Sentences with phrase «film installation piece»

The exhibition will also premiere Robert Whitman's «Inside Out,» a five - film installation piece (1963 — 2009), created as Whitman moved beyond his initial performances.

Not exact matches

Steve McQueen's period piece 12 Years A Slave, adds another # 1 spot under its belt, followed closely the third installation in Richard Linklater's Before trilogy, Spike Jonze's futuristic love story, Her, the awe - inducing Gravity and the film that everyone can't stop talking about, The Wolf of Wall Street.
The piece was one of several that made up the exhibition «If We Ever Get to Heaven,» which also included the film installation I Am Not Me, the Horse Is Not Mine (2008), created for Kentridge's production of Dmitri Shostakovich's The Nose at the Metropolitan Opera, and the charcoal - drawing animation Other Faces (2011).
Other works include installations by Hans - Peter Feldmann and Tomoko Takahashi, which both highlight the cumulative power of photographs; a sound piece by Stephen Vitiello that layers barking dogs and firework explosions; and a film of drifting soap bubbles by Rivane Neuenshwander and Cao Guimarães that realizes the abstract forms of atmospheric conditions.
The installation included over 400 photographs, 86 text pieces, an hour long film, and an installation component.
The melancholic, slightly haunting monologues of Ilona Sagar's film piece and an audio installation by Sharon Hayes to an anonymous lover, complete the exhibition.
Combining handcrafted 16 mm film with video, installation, and performance, her pieces are exhibited internationally in film festivals, museums, galleries, TV, public outdoor installations, and multimedia performances.
Additionally a new video installation The Destruction quartet 2006 will be launched at this exhibition: it includes fragments of symbolic and real - life destruction acts that Jonas Mekas witnessed and filmed through the years: Nam June Paik destroying a piano; Australian based artist Danius Kesminas» fire piece in New York in 1983; the destruction of the Berlin Wall in 1990; and 9/11.
Comprised of nearly 200 pieces in a wide range of media including sculpture, painting, photography, installation art, found objects, film, and art books, the exhibition is the first to feature this little - known artist in the US.
The artist — popular both within and beyond the art world for his darkly subversive, laugh - out - loud drawings and sculptures — takes his place alongside Tino Sehgal, whose Tate Modern Turbine Hall piece last summer saw performers talking to gallery - goers, telling them intimate stories from their own lives; Laure Prouvost, the French - born, London - based maker of warmly mischievous installations and films; and Lynette Yiadom - Boakye, whose apparently traditional portraits of ordinary sitters turn out to be fabrications drawn from her own imagination.
Her Trilogy of Dust films speculate on post-apocalyptic futures, while a recent installation at Dublin City Gallery, The Hugh Lane, No More Fun and Games collages works by women from the gallery collection with a performance piece.
A third installation brings to our attention a dazzling three - screen film piece - a high - speed montage in ecstatically sharp black and white - by the late Bruce Conner.
The set is presented with two films, a black and white dance choreography by Anita Pace in the manner of Martha Graham's mythological dance pieces, and a large color projection of a dance filmed in Kelley's installation of the same work created in 1999, where dance movements were derived from the monkeys in the laboratory experiments, with violent movements evoking the films of psychologist Albert Bandura's studies of the effect of televised violence of on children.
More than 100 pieces of the artist's work are featured, including paintings, sculptures, installations, and documentary film footage.
Whether through writing, film, installation, or immersion, Barry utilizes a research - based methodology that places the viewer in direct conversation with the piece, thus providing subjectivity and multiplicity to the viewing experience.
Over the fivemonth exhibition period, General Rehearsal will offer the public curated selections of painting, drawing, sculpture, installation, photography, mixed - media, film, video and performance, including rare, iconic and major works of art alongside pieces from lesser - known, emerging talents from all over the world; new commissions and specially written scripts to narrate the presentations.
