Sentences with phrase «film images affected»
His centerpiece is a narrative running from Metropolis to Dr. Strangelove, indicating that the power of film images affected first German rocketry and then, through the von Braun story, American space technology.
https://www.scientificamerican.com/ Not exact matches
It's these random refractions of light bouncing off and through the emulsion that make a film image unique, and perhaps even more human, as it reflects a certain aspect of life itself in the random chemical reactions that affect our reality.
This wild concept of chaos reigning in a suburban neighborhood has its edge reduced by its incomplete image of characters, an aspect that affected Get Him to the Greek in the past, and has made for slower moments in other Stoller films (on the other hand, when characters were solid like in Forgetting Sarah Marshall, they lead to a great introduction for a bare - all Jason Segel).
Winstead has an awesome monologue about her life, the affect sobering up can have on a person's life without only positive outcomes, and the image of Alcoholics Anonymous that encapsulates what makes this film one of the best presentations of alcoholism captured on film.
Zachary Quinto's Spock fares better, if only because Quinto infuses neutral lines with a certain melancholy, but he too does not get to build on the seismic events that affected Spock in the first film, his development limited to one poignant discussion of how he has reacted to his home world's destruction and one meaningless inversion of the most iconic image of the Star Trek films that takes a piercing moment and reduces it to farce.
For this, his ninth film, he strips away the more traditional elements of storytelling to rely on the image to affect us.
June 25th, 2008 A video screening of Hapless, Helpless and Hopeless, by Rob Kennedy and Peter Dowling, 2008, (34 mins), with film screenings of Secondary Currents (1983, 17 mins) and The Gift (1994, 6 mins), by Peter Rose plus spoken texts, sounds and other paraphernaliaA screening / talk / reading presented by Rob Kennedy and Peter Rose concerning the absurdities, problems and possibilities of language, as affected by image, text, time, sense and nonsense.
She often begins by affecting the raw film (35 mm, 16 mm and 70 mm depending) in many various ways in advance of any image making by marinating, smoking, scratching, biting, dragging, snapping, spraying, throwing and dripping.