Sentences with phrase «film installation which»

The Woolworths Choir of 1979 (2012) is a film installation which comprises three distinct sections; the first examines the choral architecture of churches; the second concentrates on coordinated dance routines performed by pop groups and backing singers; and the third focuses on archive footage from a fire at the Woolworths department store in Manchester in 1979.

The application proposes that funding awarded by the Derek Williams Trust (DWT) Purchase Prize could be combined with the Contemporary Art Society Annual Award to commission a new, ambitious performance and film installation which will involve a number of elements including the museum itself, the local music scene from opera to pop and a 1774 chamber - organ in the National Museum Cardiff which is still regularly used for organ recitals.

Not exact matches

But they also had a physical installation at SXSW, which featured the DeLorean from Back to the Future — the car of choice for character Parzival in the film's virtual - reality world.

Coinciding with the 20th anniversary of its first expansion into films extrusion, in the first quarter of 2018 Supravis will launch a new, 11 - layer high - barrier cast film line, which will be the most technologically advanced installation of its kind.

She continued, «The film has been amazingly simple to work with and gives my work beautiful textured light responsive surfaces which can be used in a wide variety of installations.»

There are no permanent exhibitions, but artists from around the world descend on the gallery to show works, which range from film, photography and paintings to sculpture and sound installations.

Indeed, press received one during a screening of the new film by German installation artist Julian Rosefeldt, which stars Cate Blanchett in 13 different roles.

In this film, which began life as a multichannel video installation, Blanchett plays 13 roles, from a turbaned choreographer to a nuclear scientist, with all of her dialogue spliced together from nearly 60 artistic manifestos of the 20th Century.

Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across space and time on many themes of character, identity, success, failure, anger and disappointment.

This is the 10th anniversary of a portion of the festival dedicated to immersive cinematic work which can include films, installations or, prominently this year, virtual reality.

An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.

The first film to feature pop culture icon Hannibal Lecter (here called Dr. Lecktor), Michael Mann «s Manhunter (which shoulda been called Mannhunter) is very 80s and very inferior to the award winning installation, Silence of the Lambs, that came on its heels a decade later.

With Christian as our guide, we are introduced to mounds of gravel framed as an important work (later hoovered up by cleaners) and to a public installation whose meaning remains bewilderingly opaque throughout (and from which the film takes its name).

The film documents the installation of Gilliam's work, which was inspired by the work of American Modernist Arthur Dove.

The piece was one of several that made up the exhibition «If We Ever Get to Heaven,» which also included the film installation I Am Not Me, the Horse Is Not Mine (2008), created for Kentridge's production of Dmitri Shostakovich's The Nose at the Metropolitan Opera, and the charcoal - drawing animation Other Faces (2011).

Then there was Pauline Boudry and Renate Lorenz's video installation Toxic (2012), which links together the pharmaceutical and film industries — two systems that can affect people's behavior.

The core of this exhibition will be a selection from her signature Liz Taylor Series of paintings, and an installation which incorporates the film stills comprising the source material for this ongoing series.

In a unique style that is both sensory and utopian, Kusama's work — which spans paintings, performances, room - size presentations, sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures — possesses a highly personal character, yet one that has connected profoundly with large audiences around the globe.

Other works include installations by Hans - Peter Feldmann and Tomoko Takahashi, which both highlight the cumulative power of photographs; a sound piece by Stephen Vitiello that layers barking dogs and firework explosions; and a film of drifting soap bubbles by Rivane Neuenshwander and Cao Guimarães that realizes the abstract forms of atmospheric conditions.

In the fall of 2011, Ballroom Marfa will mount the exhibition AutoBody, which showcases a single new work and installation, North of South, West of East, by emerging film and video artist Meredith Danluck, alongside the sculptural works of Liz Cohen, Matthew Day Jackson and Jonathan Schipper, organized by curator Neville Wakefield.

STAN DOUGLAS: Interregnum @ Wiels Contemporary Art Centre Brussels, Belgium Recognized for film work exploring lost utopias of the 20th century, Canadian artist Stan Douglas is premiering the six - screen video installation, «The Secret Agent,» which continues his interest in post-war history and film noir.

In this show, the artist's first one - person exhibition in the United States since his «Possibilities» show at the P.S. 1 Museum in June 1989, FRANZ WEST will exhibit a series of new sculptures and an installation which includes a video made in collaboration with the Austrian film - maker BERNARD RIFF.

Josephine Meckseper (b. 1964) has developed a practice which melds the aesthetic language of modernism with a profound critique of consumerism In her shop windows, vitrines, installations, photographs, films and magazine projects she draws a direct correlation to the way consumer culture defines and circumvents subjectivity and sublimates the key instruments of individual political agency.

Byrne's work, which explored the myth of the Loch Ness Monster through photography, film and installation, inspired pupils to search through their camera lenses for «monsters», disguised in the shapes of trees and natural forms in local woodland.

And we shared a lot of interest in artists like Luther Price — who also had a major solo exhibition at Thread Waxing Space, which was an installation, but also a marathon, three - day film - screening series.

Tai Shani presents her first major solo exhibition in a public gallery, presenting the culmination of her ongoing project Dark Continent, which includes an immersive installation in The Tetley's atrium, film works, posters and a selection of artworks drawn together by Shani.

