The exhibition will also premiere Robert Whitman's «Inside Out,» a five -
film installation piece (1963 — 2009), created as Whitman moved beyond his initial performances.
Not exact matches
Steve McQueen's period
piece 12 Years A Slave, adds another # 1 spot under its belt, followed closely the third
installation in Richard Linklater's Before trilogy, Spike Jonze's futuristic love story, Her, the awe - inducing Gravity and the
film that everyone can't stop talking about, The Wolf of Wall Street.
The
piece was one of several that made up the exhibition «If We Ever Get to Heaven,» which also included the
film installation I Am Not Me, the Horse Is Not Mine (2008), created for Kentridge's production of Dmitri Shostakovich's The Nose at the Metropolitan Opera, and the charcoal - drawing animation Other Faces (2011).
Other works include
installations by Hans - Peter Feldmann and Tomoko Takahashi, which both highlight the cumulative power of photographs; a sound
piece by Stephen Vitiello that layers barking dogs and firework explosions; and a
film of drifting soap bubbles by Rivane Neuenshwander and Cao Guimarães that realizes the abstract forms of atmospheric conditions.
The
installation included over 400 photographs, 86 text
pieces, an hour long
film, and an
installation component.
The melancholic, slightly haunting monologues of Ilona Sagar's
film piece and an audio
installation by Sharon Hayes to an anonymous lover, complete the exhibition.
Combining handcrafted 16 mm
film with video,
installation, and performance, her
pieces are exhibited internationally in
film festivals, museums, galleries, TV, public outdoor
installations, and multimedia performances.
Additionally a new video
installation The Destruction quartet 2006 will be launched at this exhibition: it includes fragments of symbolic and real - life destruction acts that Jonas Mekas witnessed and
filmed through the years: Nam June Paik destroying a piano; Australian based artist Danius Kesminas» fire
piece in New York in 1983; the destruction of the Berlin Wall in 1990; and 9/11.
Comprised of nearly 200
pieces in a wide range of media including sculpture, painting, photography,
installation art, found objects,
film, and art books, the exhibition is the first to feature this little - known artist in the US.
The artist — popular both within and beyond the art world for his darkly subversive, laugh - out - loud drawings and sculptures — takes his place alongside Tino Sehgal, whose Tate Modern Turbine Hall
piece last summer saw performers talking to gallery - goers, telling them intimate stories from their own lives; Laure Prouvost, the French - born, London - based maker of warmly mischievous
installations and
films; and Lynette Yiadom - Boakye, whose apparently traditional portraits of ordinary sitters turn out to be fabrications drawn from her own imagination.
Her Trilogy of Dust
films speculate on post-apocalyptic futures, while a recent
installation at Dublin City Gallery, The Hugh Lane, No More Fun and Games collages works by women from the gallery collection with a performance
piece.
A third
installation brings to our attention a dazzling three - screen
film piece - a high - speed montage in ecstatically sharp black and white - by the late Bruce Conner.
The set is presented with two
films, a black and white dance choreography by Anita Pace in the manner of Martha Graham's mythological dance
pieces, and a large color projection of a dance
filmed in Kelley's
installation of the same work created in 1999, where dance movements were derived from the monkeys in the laboratory experiments, with violent movements evoking the
films of psychologist Albert Bandura's studies of the effect of televised violence of on children.
More than 100
pieces of the artist's work are featured, including paintings, sculptures,
installations, and documentary
film footage.
Whether through writing,
film,
installation, or immersion, Barry utilizes a research - based methodology that places the viewer in direct conversation with the
piece, thus providing subjectivity and multiplicity to the viewing experience.
Over the fivemonth exhibition period, General Rehearsal will offer the public curated selections of painting, drawing, sculpture,
installation, photography, mixed - media,
film, video and performance, including rare, iconic and major works of art alongside
pieces from lesser - known, emerging talents from all over the world; new commissions and specially written scripts to narrate the presentations.
