Devotional Document (Part I), at Nottingham Contemporary is Wu Tsang's first solo show in the UK, bringing together two
film installations and a video: Duilian (2016), Damelo Todo / Odot Olemad (2010 - 15), and Shape of a Right Statement (2008).
Not exact matches
This
film even comes with a helpful
video installation guide
and DVD to help you most effectively bond your
film to your windows.
But McQueen had a prolific career before he entered the world of feature
films, winning the Turner Prize for his art, as well as making short
films,
video installations, TV commercials, music
videos,
and much more besides.
After the
film, the solitary viewer enters a long dark hallway that features short
video installations introducing the real - life Latinos who inspired the story
and depicting the struggles they face as immigrants today.
Claude Chabrol makes at least one
film a year; Jacques Rivette
and Alain Resnais released new features in 2009; Agnes Varda is busy mounting conceptual
installations when she's not making her delightful documentaries; Jean - Luc Godard is still tinkering away on digital
video.
The
film is directed by Julian Rosefeldt, a Berlin - based
video installation artist,
and, according to reviews, is quite different from the form it took at the Park Avenue Armory.
Varda had suggested that Faces Places would be her last
film for distribution,
and that she would now be focusing solely on
video art
and installations.
(
film /
video - based / related
installations,
film /
video art projects,
films seen in exhibitions
and a performance by a filmmaker)
(
film /
video - based / related
installations,
film /
video art projects,
films /
videos seen in exhibitions,
and other creations
and happenings such as these)
As a Dean's Fellow at the University of Iowa, he received his M.F.A. in
Film and Video Production in 2012, with an emphasis in documentary film and video installa
Video Production in 2012, with an emphasis in documentary
film and video installa
video installation.
It celebrates the Turner Prize by encouraging young people to explore contemporary artists, offering stimulus for young people's creation of art using
film, animation
and video installations.
Füsun Eczacıbasi's six - story home in Istanbul's old city is a beacon of contemporary art filled with
video installations and other works by Turkish
and international artists, including an animation by the South African William Kentridge, a transformed door by Polish artist Alicja Kwade,
and films by Turkish artists Ali Kazma, Inci Eviner,
and Extrastruggle.
Then there was Pauline Boudry
and Renate Lorenz's
video installation Toxic (2012), which links together the pharmaceutical
and film industries — two systems that can affect people's behavior.
Chris Larson, Land Speed Record (still), 2016,
installation with color digital
video, black -
and - white Super 16 mm
film, sound,
and sculpture.
Artwork ranges from drawing, photography, sculpture,
installations,
film and video to performance
and social practice taking place in both urban
and rural landscapes,
and include works that are narrative, political, performative,
and conceptual examples of contemporary art.
Comprised of two separate
videos, «Ringtone»
and «Geisha Song,» the
installation features the artist's signature style of using inanimate objects, such as ventriloquist dummies, paper dolls
and finger puppets in staged photographs
and film to objectify people
and express a blend of psychological, political
and conceptual ideas.
The Artist's Museum begins with this impulse to collect
and connect, bringing together large - scale
installations, photography,
film,
and videos that employ artworks from the past as material in the present, animating existing artworks, images,
and histories to reveal art's unexpected relationships
and affinities.
The on - site
installations program IN / SITU, selected by a major international curator,
and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures
and site - specific works within the exhibition hall, alongside EXPO
VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizat
VIDEO, featuring a dynamic curated screening program for
film,
video, and new media works, and Special Exhibitions booths highlighting non-profit organizat
video,
and new media works,
and Special Exhibitions booths highlighting non-profit organizations.
Artwork in the exhibition ranges in medium from drawing, photography, sculpture,
installations,
film,
and video to performance
and social practice taking place in both urban
and rural landscapes.
Sanford Biggers» works integrate
film /
video,
installation, sculpture, drawing, original music
and performance.
Ericka Beckman creates
films,
videos, photographs,
and installations that are inspired by game structures rather than linear narratives.
Panoramic
film installation: Super 8
film transferred to
video and HD
video, black -
and - white
and color, silent; 35 min., looped.
Since the early 1990s, Diana Thater has created pioneering
film,
video,
and installation - based works.
In the fall of 2011, Ballroom Marfa will mount the exhibition AutoBody, which showcases a single new work
and installation, North of South, West of East, by emerging
film and video artist Meredith Danluck, alongside the sculptural works of Liz Cohen, Matthew Day Jackson
and Jonathan Schipper, organized by curator Neville Wakefield.
STAN DOUGLAS: Interregnum @ Wiels Contemporary Art Centre Brussels, Belgium Recognized for
film work exploring lost utopias of the 20th century, Canadian artist Stan Douglas is premiering the six - screen
video installation, «The Secret Agent,» which continues his interest in post-war history
and film noir.
