There are no detectable print or digital flaws, and there's a healthy level of
film grain throughout.
The image, transferred at the 1.78:1 HDTV aspect ratio, has a layer of soft, era - appropriate
film grain throughout and is remarkably clean, though it occasionally exhibits a mild degree of gate weave.
Not exact matches
The image is free of noise reduction and shows a fair amount of
film grain, but so too does it show minor print damage
throughout in the form of small scratches and specks.
Scratches and
grain show up on the print
throughout the
film, but are never overwhelming.
It's worth noting this production was captured on
film, so there is
grain present
throughout.
We received the former for review, which contains a 2.35:1 transfer of the
film in anamorphic video; the image is quirky in accordance with John Seale's cinematography:
grain is overemphasized in several climactic shots, as if to ground the ludicrous plot machinations in some kind of hard - edged reality, while blacks are chalky
throughout and detail has a filtered quality — a Lawrence Kasdan trademark.
Flecks and
grain are almost consistent
throughout the entire
film, especially the opening Walt Disney Pictures logo, and several scenes looked washed out.
As it stands, the 1080p 1.85 X 1 digital High Definition image looks fine
throughout, shot with remarkable form by Anderson as an uncredited Director of Photography, his use of the
grain in the advanced Kodak Vision 3 35 mm camera negative
film stocks is superior and impresses
throughout as it usually does in all of his
films.
Grain is well - modulated
throughout and the gray scale apparent is nicely graduated, yielding a very
film - like look.
Modest
film grain is evident
throughout this impressive transfer.
The image here is sharp, but there is a very fine sheen of noticeable
grain on the image
throughout the
film.
There is a noticeable sheen of
grain on the picture
throughout the
film.