Sentences with phrase «film gets the story»

, he noted that he has veto rights on the script and is working hard to ensure that the film gets the story right.

Not exact matches

Jeffrey Katzenberg that day told the story of how many times they went back a step or two in the production journey to get the right film they were looking to produce.

He's got a huge fondness for the film industry and for rock «n» roll, both of which factor heavily into Manson's story.

In sum, it's an egregiously depressing story, and pointless beyond reminding us that life often feel pointlessly random, that only the Coens could get away with putting on film.

I finally got around to watching «Pray the Devil Back to Hell» this weekend and, even though I already knew the story behind the film, was absolutely blown away by the remarkable courage and persistence of Nobel Prize winner Leymah Gbowee and the women of the Liberian Women's Peace Movement.

All one gets in the film are one - sided stories of horror and lament, intended to induce a feeling of revulsion in the viewer.

It's pretty impossible for a movie to get made, and there are many stories that don't make it into a book or a film or a television show.

In these films, there's no need to see anything past the moment where the couple finally gets together, because getting together is the end of the story.

Olson was cast in a short film about the 1931 kidnapping of Fred Blumer, then owner of Blumer Brewing Co. in Monroe, Wis.The story goes that after realizing they wouldn't get much ransom money, the mob members released Blumer, charging him a week's worth of room and board.

Anyhow, upon everyone getting located and the warmed justifications eliminated, is where the film encounter of Until Beginning truly begins.The story and activities within Until Beginning are centered around disorder concept and the idea of the Butterfly Effect.

The 2010 blockbuster kids» movie, Toy Story 3, is the third feature - length film in the Toy Story series and kids who see this movie get a glimpse of all of the toys that will make it to the Toy Best Seller List.

Afterwards Little Man got a chance to create his own foodimal with Brandon Jeffords, head of story for the film.

It's been going really well — getting the short film together is helpful for building the feature, because we know the core story now.

The magazine will be in the Barnes And Nobles stands all over the country in the U.S. Thre is a great cover story in the issue on how he stays lean all year round and how he was able to help Morris Chestnut get in great shape for the Best Man Holiday film.

We shot a bunch of stories last week and I am planning to get filming in the next, this space is so good for that.

The Liberty Project even likened our story to the 1998 film «You've Got Mail,» which follows two business rivals as they unknowingly fall in love online.

There was the film, You've Got Mail, but it only focused on one love story.

For me, a good thriller film has got to be effortless in delivering a top - notch story that keeps you on the edge of your seat.

Eventually, the story begins to take shape and things get more and more interesting as this 135 minute picture rolls along to the final minute, which is a swell setup for the next film.

You can tell an author wrote the script as there's lots of monologues and both Harvey Keitel and William Hurt get to tell stories during the film.

As promised by the title, we get the life story of Laird Hamilton, who, according to the film's timeline, has only competed professionally one time, and that was simply so he could obtain a sponsorship.

So it turns out that it doesn't matter that all the promo material on the film — TV ads, trailers, everything — reveals the story's twist — Lincoln and Jordan and all their fellow citizens aren't survivors of a global disaster but rich people's insurance policies — because all that happens after the secret is revealed is that Bay can finally get down to doing what he loves to do: Stomp and crash and burn and destroy as Lincoln and Jordan escape into the real world — just 20 minutes into our future — and must be recaptured.

We also get a (too) generous helping of the JERSEY SHORE cast, thanks to a plot twist in the film's third episode (it's cut into three parts - that tell one continuous story) that sees the boys separated for a while.

To endear it to mainstream audiences Spielberg concentrates on Schindler's inspirational story and alongside the evil, we also get glimpses of humanity throughout, which allow the viewer to make it through the film.

Forster finds a nice way of visualizing this last quirk by showing Harold surrounded by shifting diagrams and mathematical equations, but in one of the film's many missteps, these visual effects show up only sporadically throughout the rest of the story, as if the filmmakers couldn't decide to either fully utilize them or get rid of them after paying the special effects studio a lot of money to create something so nifty - looking.

With so many satirical targets and such a mad, busy stage, getting through this shrill, tiresome film is another story altogether.

