Sentences with phrase «film installation first»
McQueen shows Deadpan, his film installation first shown in his ICA show earlier this year, based on a sight - gag in Buster Keaton's Steamboat Bill Jr, and two new works, Prey and Current.
https://www.theguardian.com/ Not exact matches
SunPower focuses on high - efficiency panels that are ideal for rooftop solar installations, while First Solar's thin - film panels hold up better in harsh environments and appeal to large - scale utilities.
Coinciding with the 20th anniversary of its first expansion into films extrusion, in the first quarter of 2018 Supravis will launch a new, 11 - layer high - barrier cast film line, which will be the most technologically advanced installation of its kind.
As an art installation, this could be an interesting film to watch, cock - eyed, intrigued by the visual techniques of an obvious first - timer.
The first film to feature pop culture icon Hannibal Lecter (here called Dr. Lecktor), Michael Mann «s Manhunter (which shoulda been called Mannhunter) is very 80s and very inferior to the award winning installation, Silence of the Lambs, that came on its heels a decade later.
In two new film installations and a suite of photographs for his first New York solo exhibition, Akomfrah shifts his focus to the ill effects of displacement: One of the works looks at a 400 - year period of migration from Barbados, Mali, and Iraq; the other takes place at an abandoned airport outside Athens amid Greece's financial crisis.
In this show, the artist's first one - person exhibition in the United States since his «Possibilities» show at the P.S. 1 Museum in June 1989, FRANZ WEST will exhibit a series of new sculptures and an installation which includes a video made in collaboration with the Austrian film - maker BERNARD RIFF.
Tai Shani presents her first major solo exhibition in a public gallery, presenting the culmination of her ongoing project Dark Continent, which includes an immersive installation in The Tetley's atrium, film works, posters and a selection of artworks drawn together by Shani.
That means Elizabeth Price is showing the same video installation, The Woolworths Choir of 1979, as she did at the Baltic in Gateshead; Luke Fowler is exhibiting his 93 - minute film All Divided Selves, exploring the controversial psychiatrist RD Laing, which was first shown in Edinburgh; and Chetwynd is restaging key moments from a month of performance madness that she organised at Sadie Coles Gallery in London.
Life and death 7 January Oscar - winning artist / film - maker Steve McQueen's fifth exhibition at Marian Goodman Gallery, Paris (and the gallery's first for 2016) comprises a two - channel synchronised video, Ashes, and a new neon light installation.
Having conquered the U.K., Prouvost is now taking her offbeat, literarily minded work to the New Museum for her first solo show in the United States, a lobby installation called For Forgetting that will feature a mural, «scattered sculptural elements,» videos, a film, and more.
This rich and dramatic retrospective, which features paintings, assemblages, photographs, films, multimedia installations, and performance documentation, first appeared at the Museum der Moderne in Salzburg in 2015, and will travel to MoMA PS1 in New York this autumn (22 October — 1 February 2018).
In his first L.A. museum exhibition, Simmons paints the titles of race films on five large walls as part of a site - specific installation in CAAM's grand entrance.
First - time exhibitors include: Dépendance featuring drawings, sculpture, painting and film by Ed Atkins (b. 1982), Gillian Carnegie (b. 1971) and Peter Wächtler (b. 1979); David Lewis Gallery presenting works by Dawn Kasper (b. 1977) and Lucy Dodd (b. 1981); and Tyler Rollins Fine Art staging a never - before - seen installation by Manuel Ocampo (b. 1965) reflecting on current global political events.
This will be Kentridge's first substantial solo presentation in London for 15 years and includes two immersive multiscreen film installations, monumental ink - on - paper paintings, sculptures and drawings.
KAHLIL JOSEPH — SHADOW PLAY, Joseph's first solo show in New York City, features the premiere of FLY PAPER (2017), a film installation that pays tribute to Roy DeCarava (1919 — 2009)-- photographer of jazz and Harlem life — and «extends DeCarava's virtuosity with chiaroscuro effects to the moving image and brings together a range of film and digital footage to contemplate the dimensions of -LSB-...]
