes into an unfamiliar stability, which could threaten their relationship.

But Stern wanted Private Parts to introduce us to Howard the man, not just Howard the radio giant, so much of the film focuses on his long and loving relationship with Alison.

The film is based on the real - life relationship of Emily V. Gordon and Kumail Nanjiani, focusing on how the couple first met and how a life - threatening...

Unfortunately, the film focuses on this bland character and her unbelievable relationships with Steve and Ben (plus an extremely sad scene involving a chicken), when centering on the Baker family dynamics or the men's friendship would have been more interesting.

The film focuses on the ups and downs in the relationships that these guys have.

Scenes of success blend with scenes of struggle, and while the relationship between Dewey and Greene and Greene's own discomfort with fame (capitulated to on his scheduled appearance on «The Tonight Show») keep things focused to a degree, the film becomes a string of events without as much connection to the characters.

The first trailer didn't do a very good job of showcasing everything the film has to offer (focusing mainly on the budding relationship between the title character and his pupil's sister), but the cast is great and Steven Soderbergh is usually reliable.

Perhaps for this reason he tended to avoid romantic relationships in his films, instead focusing on outsiders, soldiers, and people drawn to close confederations -LSB-...]

These films are interesting, though, in that they feature almost no battle sequences and instead focus on the relationships that male groups form amid the surrounding danger or in war's aftermath.

Though he once again directs himself in front of the camera, this is an ensemble film more than one focused on a specific character — the web of relationships itself seems to be the protagonist.

The film focuses on Alfred Hitchcock's obsessive relationship with Tippi Hedren, his leading lady in «The Birds» and «Marnie».

The second U.S. trailer for «The Judge» focuses on the strained relationship between Robert Downey Jr. and his father (Robert Duvall) in the film.

But those who have seen films like Vincente Minnelli's biopic Lust for Life (1956), Robert Altman's Vincent & Theo (1990)-- specifically about the tortured relationship between the two brothers — and Maurice Pialat's Van Gogh (1991), which focuses on the painter's last days, will find little here that adds to our understanding of this brilliant, suffering artist beyond, perhaps, the revelation that there is even any mystery surrounding his death at all.

Whenever the film is focusing on the relationship between these two, it is absolutely on point.

The film focuses instead on the ways the two sisters deal with their relationship — which they both desperately need to do — and the way the sons learn something, however haphazardly, about the difference between true unhappiness and the complaints of childhood.

The new film shares some thematic concerns with Forty Shades of Blue, again focusing on a foreign - born character living in the U.S. and undergoing a severely confusing relationship, in which strong sexual connection goes hand in hand with self - destruction.

Rather than the far more famous Watergate scandal that rocked America and in which the Washington Post also played a major part, the film focuses on the Pentagon Papers, and the relationship between the paper's editor Ben Bradlee (Tom Hanks), and the first ever female publisher of a major newspaper, Kay Graham (Meryl Streep).

Over the last few weeks, widespread industry reports have suggested the studio is simultaneously pursing three Joker projects: a Suicide Squad sequel, a standalone film focusing on the villain's relationship with his partner in crime Harley Quinn (Margot Robbie), and, mostly bizarrely, a Joker «origin film,» to be directed by Todd Phillips (The Hangover) and produced by Martin Scorsese.