Blurring the boundaries between industrial craftsmanship and ecological growth, Stedelijk Museum, Amsterdam, presents Studio Drift: Uncoded Nature, a showcase of eight innovative installation and film pieces created by Dutch duo Lonneke Gordijn and Ralph Nauta.
Other contents include an essay by Karl Ove Knausgaard (presented as a removable book); 100 frames from Lotte Reininger's 1926 animation The Adventures of Prince Achmed introduced by John Canemaker; two film treatments by screenwriter Hampton Fancher (Blade Runner), based on Esopus subscribers» submissions; anonymous photographs from the collection of Peter Cohen; materials from MoMA's archives on events and installations in the Museum's garden over the past 60 years; a piece on the creative process behind the survivalist game The Long Dark; a new installment of a regular series, «Guarded Opinions,» for which guards from the Barnes Foundation discuss works they oversee; a comic book by George Cochrane; and a CD of new music inspired by «close calls» experienced by 15 musicians, including Jo Lawry, YC the Cynic and Lemolo.
Zac Langdon - Pole, Pieces of 8, 2015, single channel HD digital film, 5» 17 min, Installation view, The Physics Room, Christchurch, 2015 - 16
A seminal figure in the field of video art, he has been creating installations, video / films, sound environments, flat panel video pieces and works for concerts, opera and sacred spaces for over four decades.
Opening: Laurie Anderson, Habeas Corpus at the Park Avenue Armory The late Lou Reed's better half will premiere a new installation - cum - performance piece that seamlessly blends film, sculpture, music and video on the topic of a young Guantanamo Bay detainee — heavy stuff.
Pedro Gómez - Egaña makes sculptures, immersive installations, phonographic pieces and films, also making use of different mediums such as performance, text and sound works.
Organized by the Israel Museum, the exhibition features approximately sixty works on loan from important public collections internationally, including three dimensional works, installations, and drawings, as well as films documenting each artists» performance and theatre pieces.
Kara Walker is an African American painter, silhouettist, print - maker, installation artist and film - maker whose pieces are considered to be some of the most daring works of art the contemporary scene has in its arsenal.
Whenever I try to explain his kinetic Casablanca film loop installation, or 2001 Space Odyssey piece that automatically scans over text on a track, or his superimposed Psycho v. 1998 remake video..
Courtesy Karma International, Zurich and Los Angeles © Sylvie Fleury The exhibition spans art in multiple media, from the Renaissance to the present day, with paintings, sculptures, installations, prints and watercolours, photographs, films, costumes and armour by some sixty artists: two hundred pieces testifying the many ways artists have viewed, commented and shaped the world of fashion through the centuries.
In 1997 he met artist and filmmaker Shirin Neshat, and together they have created a body of work (short films, video installations, and a multimedia theater piece) that has been exhibited around the world.
Showcasing work by 29 artists of varying race, ethnicity and gender (including David Hammons, Lorna Simpson, Robert Mapplethorpe, Pat Ward Williams, Jean - Michel Basquiat, Lyle Ashton Harris and Andres Serrano, among others), the show, through installation pieces, photography, sculpture, film and video, presents a range of representation — images that «challenge and transform the «negative» stereotypes,» «real and imagined,» writes Golden in the exhibition catalogue.
Mike Kelley: Day is Done Judson Church Dance Tuesday November 17 — Thursday, November 19 at 8 pm and 10 pm In the first of two related Performa projects, Season 3 artist Mike Kelley will present three short dance / performance pieces in the Judson Memorial Church inspired by the darkly funny vignettes in his 2005 film and video installation Day Is Done.
US born, Swiss artist Elodie Pong is known for her subtle, analytic work, which is often built in multidisciplinary ensembles of pieces including video, installation, interviews, performance and film.
The book also features the photo - text pieces of the mid-1980s that first brought Simpson critical attention; stills from moving picture installations such as Interior / Exterior, Call Waiting, The Institute, and Momentum; and drawings related to her film and video work.
