While these movies were all well - received by the media covering the festival, one major
film in competition went home empty - handed — and now, it has topped IndieWire's critics survey of the best films of the festival.
The film is a sweet but slipshod effort that hardly represents the director's strongest work; with several more deserving
films in competition going unawarded, its selection feels like a nod to the more mainstream contingent of the competition.
Not exact matches
It'll be with us on 1 June, 2018, a switch from the first
film's February arrival, but A) Fox figures the Merc With A Mouth is ready to
go up against the crowded summer
competition and B) with shooting starting
in the coming months, it couldn't conceivably be ready for next Feb..
Nebraska, the new
film from Alexander Payne (The Descendants), will be playing
in competition, and the first clip has only added to my jealousy of this year's festival -
goers.
Two
films currently enrolled
in Filmmaker360's project development program will
go head to head
in the U.S. documentary
competition.
Our last
film, Spring,
went to Toronto, but getting to
go back to Tribeca [with this
film] and also being the first genre
film in competition in a very long time felt great.
«I am a Flatbush girl», first - time feature director Eliza Hittman said proudly at the world premiere of It Felt Like Love
in the Next section (it later
went to
Competition in Rotterdam), and, while not entirely autobiographical, the
film draws from her experience of growing up
in this largely working - class neighbourhood of New York City's most populous borough, of these endless summers where you have to escape to the sea with your friends for fear of melting like the asphalt under your feet.
The distinction for bringing the highest body count and the most excessive amount of gore to the
competition goes to Scottish director Lynne Ramsay for «You Were Never Really Here,» the very final
film in the festival
competition to be previewed for the press today, after a long ten days of screenings.
One of the key scenes of the
film, John Travolta and Uma Thurman winning a dance
competition in Jack Rabbit Slim's, has
gone down
in cinematic history, thanks to superb choreography and a Chuck Berry song that no other director of a 90s movie would
go near.
From a business perspective, though, it's understandable that Paramount would want to cast a wider net with Star Trek Beyond, especially since the
competition during Summer 2016 is
going to be fierce - with
films like the Ghostbusters reboot and Bourne 5 playing
in theaters near the same time as Beyond (while sci - fi sequel Independence Day: Resurgence will have opened a month earlier).
The
film's MacGuffin is a hair cutting
competition in the small town and a lot of time
goes towards it.
Xavier Dolan's sixth
film is his fifth to
go to Cannes, and his second
in the main
competition after last year's daring «Mommy.»
In response, Cannes changed its rules for next year's festival, and will only accept theatrically released
films for its Palme d'Or
competition going forward.
After having been
in competition several times and coming away empty - handed, the German - born, Austrian - based Mr. Haneke finally scored with a
film dramatizing strange
goings - on
in a northern German village just before World War I.
Stylish, quirky but substantive, and with every frame filled with evocative and hilarious detail, the Jury Prize for best
film in the official
competition of the 2016 Seattle International
Film Festival
goes to Girl Asleep by Rosemary Myers.
Although Bernard says that he is not particularly swayed by Sundance audience reactions, the Miles Teller drummer drama happened to be a case where his taste aligned with Sundance
goers — just this weekend, the
film won both the grand jury and audience awards
in the U.S. dramatic
film competition.