Not exact matches
The
film's 1080p transfer is stunning, with the actors» skin tones, tanned or not,
rendered accurately, and the bright colors of the Spanish - set scenes countering the dark grading of the England sequences with exceptional clarity, though the level of
grain is sometimes excessive, and as such distracting.
Julie & Julia's 1.85:1, 1080p (MPEG - 4 / AVC) transfer reproduces a tight, natural
film -
grain structure and
renders Stephen Goldblatt's colourful cinematography and production designer Mark Ricker's elaborately - dressed sets cleanly and sharply without apparent noise - reduction, edge - sharpening, or other degradations to the image.
The
film's dull beige palette, wonderfully emblematic of»80s
film technique (read: bland and suffocating), is
rendered with an organic fidelity that only becomes problematic in optical shots and a handful of nighttime sequences that exhibit worrisome levels of
grain.
The attention to detail even included the avatars themselves; though all the actors were
filmed using performance capture, just like the rest of the movie, for The Shining scenes, the final
renders were sent through a «
grainer lens.»
Its fine -
grained structuring that relies on repetitions, doublings, mirroring and minor variations on major motifs — reminiscent of the work of Korean filmmaker Hong Sang - soo —
renders the
film very robust.
The list of full advanced settings includes: manually lock framerate, unlocked at launch, lights quality, chromatic aberration toggle, shading quality, post-process quality, particles quality, game F / X quality, decal quality, directional occlusion, reflections quality, depth of field toggle, decal / texture filtering, motion blur quality / toggle, sharpening amount, lens flare toggle, lens dirt toggle, texture atlas size, show performance metrics, resolution scaling, UI opacity,
film grain,
rendering mode, FOV slider, simple reticle, show first - person hands toggle, use compute shaders and V - sync.