Comprised of nearly 200 pieces in a wide range of media including sculpture, painting, photography, installation art, found objects, film, and art books, the exhibition is the first to feature this little - known artist in the US.
Sarah Dobai's first major solo exhibition in the UK took place in 2006 at Kettles» Yard, Cambridge, coinciding with the end of her two - year residency at London's Delfina Studio Trust and featured photographic and film works made during that time, including a new, specially commissioned, two - screen film installation, as well as key earlier works.
In «Kahlil Joseph: Shadow Play,» his first solo presentation in New York, Joseph debuts Fly Paper (2017), a new film installation that departs from his admiration of the work of Roy DeCarava (1919 — 2009), a photographer and artist known for his images of celebrated jazz musicians and everyday life in Harlem.
Also on display: the work Shonibare did for the Fourth Plinth in London; «The Big Three», a group of sculptures representing the managers of the three major American car companies; the film «Un Ballo in Maschera»; the first group of collages made by Shonibare; and «Cannonball Heaven», an installation produced especially for this show.
Philipsz's installation draws on the score from Alain Resnais's film Nuit et brouillard (Night and Fog, 1956), the first documentary about the Nazi concentration camps.
For the installation Joints 4tet for Ensemble, Atlas brings the resulting films together for the first time, editing the material into four channels of synchronized video and showing them across a choreographed arrangement of ten different sized monitors; some placed on mono - stands, some on rolling carts, and others grouped in pairs.
The completed film installation, Undead Sun, 2014, was commissioned by the Arts Council of England and the Imperial War Museum, to mark the Centenary of the First World War.
Ghost Dance marks Samson Kambalu's first solo exhibition with Goodman Gallery in which the Malawi - born multimedia artist presents a series of new films (dubbed «Nyau Cinema») in the form of a site - specific installation.
Doug Aitken's first solo exhibition in London for eight years will occupy both floors of Victoria Miro and include a specially reconfigured presentation of his acclaimed multi-channel film installation Black...
The first exhibition in China to focus on the experimental, mechanically produced areas of Warhol's practice, Andy Warhol: Contact features photographs, installations, and films that broke the boundaries of contemporary art when they were first made, and still compel viewers today with their extraordinary immediacy.
Doug Aitken's first solo exhibition in London for eight years will occupy both floors of Victoria Miro and include a specially reconfigured presentation of his acclaimed multi-channel film installation Black Mirror, alongside new wall - and floor - based sculptures and light box...
Ben Dean's Account, 2002 — 2008, the exceptional installation that constituted his first solo show, is really two accounts — one a 16 - mm color film, the other a gray - toned, computer - generated video — of three places.
The large installation was exhibited as a solo exhibition at Kunsthalle Zurich in 1995 alongside the publication of her first book, «Visit to a Small Planet», a script which spanned the years 1978 (when she saw the original film aged 10) to the present day.
Meanwhile, the museum's first film exhibition is balanced by Varvara & Mar's amusing installation The Speed of Markets, which consists of seven modified metronomes whose rhythms correspond to the volume of selected stock markets, including the NYSE.
Developing themes from the film, The Pale Fox installation was first shown at London's Chisenhale Gallery in 2014 and traveled to Kunsthal Charlottenborg, Copenhagen; Bétonsalon, Paris; and the Westfälischer Kunstverein, Munster.
This exhibition — his first retrospective in the United States — examines each stage of Graham's career through his photographs, projects for magazine pages, films, architectural models and pavilions, performances, video installations, prints, drawings, writings, and his work with musicians Sonic Youth, Glenn Branca, and Japanther.
This new commission will be made into a film installation and shown for the first time in the exhibition.
