So far Silver Linings has placed Lawrence and Cooper in privileged positions for Academy Award nominations and not unlikely is the possibility of
the film getting recognition in the Best Picture, Best Adapted Screenplay, and of course Best Director categories.
It's great to see
this film getting the recognition it deserves!
Not exact matches
Inside Llewyn Davis — a
film about a talented artist whose work never quite
gets the commercial
recognition it deserves — was woefully snubbed is the Oscars, which is one of the great life - imitating - art...
In fact, you can
get a ticket at the Cannes Tourism Office and you'll be able to attend the free beach screenings which show classic
films non-competing for awards yet worthy of Cannes
recognition.
Mark Wahlberg did not
get very much
recognition for the
film, I actually did not even know he was in it until the credits rolled, but did an equally astounding job.
Emily Blunt, «The Devil Wears Prada» Can you believe Blunt achieved instant - classic status as an acid - tongued assistant to Meryl Streep's fashion mogul — serving devastating snark and the
film's most quotable one - liners — and didn't
get Oscar
recognition for her comedic brilliance?
Nearly 50 years later, the director of a landmark First Nations
film gets his rightful
recognition
However, I've yet to hear much personal discussion on it from anyone other than the critics and it would seem that Farhadi has still some way to go before he
gets the
recognition he deserves among your average
film enthusiast.
The
film got some added
recognition when Scott replaced Kevin Spacey with Christopher Plummer and reshot portions of the
film only 6 weeks before it was set to hit theaters.
It's a fine
film, and Linklater, one of the best filmmakers of his generation, may finally
get some awards
recognition.
Guillermo Del Toro and The Shape of Water Like Peele, we're beaming that a genre
film — and a great one at that — is
getting Hollywood
recognition, and a person of color taking one of the ceremony's biggest prizes.
I can't tell you how happy I am that the
film itself
got so much
recognition.
Butler described the project as one both he and Fiennes are «passionate» about and considering the star factor (the
film also has Vanessa Redgrave attached) / name
recognition attached to the
film, I expect it may
get off the ground sooner rather than later.
This year's snub has gone to Amy Westcott, the main designer of the costumes for «Black Swan» Hopefully her talent and hard work will
get the
recognition in a future
film.
Weisz is barely in the
film though, so even if the
film was well - received she wouldn't be
getting recognition.
This is an important
film to see and one that I hope
gets the
recognition it deserves when it is released this December.
Yet by the
film's conclusion, any articulation of this system and its moving parts remains at arm's length, because instead of identifying Bertie County as an example of a broken system and then using that
recognition to spark an investigation into why institutional change ultimately proves elusive, Byrne
gets bogged down in arguing for her subjects» validity as such.
You can help by signing the petition to help
get recognition for
film editors by asking these organizations to add the
Film Editing category to their annual awards: Sundance
Film Festival Shanghai International
Film Festival, China San Sebastian
Film Festival, Spain Byron Bay International
Film Festival, Australia New York
Film Critics Circle New York
Film Critics On Line National Society of
Film Critics We would like to thank the organizations that have recently added the
Film Editing category to their Annual Awards: Durban International
Film Festival, South Africa New Orleans
Film Festival Tribeca
Film Festival Washington DC Area
Film Critics Association
Film Independent - Spirit Awards LA
Film Critics Association Chicago
Film Critics Association Boston
Film Festival The International Animated
Film Society — Annie Awards Academy of Science Fiction, Fantasy & Horror - Saturn Awards
Can't believe this performance and
film are
getting the
recognition it is.
Perhaps only at the end of his career, when he was dying — and he played for John Frankenheimer, superbly, the role of Larry Slade in the American
Film Theater
film of Eugene O'Neill's «The Iceman Cometh,» did he
get something like the full
recognition as a master of his craft, that he always deserved.
Give a solid assist to ace editor Walter Murch for the
film's forward motion, though, and to the thrill of
recognition a true Swayze - ite
gets from the loving, equal - time objectification of Swayze's abs amid the love scene.
Wonder Woman, the massively successful superhero
film, also
got a nod from the Producers Guild, a keen sign that it might
get some true
recognition from Academy voters in categories beyond technical achievement.
Yes, that's right, Michelle Williams, who received a Golden Globe nomination for her work in the
film, made LESS THAN ONE PERCENT of what Mark Wahlberg, who received no
recognition,
got for the same damn effort.
Made a better
film by a great cast, Four Christmases isn't anything new, but it's funny and it's
got at least one character that everyone can cringe in
recognition at having in their extended family tree.
Jordan Peele's
Get Out is the most nominated
film in the 2017 Gotham Awards, a good indicator of future awards
recognition.
Perhaps the most promising indicator that the
film would
get some Oscar
recognition came with the
film's Producers Guild of America nomination for Best Picture, since the group's industry membership also includes some members of the Academy of Motion Picture Arts & Sciences.
It is Hong Kong's foreign
film submission, so if it
gets enough attention and traction in that race, it's certainly possible that
recognition could spill into other categories.
Leonardo DiCaprio, «The Revenant» After toiling in the trenches of little - seen indie
films, this up - and - coming actor is finally
getting the
recognition he deserves.
«What I like about our festival awards is that we
get to watch new
films by talented but relatively unknown women filmmakers and we know that our
recognition of them will help them be seen by the wider audiences they deserve.
The
film's power is its
recognition that, no matter how hard life
gets, though, it just keeps going.
@Matt St.Clair — I agree that Rebecca Hall is so underrated that when a
film like Christine comes along, she does not quite
get the
recognition she deserves (although thanks to LAFCA for at least recognising her alongside Huppert in Elle).
His sci - fi thriller Inception broke through the barrier of earnestness to the best picture category in 2011 and it scored him a second screenplay nod (the first was for Memento) but it looks like he might finally
get the ultimate
recognition for his next
film Dunkirk.
There was a brief moment during the Oscars where it looked like Mad Max: Fury Road might be on the way to
getting the
recognition it deserved as a truly groundbreaking, visually stunning
film.
The idea behind Best British Film is solid though, there's a fear that all the American produced movies will take over and the home produced products are shut out, and I am glad
films like Lady Macbeth and God's Own Country
get recognition they otherwise wouldn't
get due to the Oscar campaign machine.
Professor Marston and the Wonder Women feels perfectly placed in a year that has finally seen Wonder Woman
get the front and center
recognition she deserves, sandwiched between two massive
films starring the hero.
In terms of this
films award prospects, I remember Kris doing a piece about how oddball auteurs don't typically
get recognition from the Academy until they make a more academy - friendly
film.
With the newfound
recognition, he
got hired to do B - camera work for Stanley Kubrick and Spike Lee, but craved the opportunity to work his theory on black cinema into his own
film.