Blurring the boundaries between industrial craftsmanship and ecological growth, Stedelijk Museum, Amsterdam, presents Studio Drift: Uncoded Nature, a showcase of eight innovative
installation and
film pieces created by Dutch duo Lonneke Gordijn and Ralph Nauta.
Other contents include an essay by Karl Ove Knausgaard (presented as a removable book); 100 frames from Lotte Reininger's 1926 animation The Adventures of Prince Achmed introduced by John Canemaker; two
film treatments by screenwriter Hampton Fancher (Blade Runner), based on Esopus subscribers» submissions; anonymous photographs from the collection of Peter Cohen; materials from MoMA's archives on events and
installations in the Museum's garden over the past 60 years; a
piece on the creative process behind the survivalist game The Long Dark; a new installment of a regular series, «Guarded Opinions,» for which guards from the Barnes Foundation discuss works they oversee; a comic book by George Cochrane; and a CD of new music inspired by «close calls» experienced by 15 musicians, including Jo Lawry, YC the Cynic and Lemolo.
Zac Langdon - Pole,
Pieces of 8, 2015, single channel HD digital
film, 5» 17 min,
Installation view, The Physics Room, Christchurch, 2015 - 16
A seminal figure in the field of video art, he has been creating
installations, video /
films, sound environments, flat panel video
pieces and works for concerts, opera and sacred spaces for over four decades.
Opening: Laurie Anderson, Habeas Corpus at the Park Avenue Armory The late Lou Reed's better half will premiere a new
installation - cum - performance
piece that seamlessly blends
film, sculpture, music and video on the topic of a young Guantanamo Bay detainee — heavy stuff.
Pedro Gómez - Egaña makes sculptures, immersive
installations, phonographic
pieces and
films, also making use of different mediums such as performance, text and sound works.
Organized by the Israel Museum, the exhibition features approximately sixty works on loan from important public collections internationally, including three dimensional works,
installations, and drawings, as well as
films documenting each artists» performance and theatre
pieces.
Kara Walker is an African American painter, silhouettist, print - maker,
installation artist and
film - maker whose
pieces are considered to be some of the most daring works of art the contemporary scene has in its arsenal.
Whenever I try to explain his kinetic Casablanca
film loop
installation, or 2001 Space Odyssey
piece that automatically scans over text on a track, or his superimposed Psycho v. 1998 remake video..
Courtesy Karma International, Zurich and Los Angeles © Sylvie Fleury The exhibition spans art in multiple media, from the Renaissance to the present day, with paintings, sculptures,
installations, prints and watercolours, photographs,
films, costumes and armour by some sixty artists: two hundred
pieces testifying the many ways artists have viewed, commented and shaped the world of fashion through the centuries.
In 1997 he met artist and filmmaker Shirin Neshat, and together they have created a body of work (short
films, video
installations, and a multimedia theater
piece) that has been exhibited around the world.
Showcasing work by 29 artists of varying race, ethnicity and gender (including David Hammons, Lorna Simpson, Robert Mapplethorpe, Pat Ward Williams, Jean - Michel Basquiat, Lyle Ashton Harris and Andres Serrano, among others), the show, through
installation pieces, photography, sculpture,
film and video, presents a range of representation — images that «challenge and transform the «negative» stereotypes,» «real and imagined,» writes Golden in the exhibition catalogue.
Mike Kelley: Day is Done Judson Church Dance Tuesday November 17 — Thursday, November 19 at 8 pm and 10 pm In the first of two related Performa projects, Season 3 artist Mike Kelley will present three short dance / performance
pieces in the Judson Memorial Church inspired by the darkly funny vignettes in his 2005
film and video
installation Day Is Done.
US born, Swiss artist Elodie Pong is known for her subtle, analytic work, which is often built in multidisciplinary ensembles of
pieces including video,
installation, interviews, performance and
film.
The book also features the photo - text
pieces of the mid-1980s that first brought Simpson critical attention; stills from moving picture
installations such as Interior / Exterior, Call Waiting, The Institute, and Momentum; and drawings related to her
film and video work.