Spanning exhibitions, publications, films, new media, and site - specific installations, funded projects include «Incense Sweaters & Ice,» an immersive installation by Los Angeles - based artist Martine Syms; «Bond: Race and the Modern City,» which is described as the first book - length study of the architect J. Max Bond Jr. (at right, on far left); «Sacred Stoops: Typological Studies of Black Congregational Spaces,» an investigation of the porch and its role in the African American community; and research exploring «emerging paradigms» in architectural education across sub-Saharan Africa.
She broke new ground, winning the Golden Lion award at the Venice Biennale (1999), for her video installation, Turbulent, and the Silver Lion at the International Venice Film Festival (2009) for directing her first feature film, Women Without Men.
Otto Freundlich — theoretician, political activist, painter, and sculptor — belonged to the first generation of abstract artists, working alongside Braque and Picasso; Len Lye, a multi-disciplinary artist from New Zealand, was a pioneer of animated film - making; Brazilian painter and installation artist Lygia Clark created innovative interactive works; and Blinky Palermo was known for his «fabric paintings.»
«Beatnik Meteors,» the most recent exhibition at the di Rosa and the first in new curator Amy Owen's collaboration - focused program, is an energetic mish mash of installation, performance, film and sound works by three groups...
The exhibition presents a group of recent work from the Zabludowicz Collection: three films The Udder (2014), Blood (2015), and Blue Roses (2016)-- installed as a trilogy for the first time — alongside a sound and light installation Faint with Light (2016).
Installation first presented the work titled Tearing Shadows created by experimental film, video projection and installation artist Robert Seidel Installation first presented the work titled Tearing Shadows created by experimental film, video projection and installation artist Robert Seidel installation artist Robert Seidel in Issue 09.
For the first time, more than twenty video and film installations, photographs and other selected work will be on view in a larger context.
This program will focus on the development of Syms's cinematic work, culminating in the debut theatrical presentation of her first feature film, Incense Sweaters & Ice (2017), the centerpiece of the Projects 106 installation.
Clemens von Wedemeyer Production shot: The Fourth Wall © The artistn Photocredit: Sheila Burnett The Fourth Wall, German artist Clemens von Wedemeyer's first solo show in the UK, is an ambitious film - based installation which revolves around first encounters between two groups of different people: in anthropological terms referred to as «first contacts».
Jacir's first UK survey, «Europa,» presents her haunting films and installations about border - crossing, identity, and exile, including her quasi-documentary Material for a Film (the work that won her the Golden Lion award for an artist under 40 at the 2007 Venice Biennial).
Julian Rosefeldt's four - screen installation (Super 16 - mm film transferred to DVD) The Ship of Fools, 2007, at first seems a kind of study in art history or visual culture.
2012Dallas Paul, A Rogue's Gallery of Gorgeousness: Charles Atlas and Anthony's Turning, FilmMaker Magazine, 16th November 2012 Atlas, Charles «Filming Cunningham Dance: In Conversation with Nancy F. Becker, 1983» Dance, Documents of Contemporary Art, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atlas.
Tai Shani presents her first major solo exhibition in a public gallery, presenting the culmination of her ongoing project Dark Continent, which includes an immersive installation in The Tetley's atrium, film works, posters and a selection of artworks drawn together...
To accompany the painted installation, Grosse has selected two documentary films to be screened in the first floor galleries, intended to frame her creative practice and research interests.
Huyghe wanted there to be «porosity» among the works, he says — and so films were screened on walls not far from sculptures and installations like the black ice rink that was intact during the exhibition's first iteration and shattered during the second.
SATURDAY, MAY 27 Opening: Martine Syms at Museum of Modern Art For her first solo museum show in America, Martine Syms, the young artist known for her reflections on performance and film history, will debut a new immersive installation centered around Incense, Sweaters, and Ice (2017), a feature - length film.
Kevin Atherton's video installation is a recurring engagement with his younger self through a filmed conversation first begun in 1978 when he was 27 years old, and was most recently conducted by his more mature self in 2014, 36 years on.