As a director, Oliver Stone's
films hit the mark more than they miss and always try to make a statement about the world we...
Not exact matches
2016 featured a $ 2 billion box office from Star Wars: The Force Awakens and four other
films that either
hit $ 1 billion or came within inches of that
mark.
The
film is in the hands of Kathryn Bigelow and
Mark Boal (the director and screenwriter of The Hurt Locker, which you may remember for winning every Oscar ever) and will
hit theaters shortly before next year's presidential election...
To
mark the 60th anniversary of its original release, a restored HD version of the classic British animation
film has
hit the shelves.
Nearly every one of the
film's emotional scenes is too predictable to
hit its
mark, but Mr. Jones's dry delivery has its moments.
«Just Go with It» has major problems with its lack of wit and exhausted repeated jokes, but thankfully, Aniston's performance is able to boost up the comedy in the
film; adding to an amount that ranks higher than many other
films that try the same formula of comedy as of this
film With Sandler's and Aniston's connection being believable, «Just Go with It» manages to
hit the
mark for several adults and teens to enjoy.
Shameless, Season 3, Episode 9: Shameless Director
Mark Mylod discusses
filming the scene where Mandy
hits Karen with a car.
Still, there were
hits aplenty: a whopping 13 individual
films grossed more than $ 200 million domestically in 2013, with four surpassing the $ 300 million
mark.
Throughout the
film there are several cinematic camera tricks, which
hit the
mark about half the time (and are annoying the other half), and overall the performances of the cast are good, though I thought that the cheerleader's portrayal was a bit uneven, perhaps due to the script that had her alternatevely playing hot and cold.
It's straightforward and
hits all the expected notes, although it's frustrating that the
film is winding - down just as it starts to get really interesting, when Salinger is pursued by Holden Caulfield wannabes, a weird aspect that persisted for years (John Lennon's murderer,
Mark David Chapman, was among those obsessed with the novel).
Biography:
Mark Addy is best known for his role as Dave Althorpe in 1997's box - office
hit film «The Full Monty,» which received a SAG Award for Outstanding Performance by a Cast.
Shot outside Pittsburgh on a shoestring budget, by a band of filmmakers determined to make their
mark, Night of the Living Dead, directed by horror master George A. Romero, is a great story of independent cinema: a midnight
hit turned box - office smash that became one of the most influential
films of all time.
First, an almost flawless first time original screenplay by Aaron Guzikowski, whose only other writing credit was for his adaptation of the Icelandic
film that became the
Mark Wahlberg
hit «Contraband.»
The
film, which will see the return of Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fisher, Michael Caine,
Mark Ruffalo and Morgan Freeman, will
hit Stateside cinemas on the 10th June, 2016.
Its sequel, «Despicable Me 2,» did gangbusters numbers, just $ 30 million shy of
hitting the vaunted $ 1 billion
mark, making for the third highest grossing animated
film of all time behind «Frozen» and «Toy Story 3.»
Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their
mark, Night of the Living Dead, directed by horror master GEORGE A. ROMERO, is one of the great stories of independent cinema: a midnight
hit turned box - office smash that became one of the most influential
films of all time.
The
film, which is considered the «' Citizen Kane of bad movies»,» became a cult
hit, spawning midnight screenings across the nation and now worldwide where fans quote iconic lines like «Oh hi,
Mark» and «You're tearing me apart, Lisa» as they watch the
film onscreen — in between throwing plastic spoons.
Box Office: «G.I. Joe: Retaliation» may not have
hit the first
film's $ 54.7 million
mark, but $ 41.2 million on a $ 11,078 per theater average is still a very solid start.
It
hit the comedic
mark in many moments and was not a rehash of other
films of this genre.
Jokes in the
film do not always
hit the
mark, but when they do, they are very funny.
There are direct references to all sorts of
films, each one
hitting its
mark with laughter; a certain dialogue exchange centered on Home Alone is a hoot.
Much like many of its predecessors, its themes about family are obviously stated but here, those lines
hit harder considering that this
film marks the final onscreen appearance of Paul Walker, who tragically died during production.
Much like many of its predecessors, its themes about family are obviously stated but here, those lines
hit harder considering that this
film marks the final onscreen appearance of Paul...
Fans of muscular, no - nonsense crime
films, you need to
mark your diaries for this when it
hits in 2014.
That fact really helps
hit home every emotional
mark in the
film.
Last week we saw a poster and two TV spots from the upcoming Will Ferrell /
Mark Wahlberg comedy Daddy's Home [watch them here] and now Paramount Pictures has released a new clip from the
film entitled «
Hitting the Cheerleaders».
