It's a good - hearted
film in every single frame, and shining through is the gift of a man who knew how to link state of the art technology with a deceptively simple, really very powerful, story.
Not exact matches
In the first instance, then, I shall, as it were, be stopping the
film and examining a
single frame, pointing to various of its details and suggesting their overall significance.
In France, Henri Bergson noted that reality is a dynamic flux, like a cinema, from which abstractions, like
single frames of the
film, are made; for intelligibility the abstractions must be referred back to the élan vital from which they were originally drawn; intuition is more perceptive of reality than abstractions.
Despite perilously under - lighting a few nighttime sequences, cinematographer Rachel Morrison shoots the country so full of life that it's genuinely hard to believe she didn't
film a
single frame of it
in Africa (for a movie that's full of sloppy CG, the environmental green screen work is astonishing).
There's hardly a
single wasted
frame in this tightly - paced siege
film, turning the screw on its characters (and the audience itself) with some nail - biting tension that doesn't let up.
The only people I can see enjoying this
film would be
single lonely men
in slow motion and freeze
frame on their own on a dvd.
Typical for modern
films of this nature, the action scenes are filled with shaky handheld cinematography and rapid cuts that mean there often isn't a
single well -
framed shot
in the whole sequence (and if there is it lasts about a nanosecond before being replaced by one that isn't).
Wright spends almost the entire
film mapping his small English town so that, when the climax turns into a Tony Scott - flavored free - for - all, not a
single bullet is fired haphazardly, and off - screen space is just as easy to follow as what's
in the
frame.
It's arguably the best directed
film here, with video - artist - turned - feature - filmmaker Steve McQueen along with DoP Sean Bobbitt never wasting a
frame, never shifting the composition of a
single frame in the wrong direction.
Hiding the
film's considerable age, the sharp, clean black and white picture suffers from nothing more severe than a few missing
frames in a
single shot.
Probably nothing was going to have quite the same impact as John Boyega «s head popping up into
frame in that first teaser trailer (which we featured
in last year's edition of this feature)-- after all, it was the very first glimpse we got at the
single most widely anticipated new
film release of the last few decades.
by Walter Chaw Stop on any
single frame of Alfonso Cuarón's remarkable war idyll Children of Men — a
film that's rarely
in repose, sometimes seeming composed of one long, frantic shot — and I suspect the sharp - eyed, educated viewer would be able to cull a reference to modern art, most likely one about men reduced to their base animal nature.
THE DVD Both
films presented on a
single, dual - layer platter, An American Band is
in its original 1.33:1 full -
frame aspect ratio while I just wasn't made for these times appears
in an advertised 1.85:1 (non-anamorphic) presentation that seems closer to 1.66:1.
In exchange for this freedom, short -
film practitioners must distill their creative vision to its most vital essence, without wasting a
single frame of
film, and take deliberate care to achieve a certain unique, singular effect.
In several shots from 1974 that were filmed with a stationary camera, and in at least one shot from 1980, the picture develops a mild but unmistakable case of vertical jitters, with the image shifting up and down a single pixel or two from frame to frame, indicating some minor registration problems during the film - scanning or telecine proces
In several shots from 1974 that were
filmed with a stationary camera, and
in at least one shot from 1980, the picture develops a mild but unmistakable case of vertical jitters, with the image shifting up and down a single pixel or two from frame to frame, indicating some minor registration problems during the film - scanning or telecine proces
in at least one shot from 1980, the picture develops a mild but unmistakable case of vertical jitters, with the image shifting up and down a
single pixel or two from
frame to
frame, indicating some minor registration problems during the
film - scanning or telecine process.
There is pain and agony on almost every
single frame of this
film as the couple engages
in a cat and mouse game with Vicki, the teenage girl that they've chosen as their latest victim.
The most widely - used solution, however, has proven to be electronic paper displays that show color by combining traditional black and white screens with different types of color filters; this is not unlike early
film's Technicolor process, which simultaneously exposed two
frames of a
single strip of black and white
film, one behind a green filter and one behind a red filter, to show a movie
in color.
For this exhibition she has selected some of her most significant landscape drawings and collections of found natural objects and has created a body of new work culminating
in a major, one hour - long, two - screen 35 mm Cinemascope
film, Antigone, which uses multiple exposures to combine places, people and seasons into a
single cinematographic
frame.
And to complicate things, Mr. Lüpertz frequently works
in series, repeating a
single image with eye - testing variations, the equivalents, he tells us, of the individual
frames of a
film that, similarly, evoke the passage of time.
Akinbiyi's work is at its strongest
in groupings: collections dedicated to a
single city that we experience like
frames of moving
film.
In this experimental, quasi-narrative
film, which features writer / poet Anne Carson and actor Stephen Dillane, Dean has gone so far as to combine multiple «scapes» and events within the
single film frame, therefore, mixing different places, geologies and seasons into a
single cinematographic image.