Sentences with phrase «film installation black»

In the upper gallery Aitken's film installation Black Mirror explores the story of a nomadic individual, set in a modern wilderness: a geography constructed of calls, electronic messages, and virtual documents superimposed over the physical world.

Doug Aitken's first solo exhibition in London for eight years will occupy both floors of Victoria Miro and include a specially reconfigured presentation of his acclaimed multi-channel film installation Black Mirror, alongside new wall - and floor - based sculptures and light box...

Doug Aitken's first solo exhibition in London for eight years will occupy both floors of Victoria Miro and include a specially reconfigured presentation of his acclaimed multi-channel film installation Black...

Not exact matches

Chris Larson, Land Speed Record (still), 2016, installation with color digital video, black - and - white Super 16 mm film, sound, and sculpture.

Panoramic film installation: Super 8 film transferred to video and HD video, black - and - white and color, silent; 35 min., looped.

LORNA SIMPSON, «Easy to Remember,» 2001 (16 mm film, approximately 2:56 minutes), a video installation featuring 15 separately recorded voices all humming the same tune, was recently on view as part of the Baltimore Museum of Art's Black Box series.

Other exhibition highlights on view in October include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs, sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale wall hangings by renowned American sculptor Lynda Benglis.

A third installation brings to our attention a dazzling three - screen film piece - a high - speed montage in ecstatically sharp black and white - by the late Bruce Conner.

The set is presented with two films, a black and white dance choreography by Anita Pace in the manner of Martha Graham's mythological dance pieces, and a large color projection of a dance filmed in Kelley's installation of the same work created in 1999, where dance movements were derived from the monkeys in the laboratory experiments, with violent movements evoking the films of psychologist Albert Bandura's studies of the effect of televised violence of on children.

Yang Fudong: East of Que Village, 2007; installation view; 6 - channel video installation, filmed with HDV, black and white, sound; 20:50 min; courtesy of the artist, Marian Goodman Gallery, Paris / New York, and ShanghART Gallery, Shanghai / Beijing / Singapore.

In his newest single channel video installation, Gatson uses original footage of a Black Panther rally on the day of the funeral of slain member Bobby Hutton, interrupting the film with with blank pauses and overlaying the clip with colorful forms to create a kaleidoscopic effect.

Three - screen Super-8 film installation, black - and - white, silent, 3:42 min., 4:11 min., and 3:45 min.

Spanning exhibitions, publications, films, new media, and site - specific installations, funded projects include «Incense Sweaters & Ice,» an immersive installation by Los Angeles - based artist Martine Syms; «Bond: Race and the Modern City,» which is described as the first book - length study of the architect J. Max Bond Jr. (at right, on far left); «Sacred Stoops: Typological Studies of Black Congregational Spaces,» an investigation of the porch and its role in the African American community; and research exploring «emerging paradigms» in architectural education across sub-Saharan Africa.

The exhibition will feature new sculptural installations by Karla Black and Claire Barclay; paintings by Victoria Morton, Alison Watt and Callum Innes; immersive room - sized installations by Ross Sinclair, Graham Fagen and Martin Boyce; a room of sculptures and prints by David Shrigley; and film and video works by Douglas Gordon, Luke Fowler and Rosalind Nashashibi.

Drawing from black experimental poetry, as well as popular texts produced for films, magazines, TV, and books, the works on view deconstruct the structural elements of language to rupture its intended purpose through collage, drawing, text - based installation, and video.

The nearly 5,000 visitors a day are seeing work by four artists - George Shaw, a painter, Karla Black, an installation artist, sculptor Martin Boyce and Hilary Lloyd, a film and video - maker - one of whom will win the # 25,000 prize at a ceremony at the Baltic on December 5th.

Huyghe wanted there to be «porosity» among the works, he says — and so films were screened on walls not far from sculptures and installations like the black ice rink that was intact during the exhibition's first iteration and shattered during the second.

In 1971 the performance and installation artist Eleanor Antin anticipated Sherman's «Untitled Film Stills» by a decade when she made Representational Painting, a black - and - white silent film in which she uses makeup to «find» herself.

Over time, my production has evolved from black and white photographic portraits and narrative videos to creating hybrid «sites», images and installations employing photographs, videos and film, archives and found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.

