Sentences with phrase «film historian robert»

TCM host and film historian Robert Osborne is the official host of the festival.

Don't miss: Extras include a comparison between the alternate and theatrical versions with an introduction by film historian Robert Gitt.

Not exact matches

Blu - ray extras include audio commentary by producer Pancho Kohner, casting director John Crowther and film historian David Del Valle; and an isolated track of Robert O. Ragland's score.

The sequel The Return of Count Yorga (Scream Factory, Blu - ray), which reunites director Bob Kelljan and star Robert Quarry, comes from another label and features commentary by film historian Steve Haberman and actor Rudy De Luca.

This edition has commentary by film historians David Del Valle and Tim Sullivan, who also deliver a reading of a print interview with Robert Quarry, plus stills, a radio tribute to Robert Quarry, isolated score audio track, and booklet with an essay by Julie Kirgo.

Clips from many of Darnell's movies are shared, along with then - new reflections from the actress» older sister Undeen, daughter Lola, biographer Ronald Davis, film historian James Robert Parish, and fellow actors including Roddy McDowall, Richard Widmark, and Alice Faye.

This is also newly remastered and includes the supplements from the earlier DVD special edition: two commentary tracks (on by film historian Richard Schickel, one by film historian / screenwriter Lem Dobbs and film historian Nick Redman), the featurette «Shadows of Suspense,» an introduction by Turner Classic Movies host Robert Osborne, and the 1973 TV - movie remake starring Richard Crenna in the MacMurray role, Samantha Eggar as the seductive Phyllis, and Lee J. Cobb as the insurance boss Keys.

The second audio commentary lets British historian and royal expert Robert Lacey (author of Majesty and the film's historical consultant) fly solo.

Special Features Audio commentary from 2002 featuring director Robert Altman and producer David Foster New making - of documentary, featuring members of the Cast and Crew New conversation about the film and Altman's career between film historians Cari Beauchamp and Rick Jewell Featurette from the film's 1970 production Art Directors Guild Film Society Q&A from 1999 with production designer Leon Ericksen Excerpts from archival interviews with cinematographer Vilmos Zsigmond Gallery of stills from the set by photographer Steve Schapiro Excerpts from two 1971 episodes of The Dick Cavett Show featuring Altman and film critic Pauline Kael Trailer PLUS: An essay by novelist and critic Nathaniel Rich

In this one - hour, nine - minute, two - second show, we hear from Fricke, Ebsen, composers / lyricists Marc Shaiman and Stephen Schwartz, author's great - great - grandson Robert A. Baum, film critic Michael Sragow, film historians Leonard Maltin and Sam Wasson, filmmakers William Friedkin and Rob Marshall, Bert Lahr's son John, actors Ruth Duccini and Margaret Pelligrini, author William Wellman, Jr., costume designer Ruth Myers, makeup artist Charles H. Schram, cinematographer Peter Deming, visual effects supervisor Craig Barron, sound designer Ben Burtt,

After the tremendous success of «The Adventures of Robin Hood,» Warner Bros. reunited that film's five top stars - Errol Flynn, Olivia de Havilland, Alan Hale, co-director Michael Curtiz, and Technicolor - for another mega-production, and according to historians Robert Osborne and Rudy Behlmer in the DVD's short but informative featurette, «Dodge City» elevated the western genre from B - picture status, to a feature attraction.

The book also features interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen, and cinematographer Robert Yeoman; essays by film critics Ali Arikan and Steven Boone, film theorist and historian David Bordwell, music critic Olivia Collette, and style and costume consultant Christopher Laverty; and an introduction by playwright Anne Washburn.

The film includes interviews with her sons, Richard and Hartley Neel, the children of her deceased daughter, Isabetta, artists Marlene Dumas, Chuck Close and Alex Katz, art historians Robert Storr and Jeremy Lewison, and Neel's surviving friends.

In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large - scale paintings, often with dramatically cropped faces.Utilizing characteristically wide brushstrokes, large swathes of color, and refined compositions, Katz created what art historian Robert Storr called «a new and distinctive type

An HBO documentary film, REMEMBERING THE ARTIST ROBERT DE NIRO, SR., is a portrait of the esteemed figurative painter which includes interviews with the art historians and critics, Robert Storr and Irving Sandler, and with the man who knew him best: his son.