Sentences with phrase «film installation looks»

Nick Relph and Oliver Payne's film installation looks at the aspirations of regeneration projects.

Mariah Garnett speaks of Encounters I May or May Not Have Had with Peter Berlin, a porn star, but her film installation looks more like reflections from a disco ball.

Not exact matches

The Spanish filmmaker's latest film is a look at the last fifteen days of Louis XIV's life, starring Jean - Pierre Léaud, and had originated as a possible installation before being adapted into a film.

In two new film installations and a suite of photographs for his first New York solo exhibition, Akomfrah shifts his focus to the ill effects of displacement: One of the works looks at a 400 - year period of migration from Barbados, Mali, and Iraq; the other takes place at an abandoned airport outside Athens amid Greece's financial crisis.

The work of Egyptian artist Basim Magdy (b. 1977, Egypt) spans from drawing to film, painting to slide installations that touch upon issues of science, war, and progress, hovering between a nostalgic look to the past and a disenchanted imagery of the future.

In addition to this exhibition at Victoria Miro, a special presentation of photographs and a film installation of «I dream a world» Looking for Langston will take place at Photo London (18 — 21 May 2017).

Recent projects include Another Utopia (2015), a year - long project culminating in an installation and film exploring the squatting and housing co-operative movement of the 70's and 80's in London, and The Potential Space (2014), a film looking at parallels between making utilitarian objects and artistic practice, developed with members of Friends of Cathja, a charity that supports people experiencing mental health issues.

Simon Lewandowski is an artist based in London whose practice encompasses making useful things and useless things, making things that move and things that look as if they are moving.Solo exhibitions include «The Reversing Machine» (with Sam Belinfante), Art Laboratory Berlin, Berlin (2012) «Giochi, Passatempi, Harbingers» Nowhere Gallery, Milan (2011), «HOTEL / MOTEL / MOTET» installation and animated film with poet Richard Price, «Humbermouth» Literary Festival, Hull (2008), «The Imagining Machine: an Investigation», East Street Arts, Leeds (2008), «Crimes of Futility No. 8: The ArtistMachine», City Art Gallery, Leeds (2006).

This exhibition also will look at younger artists such as video artists Michael Joo and Regina José Galindo, who carry on many of these practices and themes decades later, reconfiguring the work of their predecessors into performative displays of ritual through film and gallery installations.

The installation requires them to look through a pair of peepholes in order to see Varela's 1989 film Detritus.

Since the mid-1990s, his installations, films and collaborative works have looked at the relationship between our experiences, the past, our expectations and the future.

With this summer show featuring a film and installation by McCarthy senior and his son, his reign doesn't look to be ending anytime soon.

By taking some time to look at a painting, installation, or film, we have a chance to gain insight not only into the art but also into our current culture and daily lives.

Bronwen Buckeridge's film installation follows performers at the Peking Opera, exploring how fictions take shape, while Amy Stephens» collection of spindly wooden frames looks like it might form a stage set — or perhaps a series of portals into another world.

This major new commission by London - based artist Uriel Orlow looks to the botanical world as a stage for politics at large through film, photography, installation and sound.

«Kinetic Painting» will bring together all six decades of the artist's work, from the rarely - seen assemblages and nude paintings created early in her career, some iconic performances and films from the»60s and»70s and a look at her later experiments in installation.

«LOOKING BACK» - SPECIAL CLOSING EVENT / SCREENING AT ANTHOLOGY FILM ARCHIVES A special one - night screening as a part of the exhibition «Looking Back - the 4th White Columns Annual», curated by Primary Information PAUL SHARITS SHUTTER INTERFACE (1975, 32 minutes, double 16 mm, color, sound) This 2 - projector version of the 4 - projector «locational» installation reorganizes the four reels into an equally engaging work meant for theatrical scrLOOKING BACK» - SPECIAL CLOSING EVENT / SCREENING AT ANTHOLOGY FILM ARCHIVES A special one - night screening as a part of the exhibition «Looking Back - the 4th White Columns Annual», curated by Primary Information PAUL SHARITS SHUTTER INTERFACE (1975, 32 minutes, double 16 mm, color, sound) This 2 - projector version of the 4 - projector «locational» installation reorganizes the four reels into an equally engaging work meant for theatrical scrLooking Back - the 4th White Columns Annual», curated by Primary Information PAUL SHARITS SHUTTER INTERFACE (1975, 32 minutes, double 16 mm, color, sound) This 2 - projector version of the 4 - projector «locational» installation reorganizes the four reels into an equally engaging work meant for theatrical screening.

The Showroom presents a major new commission by London - based artist Uriel Orlow, which looks to the botanical world as a stage for politics at large through film, photography, installation and sound.

«I Must First Apologize...:» is the culmination of a major project by Joana Hadjithomas and Khalil Joreige, an exhibit featuring an extensive body of work in film, sculpture, photography, and installation looking at the history of online spam and scamming.

In fact he has not only written a book on the master (The Boy Who Always Looked Up) but has also created a radio play, from the book which was filmed and used as part of his latest installation.

The exhibition brings together four works: «Looking for Alfred» (2004), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; «Hitchcock didn't have a Belly Button: Interview with Karen Black» (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; «You Tube Me and I Tube You,» a two - channel interaction installation and web project initiated in 2010; and «I may have forever lost my umbrella» (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which will be shown in New York for the first time in this exhibition.

«I dream a world» Looking for Langston, an exhibition of newly - conceived, large - scale and silver gelatin photographic works and archival material, at Victoria Miro, Wharf Road and a special presentation at Somerset House for Photo London (18 — 21 May) features photographs presented as both large - scale works and silver gelatin prints, accompanied by an installation of the award - winning film.

The exhibition brings together four works: Looking for Alfred (2005), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; Hitchcock didn't have a Belly Button: Interview with Karen Black (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; You Tube Me and I Tube You, a two - channel interaction installation and web project initiated in 2010; and I may have forever lost my umbrella (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which is shown in New York for the first time in this exhibition.

We also looked at trends in installation art, and approaches to the new media of photography, film, and video from the 1990s to the present

2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Hatch

What's most impressive about the Otolith Group's darkened installation — which also contains the Group's film of Satyajit Ray's unproduced screenplay The Alien, as well as small pools of light illuminating intimidating - looking theoretical texts — is that its unabashed nerdiness doesn't compromise its compelling beauty and sense of intellectual wonder.

International Pop features paintings, sculpture, assemblage, installation, printmaking, and film by eighty artists, drawn from public and private collections, and offers an intriguing new look at a subject that is familiar.