In this show, the artist's first one - person exhibition in the United States since his «Possibilities» show at the P.S. 1 Museum in June 1989, FRANZ WEST will exhibit a series of new sculptures
and an
installation which includes a
video made in collaboration with the Austrian
film - maker BERNARD RIFF.
The three
video installations and related photographs, covering a span of five years of work, explore
film's relationship to place
and the traces that movie making leaves behind.
Caribbean: Crossroads of the World will highlight over two centuries of rarely seen works — from paintings
and sculptures to prints, photographs,
installations,
films,
and videos — dating from the Haitian Revolution to the present.
All media are represented: painting, sculpture, photography, works on paper,
installation, decorative arts, craft, design
and film and video.
Taking place in P.S. 1's second floor Main Gallery, the show will include
film,
video, sculpture,
and installation by ten artists.
The
video installations of Jane
and Louise Wilson, with their hovering steady - cam shots, their weird, wonky - angled explorations of atmospheric interiors, owe so much to the language of commercial
film and to pop
videos, that we feel we've already seen the movie
and heard the song, when we've really only seen the set - in this case the late, late hour gambling rooms of Las Vegas,
and the doomy tunnels under the Hoover Dam.
Nathaniel Mellors: In a long interview with Jacob Fabricius, the British artist examines the shift in his work from music
and the «total
installation'to a focus on
video and film, particularly as seen in his Ourhouse series.
Combining handcrafted 16 mm
film with
video,
installation,
and performance, her pieces are exhibited internationally in
film festivals, museums, galleries, TV, public outdoor
installations,
and multimedia performances.
The Pyes» artistic output spans photography,
film, performance,
video,
and installation while acknowledging the profound influences of surrealism in
film, narrative conventions in painting, 19th
and early 20th century portraiture,
and conceptual approaches to subject matter.
«A selection of iconic works using light projection — photographs,
films,
videos, digital imagery
and interactive
installations from plasma screens to giant projections — will document the technological innovations that have become part of artistic creation over the past ten years.»
Among the exhibition's highlights are a photographic
installation in which Waters explores the auras
and absurdities of famous
films, their directors,
and actors; a suite of photographs
and sculpture that use humor to humanize dark moments in history from the Kennedy assassination to 9/11;
and Kiddie Flamingos, a 2014
video work of children reading a G - rated version of Pink Flamingos (Waters» notorious 1972 celebration of all things outsider
and extreme).
During the last couple of years Leander Djønne has been engaged in an art practice that moves between multiple mediums —
film,
video, text, performance,
installation, photography
and teaching.
She works in a variety of media — painting
and photography alongside
film,
video and installation -
and exhibits regularly in the United States, Europe
and Mexico, with works held in major museum collections worldwide.
Her
films /
video,
installations, public performances, photographs
and drawings combine minimalist
and poetic approach with socially engaged
and complex narratives.
Based between Berlin, Oslo
and Paris, Khalili's work explores the broad topics of migration
and displacement through the mediums of
film,
video,
installation, photography
and prints.
«Through three
video installations — Grand Paris Texas, Movie Mountain (Méliès),
and the premiere of their most recent
film, Giant — Hubbard / Birchler frame the traces that filmmaking leaves behind in physical places as well as in people's psyches,» writes A+C contributor Nancy Zastudil.
Artists working in all mediums (including — but not limited to —
video and film, new media,
installation, painting, social practice, sculpture
and performance), as well as curators, are encouraged to submit exhibition proposals.
Incorporating
film,
video,
and photographic
installations Adrià Julià embarks on a new project that focuses on the relationship between the camera
and the bodies that operate it, such as in cinematographers.
Cytter's
films,
video installations,
and drawings depict social realities through experimental modes of storytelling.
This exhibition follows the artists from their early
video installations and websites to later large - scale sculptural work
and feature - length
films, screened daily in a gallery cinema.
Known for its competitive «New Genres» program — spanning
installation,
video,
film, audio, performance,
and assorted digital mediums — this unique area of study questions «preconceived notions of the role of art in culture
and its relationship to a specific form or medium,» according to the school's literature.
The show is an
installation by the Berlin - based artist Omer Fast that includes
video and film, including a 2016 work inspired by the life
and work of German photographer August Sander.
The others are Ciara Phillips, who creates workshop
installations with screen prints, textiles
and photographs; James Richards, who makes
and borrows
film and images to create
video installations;
and Tris Vonna - Michell, who delivers fast - paced spoken word performances.
That means Elizabeth Price is showing the same
video installation, The Woolworths Choir of 1979, as she did at the Baltic in Gateshead; Luke Fowler is exhibiting his 93 - minute
film All Divided Selves, exploring the controversial psychiatrist RD Laing, which was first shown in Edinburgh;
and Chetwynd is restaging key moments from a month of performance madness that she organised at Sadie Coles Gallery in London.
This Tate Modern retrospective of octogenarian American performance art,
film and video pioneer Joan Jonas is the largest showing of her work in the UK to date, including
films and installations from the 1960s to the present day.