The 2 - channel video installation Black Moon / Mirrored Malle places an original 1975 interview with Louis Malle about his film «Black Moon» against a shot - for - shot version in which the artist herself plays Malle, enacting a gendered battle of authorship and doubled future within the present.

She's currently exploring motion - triggered video installation as well as experimental film as a medium for exploring the transgression, shame, and discomfort of the black feminine.

A recent curatorial project for San Francisco's Luggage Store Gallery paired experimental filmmakers, Kevin Everson and Akosua Adoma Owusu, together in a two - person exhibition of film installations that plumbed the depths of Black consciousness.

Comfortably filling the spacious, irregular proportions of the center's main gallery, the installation is composed of three distinct elements: freestanding abstract sculptures; color photographs of the artist's hands (palms out and partially covered in paint); and black - and - white videos appropriated from vintage films of competitive stone lifters (which is where the pun comes in).

Isaac Julien's The Leopard is a beautiful film installation about the mysterious transport of black Africans to an ornate palace in Europe.

At NSU Art Museum, Kambalu's site - specific installation will reference Thomas Edison's Black Maria, the world's first film production studio in New Jersey.

Johnson himself is known for his photography, films, sculptures and installations that often draw on the identities of black figures from recent history such as Don King and Sun Ra, as well exploring his own upbringing.

Notably, for instance, there is not much film and video, an exception being a nice installation by Amie Siegel at Simon Preston, featuring a swan; the swan is black, as the image is negative.

In Sue de Beer's work since the early 2000s, we get to see - the way we don't see our own - her personal image - streams on a wall, excellently crystallized into a series of lucid and fey film installations: Disappear Here, 2004, with a title from Bret Easton Ellis and a monologue from an untitled (and so far unreleased) novel by Alissa Bennett; Black Sun, 2005, with a title from Julia Kristeva and texts from two Dennis Cooper novels; The Quickening, which was based on writings by Joris - Karl Huysmans and Jonathan Edwards.

Walking into Thomas's two - channel film installation is like being invited into a cozy living room to celebrate the diversity of womanhood, and in particular, the many layers of black female identity.

In the presentation at Matt's Gallery in 2012, the viewer walked through an expansive sculptural installation, in which motifs from the film were played out; giant diagrammatic stick figures in the warning colours of yellow and black tower over a school girl inhabiting the world of School of Change.

The exhibition also includes examples of Simpson's series of installations of black - and - white photo - booth portraits of African Americans from the Jim Crow era and a film work.

The exhibition brings together four works: «Looking for Alfred» (2004), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; «Hitchcock didn't have a Belly Button: Interview with Karen Black» (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; «You Tube Me and I Tube You,» a two - channel interaction installation and web project initiated in 2010; and «I may have forever lost my umbrella» (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which will be shown in New York for the first time in this exhibition.

The exhibition also includes examples of Simpson's series of installations of black - and - white photo - booth portraits of African Americans from the Jim Crow era and a new film work.

To see the film the viewer walks through an expansive sculptural installation, in which motifs from the film are played out; giant diagrammatic stick figures in the warning colours of yellow and black tower over a school girl inhabiting the world of SCHOOL OF CHANGE.

In addition to ascreening of his recent film Black Mirror featuring American actress Chloe Sevigny, Aikten exhibits powerful lightboxes alongside sculpture and installation.

In the Positions sector, devoted to showcasing singular projects by up - and - coming artists, she will show Jibade - Khalil Huffman's multi-channel video installation, from a new and timely body of work by the artist that, according to Ebgi, «focuses on themes of the black male figure in American pop culture, film, and literature.»

Meanwhile, a second film installation titled Notes Towards a Model Opera, shows Mr. Kentridge breaking away from his general adherence to black and white with a rare — and wary — embrace of color.

The exhibition brings together four works: Looking for Alfred (2005), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; Hitchcock didn't have a Belly Button: Interview with Karen Black (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; You Tube Me and I Tube You, a two - channel interaction installation and web project initiated in 2010; and I may have forever lost my umbrella (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which is shown in New York for the first time in this exhibition.