This comprehensive catalogue of Lorna Simpson's critically acclaimed 30 - year body of work highlights her photo - text
pieces as well as
film and video
installations to reveal how the artist explores identity, memory, gender, history, fantasy, and reality.
The exhibition includes several
film pieces,
installations of technical equipment and everyday objects, as well as intricate pencil and watercolour drawings, making this the most varied and complex Prize exhibition yet.
His art works with watercolours,
film and
installations inspired the students to create their own
pieces.
A quiet noise emanates from the closet, where a minimalist
film dimly lights the shoes and books on a shelf there, the music painting the scene all around, and aptly so: «your motion says you are in the mood» is the inaugural exhibition of Christopher Fullemann's new sculpture at n / a, inspired by Arthur Russell; The closet
installation is an accompaniment
piece by the gallery director and curator Nicholas Andre Sung features music and imagery of Arthur Russell.
In 2012, Cooper and his frequent theater collaborator Gisèle Vienne co-curated a section of the annual Un Nouveau Festival at the Centre Pompidou in Paris entitled TEENAGE HALLUCINATION, featuring art exhibitions,
films, lectures, live performances, concerts, an
installation of the visual components of Cooper / Vienne's works to date, and performances of their theater
pieces Last Spring, a Prequel (2011), Jerk (2008), and Cooper / Cochrane / Houston - Jones» Them.
Mejorado has been working widely throughtout Europe and Brazil presenting experimental performance
pieces as well as exhibiting art videos,
films,
installations and radio shows.
He has created video
films, architectural video
installations, flat screen
pieces, sound environments, electronic music performances, as well as works for television broadcast, opera, and sacred spaces.
It encompassed visions as distinctive as Michael Landy's Market, an
installation of empty stalls made from stacked bread crates; Gordon's slowed - down 24 - hour version of Hitchcock's Psycho; Jane and Louise Wilson's psychological explorations of historic buildings through
film and photography; and Wallinger's Ecce Homo, a sculpture of Jesus as an ordinary man that was the first
piece on the fourth plinth in Trafalgar Square, London.
His exhibition at the National Gallery of Modern Art in Delhi, titled «Shoonya Ghar (Empty House),» runs through March 6, 2016, and features, among other
pieces, an hour - long
film and a sculptural
installation featuring the sets from the
film.
It currently boasts over 20,000 works in every artistic medium: approximately 4,100 paintings, more than 1,700 sculptures, nearly 3,600 drawings, over 5,500 prints, 4,230 photographs, approximately 120
installations and 40 video
installations, 400
film and video creations, over 100
pieces of decorative art and 35 architectural works.
The exhibition's titular
piece runs on a large, two - sided screen, which emanates enough light to let visitors inspect a pop - up retail
installation that displays merchandise complimenting the
film.
On view at the gallery's Chelsea and Lower East Side locations, Prager has produced a series of large - scale pigment print photographs depicting elaborately staged crowd scenes and a companion
piece, an immersive three - channel
film installation starring the actress Elizabeth Banks.
Simnett is a London - based artist working with performance and video who will be showing two
pieces as part of the exhibition: musical
film «Blue Roses» (2015) and a light and sound
installation called «Faint with Light» (2016).
Her work embraces
film - making, live - performance, fabric
pieces,
installations and collages; characteristically assembling talents from various disciplines for her projects.
The exhibition will present over twenty - five
pieces spanning the years from 1964 — 1978 and will include photo - based painting,
film transparency, sculpture, photograms, silver gelatin prints, and the iconic
installation «TV Time Environment».
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative
installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short
piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8
films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
At first it was supposed to be just one
film, but it's grown into a large - scale
installation of different
pieces that all fit together.
One of the centre
pieces of the inaugural exhibition is Turner Prize - winning artist Douglas Gordon's celebrated
film installation 24 Hour Psycho (1993).
RR was made around the time that Kos was making early multimedia
installations like Sound Of Ice Melting (1970), as well as doing private endurance
pieces, which were documented by a Super 8 mm black and white
film camera.