Sentences with phrase «film in question»

I mean, tearing at the logical inconsistencies of hugely successful and acclaimed action - adventure films is a critical cottage industry at this point — as long as Christopher Nolan is one of the biggest directors in Hollywood, it pretty much has to be — but just about everyone is willing to put up with plot holes through which 13 dwarves could walk abreast as long as the show or film in question offers items of compensatory value in return.

The short film in question is Papers, Please: The Short Film, based on the cult classic 2013 indie title, Papers, Please (one of my personal favorite indie titles, which I now feel I underrated in my original review).

If we compare and contrast the aristocratic character of rock with that of disco, by using the two films in question, we see that disco's aristocracy is more natural, whereas rock's is more heroic.

Even casual viewers of movies and cable television probably are aware that the film in question, The Pawnbroker, opened floodgates that have washed over us in a torrent of naked bodies, male and female.

Even if the film in question isn't already a vanity project about the musician's life (Glitter, Purple Rain, Moonwalker and so on), there's a tendency for singers to either play themselves or needlessly draw attention to their presence.

I did read once that a review assumes you haven't seen the film in question, while criticism assumes you have.

I'm always thrilled to see him added to a cast, even when the film in question has the unlikely logline «An angel under the thumb of a ruthless gangster is saved by a trumpet player down on his luck.»

The film in question is 2003's «The Room,» in which Wiseau wrote, directed, and starred.

The films in question are respectively Paramount's Morning Glory and Fox's Love & Other Drugs.

The film in question is next month's Joaquin Phoenix starrer «You Were Never Really Here.»

The film in question was Phillip Noyce's Newsfront, the first feature to earn Hunter his own AFI trophy, and a landmark effort in the local industry.

The five films in question are Alfonso Cuarón's «Roma,» Jeremy Saulnier's «Hold the Dark,» Paul Greengrass» «Norway,» and two Orson Welles — related offerings: «The Other Side of the Wind,» his long - lost film that was recently completed, and Morgan Neville's documentary «They'll Love Me When I'm Dead.»

The film in question, however, doesn't live up...

I was concerned about conducting an interview without having seen the film in question, but we ended up having a wonderful chat that ranged from the SXSW experience and Alien: Resurrection to the state of independent cinema and where it is headed next.

Something that stemmed from that DreamWorks film was abundance in both low - brow humor and pop culture references that don't predate the film in question by more than 18 months.

He reveals just enough information about it for the savvy viewer to glean that the film in question is called Some Nudity Required, that it has been bootlegged and posted in its entirety on YouTube, and that Wynorski is portrayed in it, fairly or unfairly, as a noisy, sexist boor.

That's not to say the films in question are particularly meta.

With the exception of our consensus choice for the best scene of the year, the list below unfolds in no particular order, though we did try to cluster the more climactic scenes at the bottom, to make it easier for those who haven't seen the films in question to avoid reading about their (stellar) endings.

The three films in question were shot over three consecutive years (released in 1974, 1975, and 1976), and they all star Wenders» favorite actor, Rüdiger Vogler, as an itinerant lost soul, traveling across Germany (plus America, in one instance) in search of something that's never quite defined.

All of them are worth your consideration, especially for fans of the films in question.

Hours after reporting that The New York Film Critics Circle was moving its voting deadline back one day (to accommodate David Fincher's «The Girl with the Dragon Tattoo,» it was believed), we're learning — through a suddenly public brouhaha — that the film in question causing -LSB-...]

-- but it's meant with great affection just like the film in question...

What makes even less sense is that the film in question, Big Game, is directed by a man, Jalmari Helander, who has already created what can only be defined as a Finnish cult Christmas - horror film, Rare Exports: A Christmas Tale.

The film in question is The Post, a film Spielberg made remarkably quickly presumably in reaction to the Trump administration's attacks on the press (he wasn't hired to direct until March of this year and the film has a limited release on December 22), takes on the true story of the Washington Post's fight to publish the Pentagon Papers in 1971 as a reaction to Richard Nixon's strong arm tactics over the New York Times» publishing of the same information.

Today the film in question is the magician comedy Burt Wonderstone starring Steve Carell and Jim Carrey.

Sylvester Stallone's triumphant return to the role of Rocky Balboa won him Best Supporting Actor («Creed,» the film in question, also won Best Original Screenplay) and Rooney Mara's powerful turn in «Carol» won Best Supporting Actress.

The film in question is The Room, a 2003 drama directed by... Continue reading →

Most significant - and most logical considering the film in question - is the genre's «connections» to Satan - worship.

If you notice a set of initials after a title, that tells you that the film in question is highly anticipated by one of our critics (MG — Mike Gencarelli, LL — Loey Lockerby, MS: Mike Smith, JW — Jeremy Werner)

A warm and empathic exploration on friendship and failure, The Disaster Artist relishes the almost alien peculiarities of Tommy Wiseau and the stunningly inept making of The Room without abjectly mocking it, which if you've seen the film in question is almost impossible to pull off.

For those of you who were way to caught up in the Oscar nomination race to have been paying attention to Sundance (* raises hand in solidarity *) we thought rather than just share the winners list from Sundance we'd include a couple of details about the films in question.

The film in question is Standby, a charm - heavy concoction that transplants the Richard Curtis formula - male loser rescued by Disney princess - to an affectionate rendition of Dublin.

Even though the film in question wasn't even the best Seth Rogen movie of the year.

The best «coming attractions» manage to stoke anticipation while either capturing the spirit of the film in question or — and this is rare, admittedly — carving...

The film in question was Swiss Army Man, which tells the story of a man befriending a corpse played by the Harry Potter star.

The film in question being the underrated and overlooked Margaret.

The film in question?

The film in question focuses on the 1967 Detroit riot that claimed the lives of 43 people and saw more than 2,000 buildings destroyed and she's recruited a buzzy cast, including John Boyega, Straight Outta Compton's Jason Mitchell and The Revenant's Will Poulter, to tell the tale.

The film in question is The Happytime Murders, which has been long in development.

What's most remarkable here is that even without the dialogue, these images are still plenty powerful — especially if you've seen the films in question.

The 2004 DVD release includes trailers for Big Girls Don't Cry, The Craft (another film with Balk), The Last Picture Show and Cruel Intentions, but no trailer for the film in question.

The film in question is Five Hours, directed by Vivien Bittencourt and Vincent Katz in 1996; it captures, in images and without dialogue, the essence of Katz by videotaping him at work during this creative moment lasting for five hours, hence the title.