Among the exhibition's highlights are a photographic installation in which Waters explores the auras and absurdities of famous films, their directors, and actors; a suite of photographs and sculpture that use humor to humanize dark moments in history from the Kennedy assassination to 9/11; and Kiddie Flamingos, a 2014 video work of children reading a G - rated version of Pink Flamingos (Waters» notorious 1972 celebration of all things outsider and extreme).

Part of the installation at 18th Street Arts Center's Main Gallery is a simultaneous three - channel film, which will offer insight into the complex web of relations and influences stretching between Latin America and the United States.

The exhibition, which includes photographs, sculptural installations and films, presents interpretations of two of Walter Benjamin's seminal writings: Thesis on the Philosophy of History and Berlin Childhood around 1900.

It will spotlight the artist's unique contribution to the narrative of Brazilian Conceptualism and reveal her wide - ranging, interdisciplinary practice which merges painting, photography, film, sculpture, installation, collaborative actions, and participatory events.

There's persuasive evidence to support this sharp reputational shift: this was the moment when post-industrial architecture led to new forms of loft living; it was the era in which performance, film and installation became central features of contemporary art; and it's where more fluid notions of gender and sexuality were evolving in pulsing clubs and decaying factories.

Her films, drawings, photos and installations often seek to examine the concept of narrative, exploring the subjective nature of memory and «the means by which artefacts are borrowed, adapted and reconfigured to tell various stories».

That means Elizabeth Price is showing the same video installation, The Woolworths Choir of 1979, as she did at the Baltic in Gateshead; Luke Fowler is exhibiting his 93 - minute film All Divided Selves, exploring the controversial psychiatrist RD Laing, which was first shown in Edinburgh; and Chetwynd is restaging key moments from a month of performance madness that she organised at Sadie Coles Gallery in London.

For T. J. Wilcox: In the Air, the New York - based artist has created a remarkable new panoramic film installation, which fills most of the second floor of the Whitney Museum of American Art.

PLAKOOKEE is a collaboration between artists Rachel Debuque and Justin Plakas which explores the aesthetic history of science fiction films through an installation titled Cosmic Modules.

This rich and dramatic retrospective, which features paintings, assemblages, photographs, films, multimedia installations, and performance documentation, first appeared at the Museum der Moderne in Salzburg in 2015, and will travel to MoMA PS1 in New York this autumn (22 October — 1 February 2018).

In 2010, for Location One Gallery in New York, Saro - Wiwa produced and co-curated the group exhibition Sharon Stone in Abuja, which explored the narrative and visual conventions of the Nigerian «Nollywood» video - film industry through Saro - Wiwa's video installations and works by Wangechi Mutu, Mickalene Thomas, Andrew Esiebo and Pieter Hugo.

Inspired by the spoken, written, and performed introductions Conrad regularly used to help frame screenings and presentations of his works, many of which are incorporated into the exhibition itself, it shows Conrad to be an unparalleled innovator in the mediums of painting, sculpture, film, video, performance, and installation, tenaciously working to challenge the boundaries between artistic categories.

Her extraordinary and highly influential career spans paintings, performances, room - size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes.

Mythos of Lost Dynasties Series # 1 — # 27 (2011), an installation comprised of the hair at various stages of conversion, and a film of the process itself, lays bare the labor - intensive means by which this «genetic ink» is developed and deployed.

The film will be accompanied by an installation that includes Hershman Leeson's own (blurred) version of the Carlotta portrait, which, through a Go Pro Camera peeking out from the canvas, will capture the viewer's movements and edit them in real time into a 3D installation that includes scenes of the film.

Central to the exhibition will be fragments of the artist's writings and footages and videos as well as short films from the oeuvre of French director Jean Michel Bruyère in which Samb plays the role of an actor at the service of Bruyère's durational performance - installations.

Current shows include Nikholis Planck and Elizabeth Karp - Evans's sculptures and installation in the rear of the gallery, which comment on the gendered nature of the art world, among other things, and «Watchlist,» a program of films and videos from around the world whose title plays on the concept of government watch lists.

Meanwhile, SculptureCenter presents Leslie Hewitt's solo show «Collective Stance,» which involves two film installations, recent sculpture, and photolithography — a process most often associated with the production of circuit boards and microprocessors.

Like the movement of a film in which one frame follows another, the viewer's passage through one of her installations unfolds a series of physical and conceptual experiences.

It also is renowend for its highly competitive «New Genres» program, which immerses students in installation, video, film, audio, performance, and digital work, plus «hybrid and emerging art forms.»

Presented alongside the video installation, Monaghan created a series of prints, called The Checkpoint, which depict a triumphal arch seen in the above mentioned film.

Julien's major film installations include the seven - screen PLAYTIME (2014), which explores the dramatic and nuanced subject of financial capital.

The artist's immersive film installations often include durational performance, experimental theatre, and variations of delegated creations of artistic objects and spaces which combine the work of architects, musicians, scientists, and craftsmen as well as factory - made products, all chosen for specific contextual and historical significance.

Live performance, repetition and music are central to his practice which also incorporates film, installation and painting.