Sure, fans of the book watched it and may have got some enjoyment out of it, but the story, accompanied by the god - awful dialogue, really does make this film a treat to watch, even if you can admit how bad it is.

It makes me even angrier after I read the above referenced LA Times interview with Jackson who promotes the film thusly:... I'm also aware that audiences are getting fed up with the lack of original ideas and original stories.

I think this beautiful adaptation gets no justice, the melodic storytelling and dramatic performances don't seem out of place in this tragic film, it keeps to the Shakespearean roots by maintaining the language which in its form sounds poetic, the story has however been updated to suit

Jarecki uncomfortably straddles that line between true crime story and total fictionalization, getting lost in the gap in between and jamming as many elements as possible into this film causes very few of them to register.

Told logically and concisely, «Exposed» elaborates on material from the film and allows us to get a good sense of Flynt's real story.

That's about it, sometimes the film can be a mixed bag but once the story gets to the heart of the matter, it ends up becoming a strong film with an excellent performance from Martina Gusman.

What we get is a collection of moderately violent action set - pieces untroubled by humour or broader coherence... Forster, who directed the Bond film Quantum of Solace, has done his best to piece together a story from these incompatible parts, but the final product has an elaborate uselessness about it, like a broken teapot glued back together with the missing pieces replaced by parts of a vacuum cleaner.

We get notes about story / characters and the facts behind the film, sets and locations.

This calm and quiet film tells the story of a Bangladeshi woman that gets married to far away London, where we find her 16 years later with husband and daughters, struggling in her uneventful life and still hoping to return back home to her sister.

I think this beautiful adaptation gets no justice, the melodic storytelling and dramatic performances don't seem out of place in this tragic film, it keeps to the Shakespearean roots by maintaining the language which in its form sounds poetic, the story has however been updated to suit today's audience.

It's a story that has taken 10 years to get to the screen at least, but what kept it from the screen for so long was lost when it was finally filmed.

The film's belief in the power of redemption and its subtle assertion of the need for moral courage in personal (or political) conflict, is never allowed to get in the way of its boldly told, intelligent, informed and affecting story.

While the movie has a nice look, the story gets very muddled and the main character remains a twit throughout the film.

iInstead of a buoyant, imaginative superhero movie on the order of Sam Raimi's «Spider - Man» films or Bryan Singer's «Superman Returns,» we get a lumbering, paint - by - numbers origin story.

This is a sequel that has its own story to tell and that gets right down to it, and it expands on the ideas from the first film, but in a way that tells a thematically satisfying and complete story.

I'm sure the story of this film is pretty good, but I could not get through the first quarter because of the copious amount of swearing.

Rope is a classic picture, one that definitely needs to be seen by genre fans, and it's a film that steadily builds up the tension, in order for the viewer to really get into the story and not turn away.

Instead, we get a very fine performance in a film which avoids some (but not all) of the cliche - ridden pitfalls of the rags - to - riches story.

Having never read the book I'm rating it as just a film and it's really a film that starts well then gets predictable then got silly and confusing, The story was not new but it had a different take on it, It wasn't acted very well but it had some good intense scenes that were done well, With a good cast the story should of been told more deeper and we never really know how it all started which was quite annoying, I did like the ending but the scenes before that completely ruined the film as they didn't make sense or were done that well, It's not a bad film it's just poor for what was on offer.

Wenders» choice to pepper the film with stories about Pope Francis» namesake, the venerated Saint Francis of Assisi, already feels off - kilter for such a present - focused feature, and get weirder still when they turn into flickering, black and white recreations of the saint's journey to God.

The ironic distancing makes it hard to get emotionally caught up in the sad story of Kenney's self - destruction when the film enters «Leaving Las Vegas» territory.

Beauvois, whose previous films include the Baye - starring «Le Petit Lieutenant» and the superlative Cesar - winning «Of Gods and Men,» is a quiet visionary who thinks stories of subdued emotional conflict are as good as it gets.

Michael Cera as a mustache evil alter ego is entertaining enough, but the rest of the boy - ruins - his - life - for - a-girl story is: This film was so bad, It didn't get better or funnier.

Not until the film's postscript do you get to appreciate the larger arc of Zamperini's life that makes his story not just harrowing, but surprising and inspiring.