This comprehensive catalogue of Lorna Simpson's critically acclaimed 30 - year body of work highlights her photo - text pieces as well as film and video installations to reveal how the artist explores identity, memory, gender, history, fantasy, and reality.
The exhibition includes several film pieces, installations of technical equipment and everyday objects, as well as intricate pencil and watercolour drawings, making this the most varied and complex Prize exhibition yet.
His art works with watercolours, film and installations inspired the students to create their own pieces.
A quiet noise emanates from the closet, where a minimalist film dimly lights the shoes and books on a shelf there, the music painting the scene all around, and aptly so: «your motion says you are in the mood» is the inaugural exhibition of Christopher Fullemann's new sculpture at n / a, inspired by Arthur Russell; The closet installation is an accompaniment piece by the gallery director and curator Nicholas Andre Sung features music and imagery of Arthur Russell.
In 2012, Cooper and his frequent theater collaborator Gisèle Vienne co-curated a section of the annual Un Nouveau Festival at the Centre Pompidou in Paris entitled TEENAGE HALLUCINATION, featuring art exhibitions, films, lectures, live performances, concerts, an installation of the visual components of Cooper / Vienne's works to date, and performances of their theater pieces Last Spring, a Prequel (2011), Jerk (2008), and Cooper / Cochrane / Houston - Jones» Them.
Mejorado has been working widely throughtout Europe and Brazil presenting experimental performance pieces as well as exhibiting art videos, films, installations and radio shows.
He has created video films, architectural video installations, flat screen pieces, sound environments, electronic music performances, as well as works for television broadcast, opera, and sacred spaces.
It encompassed visions as distinctive as Michael Landy's Market, an installation of empty stalls made from stacked bread crates; Gordon's slowed - down 24 - hour version of Hitchcock's Psycho; Jane and Louise Wilson's psychological explorations of historic buildings through film and photography; and Wallinger's Ecce Homo, a sculpture of Jesus as an ordinary man that was the first piece on the fourth plinth in Trafalgar Square, London.
His exhibition at the National Gallery of Modern Art in Delhi, titled «Shoonya Ghar (Empty House),» runs through March 6, 2016, and features, among other pieces, an hour - long film and a sculptural installation featuring the sets from the film.
It currently boasts over 20,000 works in every artistic medium: approximately 4,100 paintings, more than 1,700 sculptures, nearly 3,600 drawings, over 5,500 prints, 4,230 photographs, approximately 120 installations and 40 video installations, 400 film and video creations, over 100 pieces of decorative art and 35 architectural works.
The exhibition's titular piece runs on a large, two - sided screen, which emanates enough light to let visitors inspect a pop - up retail installation that displays merchandise complimenting the film.
On view at the gallery's Chelsea and Lower East Side locations, Prager has produced a series of large - scale pigment print photographs depicting elaborately staged crowd scenes and a companion piece, an immersive three - channel film installation starring the actress Elizabeth Banks.
Simnett is a London - based artist working with performance and video who will be showing two pieces as part of the exhibition: musical film «Blue Roses» (2015) and a light and sound installation called «Faint with Light» (2016).
Her work embraces film - making, live - performance, fabric pieces, installations and collages; characteristically assembling talents from various disciplines for her projects.
The exhibition will present over twenty - five pieces spanning the years from 1964 — 1978 and will include photo - based painting, film transparency, sculpture, photograms, silver gelatin prints, and the iconic installation «TV Time Environment».
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
At first it was supposed to be just one film, but it's grown into a large - scale installation of different pieces that all fit together.
One of the centre pieces of the inaugural exhibition is Turner Prize - winning artist Douglas Gordon's celebrated film installation 24 Hour Psycho (1993).
RR was made around the time that Kos was making early multimedia installations like Sound Of Ice Melting (1970), as well as doing private endurance pieces, which were documented by a Super 8 mm black and white film camera.
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