Sentences with phrase «film images such»

As a boy and a young man, Frears, who would later work as a director for the BBC, was struck by film images such as Robert Mitchum «smoking a cigarette and walking down the street.»

Not exact matches

New technology that combines old ones often makes such things possible, much like film blended record music with moving images to create an entirely new medium.

The group used media, such as television adverts, Disney films, press articles, image bank photography to social media, to stimulate debate about the particular issue being explored.

«We are still working hard to change the broader medical profession's and general public's perception of ECT, which has struggled to shake off the tarnished image given to it by popular movies such as the 1975 film «One Flew Over the Cuckoo's Nest»,» Professor Loo said.

The need for automated tools such as Leginon developed when EM switched from film to digital images.

Using the European XFEL's brilliant X-ray radiation, physicists, chemists, biologists, and other scientists from all over the world will be able to map the atomic details of viruses, decipher the molecular composition of cells, take three - dimensional images of the nanoworld, film chemical reactions, study processes such as those occurring deep inside planets, and more.

The film showcased some of the most disturbing images ever portrayed on film such as monsters devouring on humans, gratuitous violence, and perhaps shockingly the most, an African American man hitting a woman across the face, AKA «the punch.»

Therefore Sex - related Netsuke symbolizes work of art — such as elements, images and dating services online search there dream erotic dating love and fun, film, sculpture — whatever that cope with erotically stimulating details.

Rather than fight this ongoing perception, Mature tended to denigrate his own histrionic ability in interviews; later in his career, he hilariously parodied his screen image in such films as After the Fox (1966) and Won Ton Ton, the Dog Who Saved Hollywood (1976).

Certain images in the film are memorable, such as Will's lingering glance at an empty, leaf - strewn swimming pool, which may inspire your longing for an adaptation of John Cheever's The Swimmer with Hamm in the title role.

James Dean starred in only three motion pictures before he died in an auto accident at the age of 24, but he created such an indelible image in those films that he's still considered one of the great Hollywood icons of the»50s and remains a role model to rebellious youth to this day.

The 1080p 2.35 X 1 digital High Definition image was shot in Super 35 mm by Director of Photography Mark Irwin, C.S.C. / A.S.C., giving it the same lame school look emphasizing the same color schemes typical of such films shot in California.

This new set from Image packages together three films previously released on DVD by Home Vision early in the decade, including two such early, unambitious vehicles that offer the girlish sex symbol in her prime.

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

But when least expected, love — and fate — stumbles in... There's such rough beauty to the film, such tenderness, all expressed far more richly through images (top work from cinematographer Joshua James Richards) than in its very spare script.

Shot in one such actual town in West Virginia, the film presents numerous striking images of natural beauty (Rachel Morrison is the cinematographer), which don't rouse the movie from its narrative torpor.

The film has such a narrow focus that it's almost jarring when we see images of the war in Iraq on Georges» television.

Imagine the whole film with such gorgeous images as this, Jordan.

Because she exerts such control over her image — from advertisements to films, politics to pop songs — should we think of her differently?

Given the success of the first film, it's shocking such a poorly rendered image got into the sequel.

The image is clean and vivid, which is remarkable for film of such vintage and difficult production history.

The print media, Life magazine, the New York Times and others, hound Zapruder for use of the disturbing images he captured, and he struggles with his responsibility for such powerful pictures.The Kennedy assassination was a major media event, and Walter Cronkite's and other broadcasters» recurrent commentary, along with TV news footage, play a prominent role in the film, tying the various elements together.

Now Samuel Fuller has made his first film in eight years, The Big Red One, and it is a veritable cascade of such purely cinematic images.

The images are marvelous, a lovely example of Ghibli hand - drawn animation and a reminder of the kind of personality that comes through this kind of art, but it is the compassion and depth of character that makes it such a moving film.

Latin America has stopped being an emerging cinema to become the solid ground for inspired, exceptional films such as the Golden Dream, where spared dialogues, actual facts and stunning images reconstruct the ordeal of three Central American teenagers that try to cross the US border.

As ever, it's odd that Nolan should be such a fervent champion for shooting on celluloid when so many of his images are monotonous and filmed in a color and lighting range that's more typical of digital.

There are images in this film of such unparalleled beauty that Stanley Kubrick couldn't wrap his head around the fact that it was pure guesswork to achieve them.

The film has a little more grain than you might expect of such a 2016 big budget behemoth, but everything looks as it should and the images are sharp, crisp, and suitably detailed.

Even without taking under account the evident, constant battle between both characters» «little angels and demons,» there are indeed several religious images throughout «Changing Lanes» and my guess is that Michell tried to make a not so subtle parallel between both characters escalating wrong - doings and Christ's dying for our transgressions, not unlike the ones depicted here, only for them to end the film by actually achieving a redemption of sorts similar to Christ's resurrection, which for both characters in the film seemed so elusive throughout this day, even in moments such as the one when the movie manages to casually place the character played by Affleck (a non-Catholic, I think) inside a confessional with a priest, no less.

