Sentences with phrase «film his experiences making»

Not exact matches

Those statistics make it plain why AMC's CEO had the right idea, even if the announcement ruffled the feathers of the moviegoers who wish the film - going experience would stay they way it was when they were kids.

If you're a film buff like me, you're probably always hunting for good apps that help make the movie - going and viewing experience more enjoyable.

Brenda Chapman, an animation writer - director with a storied career (Disney's The Lion King, DreamWorks» The Prince of Egypt), made headlines three years ago when she penned a New York Times op - ed addressing her painful experience being removed as the first female feature film director for Pixar's Brave, a mother - daughter fairytale she created, and replaced by a male colleague.

Whether or not the critical acclaim already experienced by O.J.: Made in America means that television viewers can expect more long - form, multi-part films from ESPN remains to be seen, as Schell said the longer format is difficult to sustain without the right subject matter.

If you're not familiar with the Marvel Cinematic Universe, this is the 15th of 23 planned films (so far), which started in 2008 when Robert Downey Jr. experienced a career resurgence out of nowhere and made Iron Man an American icon.

But as I made absolutely clear to the writer, I have no firsthand experience or observation of the topic, so I can not speak with any authority beyond articles I have read and films I have seen.

Though intrigued, NASCAR officials wanted to make sure the film would be faithful to the Winston Cup experience.

A family of 15 on a mission to fill life with experiences, not things, through travel, adventure and making memories, writing and filming as we go.

When we filmed our new DVD, Healthy Mom, Happy Family, we had the opportunity to speak with the dads and we made a video where they shared their experiences.

She was called to birth work through her college experience making a film called «Urban Midwifery».

Two African American producers based in Atlanta have been filming the SpelBots to make a documentary about the team and their experiences at the RoboCup events.

Desperate for funding in a world that fundamentally opposes the procedure, Xeno - Edit makes a conniving deal with a wealthy donor: They will film a television series documenting the first recipients» transplantation experiences.

Also, while the pages devoted to dissection of classic modern films such as Performance, Alien and Full Metal Jacket make compelling reading, they defeat the utter disposability so crucial to the modern: what can't be instantly forgotten becomes an impediment to what can next be accessed and experienced.

We also shot video footage and we're hoping to cut that together to make a short film about the experience.»

The film takes a hard look at the modern American delivery room and makes a strong case for natural childbirth overseen by experienced midwifes.

The key features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an artist or production company is that not only will their film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full film making experience & service.

In this first - ever IMAX 3D space film, audiences will travel 220 miles above Earth at 17,500 mph to experience the making of the International Space Station — the greatest engineering feat since landing a man on the Moon.

While Satrapi does a nice job of explaining why changes were made, I would have liked to learn more about her real experiences and how they match up with the film.

Writer and director John C. Walsh based Pipe Dream in part on his own experiences as he was making his first feature film, Ed's Next Move.

Which is fine, given the nature of the film and the explanations needed, but it doesn't make for a very compelling cinematic experience.

Many critics have said that this is similar to Star Wars, and I can see why, but there is still plenty of originality to the film to make it a memorable viewing experience.

The film has two directors, Chris Miller and Raman Hui, neither of whom has ever made a feature film, though both have extensive experience working on the visual side of animation.

With truely amazing sound and AAA film - like angles on cutscenes and gameplay, it make the experience much better than previous ones.

«Battle Royale» is definitely recommended for any Tarantino fan or someone looking for an original viewing experience because yes, this film was made before «Hunger Games» was even written.

I actually enjoy these sorts of films, as the writing is generally of high caliber, and the exotic locales and vibrant scenery make for an enjoyable cinematic experience, even if the main story is a bit dull.

Although it isn't really a significant film as a whole, there are enough good moments of interest and insights to make Trees Lounge a worthwhile experience for fans of slice - of - life independent flicks.

Getting short - shrift in all of this is Kevin (Thomas Ian Nicholas, The Rules of Attraction), who is pushed mostly to the side here — although that may be intended irony, since his character was the most sexually experienced in the original film, making him the guy most likely to have had his glory day in high school, only to go downhill from there.

But it does have a couple of saving graces which, while not redeeming it, do make it a more bearable or forgettable experience than Sam Raimi's film.

Petit's story isn't as inspirational here as the film believes it to be, but Zemeckis» ability to convey the experience of Petit's accomplishment more than makes up for it.

After several seasons» worth of stage experience, Schiavelli made his first film appearance in Milos Forman's Taking Off (1971) playing a pot - smoking support group leader by the name of... Schiavelli.

Even if you allow for the the fact that the film is geared towards the 5 - year - old set, it's still a pretty dreary experience, made even more so by screamingly vivid colors, uninspiring animation and grating songs.

At least another 15 minutes or so could have been cut, which would have made it a much more enjoyable film experience.

Fighting for the right to adopt Rex after a certain incident occurs, this film fills itself with emotional depth, making for a very satisfying experience.

It's a life — and now a film about a life — built from disparate strands of experience, but one that makes sense exactly because she is Grace Jones, and being Grace Jones means synthesizing Grace Jones from all available material.

Following a young woman as she awkwardly makes her way through her senior year of high school, Lady Bird explores popularity, family issues, jealousy, and numerous other issues that teenagers face on a daily basis, so if you go into this film having already experienced those years of your life, I guarantee there will be a section of this movie that you can relate to.

I would like to say that this film would make a good example of how visual effects look on a home television experience for a rental, but I still think the better recommendation for that would be the first film.

It's this very concept that makes Garland's film a terrifying experience.

Far be it from me to expect any sort of cerebral experience from a slasher about a doll, but it's evident that a degree of thought DID go into this, which makes its overall failure as a horror film all the more disappointing.

And now they've turned Legos — those plastic blocks, with no story or personality — into another energetic and wildly clever animated film, one that makes its story the actual experience of playing with these toys.

What makes «Very Bad Things» a more rewarding experience than other films in its genre is that writer - director Peter Berg seems to be onto the fact that he's making a piece of shock schlock and not a sociological pronouncement.

Russ Tamblyn excitedly tells of a ghostly experience he had while making the film in England.

The narrative disjointedness is not at all relieved by confusing editing, an uncertain tone, and a dragging pace that makes the film a progressively dreary experience.

Michael J. Bassett «s Silent Hill: Revelation 3D is an unpleasant experience that will make you wish you were in hell long before the film reaches an end.

He delves into every aspect of making the film, the coordination of the music, and the special techniques he created to make «Nashville» an experience unlike any other.

Damien Power, who wrote and directed, previously made a series of short films, and his experience becomes evident as the story develops.

More optimistic than your typical suburban indie, the film uses elements of mystery and light - hearted humor to make for a fun, easily - digestible experience.

While not quite as polished and satisfying overall as Chicago, the strength of the music, production and commentary on the ups and downs of the music industry do make for an interesting, thoughtful, and enriching experience to justify making a film version of, despite some of the more dated aspects of the original material.

It's arguably impossible to create a film without them, or at least would make for a pretentious and boring «maze» not appropriate for an entertaining experience (which Inception was and film should be).

How was the experience making the film?

As I mentioned previously, Simon and Pelecanos had a tough decision to make: should they shoot with authentic film stock — and thus ruin the cinematic experience — or make the series slightly less realistic by shooting with the Panasonic VariCam 35?