Sentences with phrase «film hurtles»

Based on the best - selling video game, the film hurtles beyond imagination with explosive action, humor and amazing special effects.

Reason trounces emotion at every turn, keeping the film hurtling along at breakneck speed.

Not exact matches

And if physicists set up the experiment with a photon detector at each slit, that is indeed what they see: Photons hurtle randomly through either the first slit or the second, which results in two separate clumps of dots forming on the film.

The Post is a film that feels in constant motion, where the camera is often hurtling forward to catch up to the drama, which here takes the form of heated negotiations between Post publisher Katharine Graham and her editor Ben Bradlee around the ethics and efficacy of continuing to publish the Papers after the Times had raised the ire of the Nixon administration.

The film opens with Bob Merrick hurtling dangerously across a lake in his speedboat, an accident waiting to happen, rather than with Helen picking up Joyce and Tommy at the pier in New York.

The film opens pleasantly enough, with voiceover narration by Emma Thompson accompanying an image of the Voyager I spacecraft, the furthest man - made object from earth, hurtling toward the edge of the solar system.

Of course, ample scenes of motorcycles hurtling around corners at horrific speeds are included across the film's 104 minute running time, however the emphasis on the riders rather than the race grounds the feature in the relatable quest of chasing a dream.

As Avengers: Infinity War hurtles toward its April debut, plenty of questions still loom over the Marvel Studios ensemble film.

Nevertheless, the film gets a little sloppy in continuity, especially as it races toward the end, such as a scene involving a robot getting drilled by V.I.N.CENT in one shot, then seen outside the ship in the next, hurtling toward the black hole.

Clocking in at just under 90 minutes, every second of the film is focused on hurtling towards a climactic fight between Roland and The Man in Black.

The problem is that Johnson doesn't stick with his own formula and allows the film to convolute itself into an anti-climactic melange of plot hoops and hurtles that are meant to be clever, but by the limping third act, end up robbing the film of the magic it was oh - so close to conjuring.

The film works — and just barely — only because the narrative flies at warp speed; there's no time to think about gaping holes in the plot and gross violations of the fundamental laws of physics, not to mention credibility, when you finish hurtling in the course of two hours across the Atlantic Ocean and back only to find yourself hurtling through the Chunnel with no chance to catch your breath.

Yes, the film uses each speaker nicely and appropriately, but the creaks and roars don't quite compare with the brute force of the battle scenes in SPR or the hurtling destruction of Twister; those are so powerful that they actually give me goosebumps to hear.

That vision includes vehicles fuelled with blood, «Doof Warriors» playing flaming guitars as they hurtle into battle, CG used in respectful subservience to jaw - dropping practical stunts, and Hugh Keays - Byrne's Immortan Joe presiding over a religious cult seemingly inspired by a Duran Duran song that was inspired by the original Mad Max films («Wild Boys always shine», remember).

Part of this was nostalgia; the classic Star Wars sounds are proudly running through the entire film, from the music to the iconic noise of a Tie Fighter hurtling through the skies.