With such a sensitive character at its heart, all of the image manipulation both in front of and behind the cameras inevitably comes off as macho posturing — which is, this film suggests, precisely what drives the sport of boxing in the first place.

Quick cuts of different times, locations and actions are thus contrasted with an extended shot in continuous space and time, whilst images of artificial immobility (such as Birkut's statue and photograph, and him posing beside them) are succeeded by a forceful presentation of dynamic movement as Agnieszka storms through a corridor and, afterwards, drives in a van through the city under the film's credits.

The images in turn showcase Ready Player One «s game avatar characters placed onto backdrops for such iconic films as The Goonies, The Matrix, The Breakfast Club, Risky Business, Rambo, and Back to the Future, among others.

Harry Potter and the Deathly Hallows: Part 2 Rated PG - 13 for some sequences of intense action violence and frightening images Available on DVD and Blu - ray The final episode of the Harry Potter franchise was a momentous occasion this past year, not just because it was the last of eight films, but because they ended on such a strong note.

Ghostbusters co - writer / director Paul Feig has been doing his best to beat the inevitable set photo leaks for his film reboot of the beloved supernatural action / comedy property, by instead posting such images online himself.

Whereas locals might take such an image for granted, de Fontenay was compelled to make a film -LSB-...]

Whereas locals might take such an image for granted, de Fontenay was compelled to make a film about it («Mobile Homes» is actually the second time he's done so, following a 2013 short of the same name).

The DVDs also come with behind - the - scenes footage, as well as a 75 - minute making - of documentary, «Shooting Days,» that not only shows the intricacy of Emir Kusturica's technical achievement, but also the careful consideration beneath the filmmaker's seemingly freewheeling aesthetic, such as the way that recurring images act as anchors for the film and help to mark the passage of time.

These hands could very well be Almodóvar's, feeling passionately for images to string together into sublime films such as this.

The reason «S.O.P.» was such excruciating viewing for me was not because it was a bad film, it has some fascinating explorations of the meaning of an image and America would be a better country if we all came to terms with the reality of what happenned at Abu Ghraib, but it basically recreated the torture scenes of Abu Ghraib in real time.

They are definitely beautiful images, with cinematographer Emmanuel Lubezki doing superb Oscar - bound work, but Malick's determination to recreate every nuance of his childhood era becomes a hindrance in such a long, rather shapeless film.

Its images simmer and make the film such a cinematic, enticing treat to behold.

Sara Jodorowsky's (Flores) operatic «talk» is enchanting, and the metaphorical images, such as devils and skeletons dancing, are beautifully filmed throughout.

Such is the power of the fantastical images that they seem to possess an almost - ethereal quality, and by the time the film enters its final third, you find yourself daydreaming, completely lost in Anderson's whimsical universe.

Playing like the first IMAX film (which cut from a small 1.33:1 image to the full IMAX frame), «Poet» also makes good use of the surround channels, and it's nice to see such a rare promo piece make it's way to DVD.

Del Toro is good with the little he has to work with on the page as Che, and the rest of the casts (including such too - generally - underseen faces as Julia Ormond, Catalina Sandino Moreno, Franka Potente, and Joaquim de Almeida) do well in limited time (though Matt Damon's cameo in the second film is distracting to say the least), and the HD - shot images look great, but by the end of the 4.5 hours I can't exactly say that I really learned much new about nor gained a whole lot of insight into Che.

Argento, co-writer Bernardino Zapponi, and various members of Goblin sit for separate talking heads in an information - dense piece (11 mins., HD) that confirms a few myths about the film, such as that it all began with the image of the psychic conference and that the elevator / pearl death sequence was inspired by a lift in Zapponi's building.

Arts - based approaches extend the five art forms of Dance, Drama, Media, Music and Visual Art, to include all aspects of visual culture, such as, images, films, video gaming, advertising, and creative literature, such as poems, lyrics, and some story forms.

Every Inside the Script title includes the film's complete shooting script in a customizable ebook format; dozens of chapters about the script and the film that detail the movie's development; rare historical documents such as production notes, storyboards, and candid photos; and an interactive image gallery of costumes, on - set stills, movie posters, set designs and behind - the - scenes photos.

One of the most striking new features of the phone which may cause alarm to bookshops is the Firefly function, which allows phone owners to use the in built camera to recognise texts, images and sounds in the vicinity such as a book, film or CD, and link to the Amazon store for customers to buy it directly.

Hammer is at her strongest when she's defying the male gaze, in such works as Multiple Orgasms (1976), a film that attempts to find a visual language for female pleasure, with moaning faces superimposed over images of caves.