The centerpiece at Eli Ridgway Gallery is a sculptural installation, Monolithoscope, which consists of a 16 mm film projector, a turntable and record, stereo amplifiers and speakers, a bio chart reader, and black film leader that runs through these connected devices.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

BLACK BOX is a collaboration organised by Edinburgh College of Art (eca) and the Edinburgh International Film Festival (EIFF), consisting of four acclaimed film installations by internationally - acclaimed artists: Turner prize nominees Jane and Louise Wilson (1999); Isaac Julien (2001); Italian artist Francesco Vezzoli and US - based artist Malerie Marder.

RR was made around the time that Kos was making early multimedia installations like Sound Of Ice Melting (1970), as well as doing private endurance pieces, which were documented by a Super 8 mm black and white film camera.

The Contemporary Art Gallery presents Medium - Based Time by Berlin - based Canadian artist Jeremy Shaw, featuring a black and white 16 mm film of transgender voguer Leiomy Maldonado, an HD video installation that reworks archival ethnographic film into a dystopian science fiction narrative,

Installed in the middle of the Yokohama Museum of Art, Michael Landy's massive Art Bin (2014) was the exhibition centerpiece — matched in scale and exuberance by installations such as Miwa Yanagi's mobile stage truck, which provided a site for gravity - defying pole dancing performances, and Shinro Ohtake's wheeled shed assembled from scrap materials and photographs — but many of the other works were distinguished by intimate reserve, apparent, for example, in René Magritte's small, black - and - white photographs from the portfolio «The Fidelity of Images» (1935), and Melvin Moti's film No Show (2004), depicting an empty Hermitage Museum through a single image accompanied by a voice track.

Akomfrah's critically acclaimed film installation Vertigo Sea is currently on view at Talbot Rice Gallery in Edinburgh, followed by a presentation spanning his cinematic output with the Black Audio Film Collective at the National Gallery of Art in Washington D.C. on 5 November.

Hammer Projects: Andra Ursuta opens March 7, 2014 February 26, 2014 Sabrosonico: All - ages courtyard concert featuring Toy Selectah, Sonidero Travesura, DJ Chucuchu & More February 25, 2014 Hammer Museum Announces Made in L.A. 2014 Artists February 19, 2014 Hammer Museum Will Present Three Awards in Conjunction with Made in L.A. 2014 January 30, 2014 Curator Aram Moshayedi Receives Grant from The Andy Warhol Foundation for the Visual Arts January 22, 2014 Terry Riley: In C, a Performance Installation by The Industry January 16, 2014 Take It or Leave It: Institution, Image, Ideology January 8, 2014 Hammer Projects: Nathaniel Mellors December 16, 2013 Tea and Morphine: Women in Paris, 1880 to 1914 Opens January 26, 2014 December 11, 2013 Opening Soon: JG, a film by Tacita Dean & Kelly Nipper: Black Forest December 9, 2013 A Trip to Japan in Sixteen Minutes, Revisited November 18, 2013

The multimedia installation Spiderman (2015) incorporates tropes of Black American stand - up comedy, inspired in part by Eddie Murphy's searing commentary on sexuality in his controversial 1983 concert film Delirious.

«Since there is no equivocal definition of life, most current definitions are descriptive,» reads Hannah Black «s «Beginning, End, None» three - channel film installation, a triptych of audio - video collage exploring what it means to be alive through the ambivalent idea of the «cell.»

Though much of the work is text - based — even from social experimenter Rirkrit Tiravanija — there's a neon light installation by Jonathan Horowitz, priced in the five - figure range, and Rashid Johnson's spin on museum gift shop fare: a silk scarf printed with scenes of martial combat from his short film, The New Black Yoga.

Highlights include Steven Claydon's cannily placed anachronistic hybrids (From under the periodic table [ARGON & GASSY MIXTURES], 2010), the allusive, solipsistic quietism of Ian Kiaer's Melnikov Project, silver (2010), the deceptively charged formlessness of Karla Black's There Can Be No Arguments (2010), the dysfunctional theatrics of Nathaniel Mellors» film installation Ourhouse (2010) and Brian Griffiths» giant teddybear head that lugubriously greets visitors to Nottingham Contemporary (The Body and Ground [Or Your Lovely Smile], 2010).