There's no way to get around it, while the
film is funny overall there are points where it does quite
hit the
mark, but it's to be expected from any comedy.
Night of the Living Dead (1968) Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their
mark, «Night of the Living Dead,» directed by horror master George A. Romero, is one of the great stories of independent cinema: a midnight
hit turned box - office smash that became one of the most influential
films of all time.
Their scenes together
hit the
mark and even touch the heart, but it is still the back and forth with mom that lifts this
film to a whole other level as further friction is caused when Lady Bird secretly applies to a New York University against the wishes of her mother who wants her to stay close to home.
«Jumanji» has proven a surprise
hit for Sony, with this weekend
marking the third in a row that the
film has topped the box office despite strong challenges from Fox's «The Post» and several other openers.
In fact the whole middle section when they settle in their hometown for a couple of days unsettles the
film quite a bit as the humour and drama doesn't always
hit the
mark.
I tried while watching the
film, but my arm hurt before it
hit the halfway
mark.
And then there are
films like this that not only
hit all those
marks, but manage to take it just a tiny step further.
Director Gracey, choreographer Ashley Wallen, songwriters Benj Pasek and Justin Paul (of «La - La Land») and cinematographer Seamus McGarvey («Atonement,» «The Avengers») think about each number as a self - contained short
film, with its own «story» and little
marks that the major characters have to
hit in order to progress.
Simultaneously stupefyingly dull and attempting to be far too clever, I made it to the midway
mark before deciding that the lesson the
film was rather brilliantly and ironically teaching me about life being too short to spend it doing things you don't want to do meant that I could
hit the off button and put myself out of my misery.
Executive produced by Jay and
Mark Duplass, the
film was a
hit at Sundance, where it was snapped up by Magnolia Pictures.
It
marks the third collaboration between Johnson, Peyton, Flynn and Garcia, following the international blockbuster
hit San Andreas, Warner Bros.» highest grossing
film of 2015, as well as 2012's global smash Journey 2: The Mysterious Island.
Jay is currently on Transparent, the smash
hit series on Amazon Instant, and
Mark continues to flit between television projects (The League, Togetherness) and indie
films like The One I Love (TFF 2014).
The cast had to prepare long and hard to
hit every cue and
mark at just the right time, or the
filming would have to start all over again.
This entertaining
film marks the directorial debut for Aaron Sorkin, the Oscar - winning screenwriter of a number of
hit movies (Social Network, Moneyball) who wrote this screenplay as well.
With their real - life superhero series complete,
Mark Millar and John Romita, Jr. reflect on the legacy of Kick - Ass and
Hit - Girl for comics,
film and their careers.
The director, who has made his
mark on
films like Pearl Harbor and The Island, has
hit a new low with his latest installment in the Hasbro franchise.
Only seven other
films in history have topped $ 175 million in their debuts and only five have
hit the $ 200 million
mark.
After all, this
film from Christopher Landon (Paranormal Activity: The
Marked Ones), is a crude combination of that beloved Bill Murray satire, Tina Fey's
hit teen
film Mean Girls and any of the various slasher
films from 1974 onward, particularly Black Christmas.
2014's first
film to eclipse the $ 100 million
mark, this comedy that generated little interest outside the US
hit home video today in a DVD and the Blu - ray + DVD + Digital HD UltraViolet combo pack reviewed here.
Yet, the
film pulls and tugs at the heartstrings in such a stereotypical fashion — every pause and every beat
hits the
mark at the same point that every other tragedy does — and the contrivances built into the script (a white woman Oscar helps at the grocery store ends up being the one taking the cell phone video) overload an already loaded movie.
As Rolling Stone reported earlier this week, the
film was
hitting high
marks even before it opened, selling out more than 2,000 showtimes before Friday's premiere to reach the highest advance ticket sales of any non-sequel movie.
«Departures» is a beautiful, quietly moving
film which
hits the
mark precisely because it does not try to be too ambitious in telling the simple story of a man finding his way in the world.
The follow - up to «Kingsman: The Secret Service,» a
hit action comedy inspired by a series of comic books by
Mark Millar and Dave Gibbons, «Golden Circle» has many of the ingredients of the 2015
film: buckets of blood, expletives aplenty, cartoonish action and cute puppies in peril.
Based on Augusten Burroughs» bestselling memoir of the same name, Running With Scissors is a
hit - and - miss, serio - comic coming - of - age
film, which
marks the feature filmmaking debut of Nip / Tuck creator Ryan Murphy.